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NAIDOC Week 2026
Thursday 25 June 2026
This NAIDOC Week, the theme Fifty Years of Deadly recognises the enduring strength, resilience and achievements of Aboriginal and Torres Strait Islander peoples. Fifty Years of Deadly is a tribute to the people who built this movement. The Elders who stood firm, the organisers who made space, the artists who turned resistance into expression, and the communities who keep showing up, year after …
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Tuesday 28 July 2020
Tuesday 28 July 2020
For our final instalment of On Stillness, we have chosen a work by Jacqueline Hennessy who graduated from NAS in 2019 with a Masters of Fine Art (Painting). In her ghostly paintings of female figures, Hennessy explores how to give visual form to her lived experience of being in the world. Her painting process involves staining clear primed Belgian linen with thin washes of raw umber and lead whit…
Monday 27 July 2020
Monday 27 July 2020
India Mark’s exquisite still life paintings prove that small can be beautiful, and that paintings of simple domestic items can portray a calm majesty that is not often found in larger works. She describes the work as a response to Morandi’s devotion to still life painting, and says it represents the death of small moments of pleasure in our day-to-day lives. A recent graduate of the National Art…
Tuesday 14 July 2020
Tuesday 14 July 2020
Justine Roche’s work explores early photographic processes such as the wet collodion process or ‘tintype’ photography. She is drawn to this medium for its unpredictability and timeless aesthetic. Here / Now (2019) comprises 65 portraits of female art students who graduated from the National Art School in 2019. Each image is directly exposed onto a metal plate and Roche’s sitters must hold a stil…
Sunday 12 July 2020
Sunday 12 July 2020
Guy Maestri graduated from the National Art School with a BFA, Hons (painting) in 2003. In 2016, he made his first painted bronze works in a series called xerox and the sculptures Maestri donated to NAS, Innocent X and Gould (2017), are from this series. The artist has said that he wanted the works to mirror the material values of the 21st century. It looks like the sculptures are made from an im…
Sunday 12 July 2020
Sunday 12 July 2020
The model in this painting is believed to be Rita Lee, a popular artists’ model who worked at the National Art School in the 1930s and 40s. Lee was also a model for Norman Lindsay, Max Dupain, Rah Fizelle and Ralph Balson, and later married NAS photography teacher George Young, and so had a long association with the art school. The student who painted her was Freda Robertshaw (1916-1997), who ca…
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