Sydney Biennale review: an incisive global perspective on deeper crises
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Sydney Biennale review: an incisive global perspective on deeper crises
Article by Felicity Fenner
This Biennale, more than any of the previous 21 editions, is testament to the capacity of art and exhibitions to move beyond reflection to lead dialogue. Find out more about the themes of NIRIN and how it ties in with the National Art School through the link below.
Image: Tony Albert, Brothers (The Prodigal Son), 2020, glass, lead, photographic decal, steel, stone. Installation view (2020) for the 22nd Biennale of Sydney, National Art School. Courtesy the artist and Sullivan+Strumpf, Sydney. Photograph: Zan Wimberley
Latest News
Friday 27 February 2026
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Friday 27 February 2026
Congratulations to National Art School alum Tommy Carman as the recipient of this year’s Prudence MacLeod Prize. Supported by the Lansdowne Foundation, Tommy will undertake a 6-month residency at Acme Studios, London from July this year. Selection Panel Statement The selection panel was thoroughly impressed with the high calibre of applications across a diverse range of practices. The shortlisted…
Thursday 26 February 2026
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Thursday 26 February 2026
Made possible through the generous support of Sam Watkins, PIMCO Australia, we are delighted to announce a new scholarship that supports a talented First Nations artist undertaking the Bachelor of Fine Art. Congratulations to Matthew Thomson as the inaugural recipient. Matthew, a Worimi country man, grew up in the Maroubra beach / La Perouse area and commences at the National Art School as a BFA…
Tuesday 24 February 2026
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Tuesday 24 February 2026
Following a short fundraising campaign, the National Art School archive and collections has recently acquired Sydney Gaol, an extremely rare album containing original photographs of our site and building. Our sincerest thanks to all our donors who made this acquisition possible. Email nasarchives@nas.edu.au to make an appointment to view this new acquisition.