The good, the bad and that new $344m gallery: the year in art
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The good, the bad and that new $344m gallery: the year in art
Article: John McDonald
Image: Colin Lanceley’s Balmoral, 1984.
Other Sydney exhibitions that warranted serious attention included Shaken to His Core: Nolan’s Auschwitz at the Jewish Museum; Heart of Country, a first-rate collection of bark painting at the S.H. Ervin Gallery, and two brilliant shows at the National Art School Gallery – a retrospective of Colin Lanceley, an important artist who has been too easily overlooked since his death in 2015; and Captivate – an encyclopaedic, carnivalesque celebration of the 100th anniversary of the NAS, with extra material drawn from its pre-history as Darlinghurst Gaol, from 1841 – 1914. The show ran for barely five weeks, but it deserved to be a permanent display.
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Thursday 09 July 2026
Thursday 09 July 2026
Applications are now open for The 25th Dobell Drawing Prize. The Dobell Drawing Prize is Australia’s leading prize for drawing, and an unparalleled celebration of technique, innovation and expanded practice. Presented at the National Art School in partnership with the Sir William Dobell Art Foundation, this biennial exhibition continues to highlight the enduring relevance and changing role of dra…
Tuesday 30 June 2026
Tuesday 30 June 2026
Please see below for current and forthcoming exhibitions and events featuring our staff and alumni. Joan Ross: Solo Exhibition With her fluoro-infused imagery subverting colonial art, National Art School alum and fellow Joan Ross examines the legacy of invasion and the consuming forces of settlement in Australia. On now view across N.Smith Galley, Ross’ new exhibition continues her incisive ex…
Tuesday 30 June 2026
Tuesday 30 June 2026
Please see below for current and forthcoming exhibitions and events featuring our staff and alumni. Dr Carolyn McKenzie-Craig: Becoming Penguin (Act II) Head of Printmaking, Dr Carolyn McKenzie-Craig, presents Becoming Penguin (Act II) at PARKER Contemporary, Brisbane. The exhibition asks what it means to seek protection from a world that continues to decide who is seen, who is suspected, and w…
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