The good, the bad and that new $344m gallery: the year in art

Monday 16 January 2023
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The good, the bad and that new $344m gallery: the year in art

Monday 16 January 2023

Article: John McDonald
Image: Colin Lanceley’s Balmoral, 1984.

Other Sydney exhibitions that warranted serious attention included Shaken to His Core: Nolan’s Auschwitz at the Jewish Museum; Heart of Country, a first-rate collection of bark painting at the S.H. Ervin Gallery, and two brilliant shows at the National Art School Gallery – a retrospective of Colin Lanceley, an important artist who has been too easily overlooked since his death in 2015; and Captivate – an encyclopaedic, carnivalesque celebration of the 100th anniversary of the NAS, with extra material drawn from its pre-history as Darlinghurst Gaol, from 1841 – 1914. The show ran for barely five weeks, but it deserved to be a permanent display.

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The National Art School acknowledges the Gadigal people of the Eora Nation, the Traditional Owners on whose Country we meet, share and create. We pay our respects to all Gadigal Elders past and present. We celebrate the diversity, history, knowledge and creativity of all Aboriginal and Torres Strait Islander people across Australia. 

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