Aftermath (Busted Altar)

Sadie Whelan

Concrete, acrylic paint, cone, assorted fabric, paper, nail polish, stockings, pallet, rulers, pens, glue, plywood, steel frame, caulking gun, plaster casts, plastic containers, plastic bags, foam, ribbon, glass jars, spray paint, period pain medicine, sandpaper, bikini, fabric bags, packaging, trophies, beads, ciggy papers, shells, tape, zip ties, gel medium transfers, orthodontic casts, paint tins, lighters, dollhouse furniture, ceramics, wall plugs, screws, nails, steel gate, fake flowers, lace, thread, rope, paintings, electrical cords, drawings, frames, tables, bungee cords, wrench, hammer, fake grass, LED lights, fur, mesh, marble, fake skeleton, acrylic, plastic chair, pipe cleaners, paint brushes, tiles, silicon, adhesive book coverings, CDs, overlocker, fake rocks, NAS billboards, NYC chain, Mentos, bottle caps, plastic folders, shoes, key chains, light fixture, lino, elastic, assorted found and fabricated objects.

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The National Art School acknowledges the Gadigal people of the Eora Nation, the Traditional Owners on whose Country we meet, share and create. We pay our respects to all Gadigal Elders past and present. We celebrate the diversity, history, knowledge and creativity of all Aboriginal and Torres Strait Islander people across Australia. 

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