Step into Etching: Line, Tone & Texture
- Number of classes: 2
- Total Course Hours: 12
- Discipline: Printmaking
- Lecturer: Angus Fisher
- Age: 16 years and over
- Levels: Beginner, Intermediate
- Location: National Art School
Step into Etching: Line, Tone & Texture





Course Details
Learn the fine art of copper plate etching, a medium both steeped in tradition and one that allows for exciting approaches to contemporary art making. In this 2-day workshop you’ll have the opportunity to work with various methods to create a small edition of prints in the beautiful NAS etching studios.
Angus Fisher teaches various ways of creating imagery on an etching plate including line-work and the use of aquatint to create exciting tonal and painterly effects. Students will work will imagery of their own choice and will produce a small edition of prints over the two-days. Bring along your own reference material such as drawings or photographs that will be helpful in developing visual ideas.
Students will provide their own copper etching plate and etching paper. Please make sure you have a plate ready for the beginning of day one. Additional copper plates can be purchased if needed at Parkers Art Supplies on the NAS campus. All other consumables will be provided.
* NAS Short Courses are open to students of ages 16 years and over. The NAS Art Club is open to students between 15 - 17 years of age.
Art Materials
Students must supply their own art materials, please refer to the list below.
- 1 or more copper etching plates (0.9 - 1.2mm thick) size A5 or larger. (available from Parkers/other art supply stores)
- 1 sheet of etching paper, approx. 76 x 56cm. Hahnemuhle paper is recommend.
- 1 etching scribe (approx. $3.50)
- Sketchbook and basic drawing equipment
- 1 box of disposable nitrile gloves. Latex can be used but nitrile is best.
- Apron or protective shirt
- Covered footwear is essential in all studios on campus.
Enclosed footwear is essential.
Lecturer Profile
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Angus Fisher is a practicing artist living and working on the Hawkesbury river just north of Sydney. His art practice investigates nature, ecology and the evolving attitudes and changing philosophical interpretations of the ‘natural’ world. Primarily working with etching and drawing, Angus utilises traditional working techniques, methodologies and aesthetics to place his work in direct connection to historical contexts and traditions. Angus is a graduate of the National Art School and is currently represented by Australian Galleries in Australia and Jonathan Cooper Gallery in the UK. He has worked as an artist and teacher around Australia and previously as an archaeological illustrator in Greece. Angus has been a finalist in several art prizes around Australia including the Waterhouse prize for Natural history and was the 2018 recipient of the National Art School’s Cité des Art Paris studio residency.
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