Drawing with Threads and Textiles

Expand your drawing practice and discover the creative potential of threads and textiles. Transform the way you approach artmaking as you explore a diverse range of materials and techniques, including staining, weaving, and embroidery. Through hands-on experimentation, you will learn how these processes can enrich your visual language and lead to the creation of distinctive, contemporary artworks.  
On Campus, 5-Day Workshop, Daytime
11 Jan - 15 Jan 2027
Monday - Friday
9:30 am - 4:30 pm
Registration Open
$927.00 $1,030.00
GST included where applicable.
  • Number of classes: 5
  • Total Course Hours: 30
  • Discipline: Drawing
  • Lecturer: Armando Chant
  • Age: 16 years and over
  • Levels: Beginner, Intermediate, Advanced
  • Location: National Art School

Drawing with Threads and Textiles

Course Details

Experiment with materiality and give shape to new ideas as Armando Chant leads you to incorporate textile techniques into your drawings. Learn how to employ methods of collage, assemblage, and stitching to modify surfaces and create distinctive grounds for sketching and painting.

Introducing students to influential artists working with textiles, Armando equips students with useful points of reference to deepen their understanding of how fibres, traces, and threads can merge with drawing and enrich visual outcomes. Through hands-on exercises and an explorative approach, students will be supported as they experiment with fusing the methods of diverse disciplines to create artworks as individual as they are.

Armando creates a welcoming and supportive environment for students who are new to this approach to drawing. The course also offers an opportunity for more experienced artists to deepen their practice, benefiting from mentorship and guidance that can help them refine their skills and take their work to the next level.

By the end of the course, students will have developed the technical skills to transform drawing surfaces through the creative use of textiles, while gaining the confidence to experiment across disciplines and materials. Equipped with new approaches, references, and ways of thinking, they will leave with a richer understanding of contemporary drawing practice and fresh possibilities for expanding their own artistic voice.

Course Schedule:
The following is an indicative course schedule only. The content and pace of the sessions may vary in response to the students in the program.

Day 1 – Orientation and Foundations
Introduction in the NAS studio, including overview of the week and orientation. Lecture introducing students to the usage of textiles in contemporary art practice and its relationship to drawing.

Outdoor exercises in tonal and textural studies. Introduction to textile technique and how to develop them through your own language, followed by group discussion and reflection.

Day 2 – Technique Development
Experimentation with materials and techniques. Visit to NAS library to understand textiles cultural and historical positioning within art history. Introduction of new textiles technique focusing on a construction approach.

Day 3 and 4 – Studio Practice
Working with a studio approach, students will translate their early experiments with technique into more sustained projects that align with their individual interests and creative direction.

Day 5 – Resolution and Presentation
Students will begin resolving the object and material-based images developed throughout the course into a final work or series of works. The workshop will conclude with a group critique and discussion of works in progress and completed pieces.

* NAS Short Courses are open to students of ages 16 years and over. The NAS Art Club is open to students between 15 - 17 years old.

* Drawing and painting short courses may be held in upstairs studios. If access to stairs is not suitable, please contact us at short.courses@nas.edu.au

* What to bring? Please refer to the list of required materials in the Art Materials field below.

Art Materials

Students must supply their own art materials, please refer to the list below.

Buy materials at Spotlight, Morris and Sons, Mitre 10, Parkers Fine Art Supplies or bring materials from your own home supplies.

  • A3 cartridge paper pad
  • Pencils – 2B, 4B and 6B
  • 1 graphite stick
  • 1 rubber eraser
  • 3 sticks willow charcoal
  • 1 bottle of water-based black ink
  • 1 tube white acrylic paint
  • Selection of cheap paint brushes – wide, mid and narrow sized brushes
  • Scissors
  • Retractable cutting blade
  • Masking tape and sticky tape
  • Fabrics – 2 metres of calico or white cotton, 1 metre of coloured or patterned fabric of your own choice, inexpensive
  • Range of fabric pieces, scraps or offcuts if you have them.
  • Threads – range of threads e.g. sewing, embroidery, wool etc
  • Needles – range of sewing needs of different sizes
  • Bottle of PVA glue
  • Beads, buttons and sequins – if you have them

* Other materials will depend on individual students’ interests.

Enclosed footwear is essential in all studios on campus.

Lecturer Profile

Armando Chant Portrait cropped

Armando Chant is a visual artist whose work has been exhibited both nationally and in-ternationally through curated and solo exhibitions, installations, and symposiums.

Within Australia, Armando has presented artworks across Sydney and Melbourne, par-ticipating in major arts festivals such as Art Month Sydney and Head-On Photo Festival. His work has been shown in significant regional gallery exhibitions, including the Tam-worth Textile Triennial 2015, after which his work was acquisitioned for its collection and its 2020 edition.

In 2023, Armando was selected as a finalist for the Hazelhurst Arts on Paper Award, and the biennial Dobell Drawing Award — Australia’s premier showcase of contemporary drawing in all its forms. In 2024, Armando was awarded the Highly commended prize at the Gosford Art Prize, was a finalist in the Wynne Prize at AGNSW, and the Jacaranda Drawing Prize at Grafton Regional Gallery.

Internationally, Armando has participated in symposiums in Italy, Finland and France, and has undertaken artist residencies in Cité Internationale des Arts, Paris, France (2025) and the DRAW International Artist Residency in Caylus, France (2018).

 

Testimonials

I feel more confident and now have a direction for my work.

Armando is knowledgeable, accommodating, a talented artist, generous with his knowledge and experience.

Great course, would really recommend this course and organisation to others. Well worth the money.

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