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22nd Biennale of Sydney: NIRIN

The National Art School is delighted that NIRIN, the 22nd Biennale of Sydney’s extraordinary exhibition, is reopening to the public on June 1, with extended dates running until September/October 2020.

However following decisions made by the National Cabinet, as communicated by the NSW Government, NAS is unable to reopen our public gallery spaces due to duty of care to our students and staff as a tertiary education institution.

As COVID 19 restrictions begin to lift in NSW, NAS students and staff have been returning to campus in line with specified government guidelines, including social distancing and public hygiene measures. Regrettably this means the general public cannot be allowed access to the site, including NAS’s galleries containing installations by NIRIN artists.

As a NIRIN exhibition partner, NAS features the works of Tony Albert (Australia); Randy Lee Cutler (Canada); Noreen Hudson, Vanessa Inkamala and Ivy Pareroultja from Iltja Ntjarra (Many Hands) Art Centre (Australia); Hannah Catherine Jones (UK); Teresa Margolles (Mexico); Andrew Rewald (Australia); and Lucienne Rickard/Adrift Lab (Australia).

For the NIRIN WIR public program, NAS was scheduled to host work from Namila Benson (Australia); FAFSWAG (New Zealand); Brian Fuata (Australia); and MzRizk (Australia).

NIRIN artworks currently located at NAS will be transferred to an alternative venue where they will be accessible to the public, with location and dates announced shortly. Since the NIRIN exhibition spaces closed in March, NAS has continued to present our Biennale artists and their work to the public via the online interview series Artist Insider, contributing to NIRIN’s continued strong virtual presence. Artist Insider is part of NAS Connect, the school’s online program keeping in touch with our extensive creative community to offer inspiration and support.

NAS will continue to feature new NIRIN interviews alongside our online exhibitions, highlights from our art collection, and Studio Sessions posts showing how students have continued their art practice in isolation – see https://nas.edu.au/nas-connect for more.

NAS encourages the public to visit NIRIN as it reopens around Sydney, to experience this unmissable and revolutionary 22nd Biennale of Sydney, showing more than 700 artworks by 101 artists and collectives from around the world. We congratulate NIRIN Artistic Director Brook Andrew and the Biennale team for their tireless efforts to create and sustain this landmark artist- and First Nations-led exhibition through such challenging times.

Where to see NIRIN

· Art Gallery of New South Wales 1 June – 27 September 2020 · Artspace 1 June – 27 September 2020
· Campbelltown Arts Centre 1 June – 11 October 2020
· Cockatoo Island 16 June – 6 September 2020
·Museum of Contemporary Art Australia 16 June – 6 September 2020 (closing date TBC)

NAS Artist Insider interviews

Tony Albert talks about creating his first work in glass, inspired by the original stained glasswindows in the National Art School’s historic Chapel
https://nas.edu.au/tony-albert-interview-nirin/

Randy Lee Cutler and Andrew Rewald talk about collaborating from opposite sides of the world and their shared interest in the secret life of minerals
https://nas.edu.au/artist-insider-randy-lee-cutler-andrew-rewald/

Lucienne Rickard talks about bringing her yearlong drawing performance project Extinction Studies to Sydney for the Biennale
https://nas.edu.au/artist-insider-lucienne-rickard/

Coming soon: Namila Benson, Olivia Sophia (on Teresa Margolles), Hannah Catherine Jones, Dan Rizk (MzRizk), Brian Fuata.

 

22nd Biennale of Sydney: NIRIN

The National Art School joins the 22nd Biennale of Sydney: NIRIN, under the artistic direction of acclaimed indigenous Australian artist Brook Andrew. NIRIN means edge in the language of the Wiradjuri people of western NSW, Brook’s mother’s nation.

Artists

Tony Albert (Australia)
Randy Lee Cutler (Canada)
Hannah Catherine Jones (UK)
Teresa Margolles (Mexico)
Iltja Ntjarra / Namatjira School of Art (Australia)
Andrew Rewald (Australia)
Lucienne Rickard / Adrift Lab (Australia)

The 22nd Biennale of Sydney is an expansive artist and First Nations-led exhibition of contemporary art that connects local communities and global networks.

Brook Andrew, one of Australia’s most distinguished artists, is artistic director of NIRIN. Meaning ‘edge’, nirin is a word of Brook’s mother’s Nation, the Wiradjuri people of western New South Wales.

NIRIN brings together artists, makers, scientists, academics and thinkers from around the world. They will deliver artworks, insights, ideas and projects that challenge dominant narratives and share Indigenous knowledge.

NIRIN comprises work by over 100 artists across six venues — the National Art School, Art Gallery of New South Wales, Artspace, Campbelltown Arts Centre, Cockatoo Island and the Museum of Contemporary Art.

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Thank you to everyone who attended the opening night of the 24th Dobell Drawing Prize and congratulations again to the prize winner NAS alumna Rosemary Lee.

The 24th Dobell Drawing Prize is now open until Saturday 21 June 2025
11am – 5pm Monday to Saturday
NAS Gallery
Free admission, all welcome

Learn more about the exhibition at the link in bio.

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Apr 11

Open
Thank you to everyone who attended the opening night of the 24th Dobell Drawing Prize and congratulations again to the prize winner NAS alumna Rosemary Lee. The 24th Dobell Drawing Prize is now open until Saturday 21 June 2025 11am – 5pm Monday to Saturday NAS Gallery Free admission, all welcome Learn more about the exhibition at the link in bio.

We are delighted to announce NAS alumna Rosemary Lee as the winner of the 24th Dobell Drawing Prize, Australia’s leading prize for drawing, worth $30,000.

Selected from 56 nationwide finalists, and 965 entries, Rosemary’s work will become part of the National Art School’s significant collection, built over the past 120 years. Rosemary, in her winning work 24-1 (2024), observes tonal and compositional profundity in everyday life.

The judging panel comprising acclaimed First Nations artist Vernon Ah Kee, Paula Latos-Valier AM, Trustee and Art Director of the Sir William Dobell Art Foundation, and Dr Yolunda Hickman, Head of Postgraduate Studies, National Art School, commented of Rosemary’s work: “The decision to award the 24th Dobell Drawing Prize to Rosemary Lee for the work ‘24-1’ was unanimous. We were most impressed by the level of visual intensity the artist has achieved in this work both through its vibrant colour and in the extraordinary detail of the composition. The artwork’s exploration of the urban landscape and gentrification of the Sydney suburbs of Ashfield and Summer Hill, has produced an image capturing a broader sense of transience and the omnipresence of construction sites in our cities today. It questions the cultural and historical value of place, through the lens of the artist’s personal connection.”

See Lee’s work alongside the work of the other finalists in the 24th Dobell Drawing Prize, 11 April – 21 June 2025, NAS Gallery
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Left to right: NAS Director and CEO, Dr Kristen Sharp with artist Rosemary Lee, featuring winning artwork 24–1, 2024, pencil on paper, image courtesy the artist and National Art School Gallery © the artist, photograph: Peter Morgan

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Apr 10

Open
We are delighted to announce NAS alumna Rosemary Lee as the winner of the 24th Dobell Drawing Prize, Australia’s leading prize for drawing, worth $30,000. Selected from 56 nationwide finalists, and 965 entries, Rosemary’s work will become part of the National Art School’s significant collection, built over the past 120 years. Rosemary, in her winning work 24-1 (2024), observes tonal and compositional profundity in everyday life. The judging panel comprising acclaimed First Nations artist Vernon Ah Kee, Paula Latos-Valier AM, Trustee and Art Director of the Sir William Dobell Art Foundation, and Dr Yolunda Hickman, Head of Postgraduate Studies, National Art School, commented of Rosemary’s work: “The decision to award the 24th Dobell Drawing Prize to Rosemary Lee for the work ‘24-1’ was unanimous. We were most impressed by the level of visual intensity the artist has achieved in this work both through its vibrant colour and in the extraordinary detail of the composition. The artwork’s exploration of the urban landscape and gentrification of the Sydney suburbs of Ashfield and Summer Hill, has produced an image capturing a broader sense of transience and the omnipresence of construction sites in our cities today. It questions the cultural and historical value of place, through the lens of the artist’s personal connection.” See Lee’s work alongside the work of the other finalists in the 24th Dobell Drawing Prize, 11 April – 21 June 2025, NAS Gallery — Left to right: NAS Director and CEO, Dr Kristen Sharp with artist Rosemary Lee, featuring winning artwork 24–1, 2024, pencil on paper, image courtesy the artist and National Art School Gallery © the artist, photograph: Peter Morgan

Introducing the National Art School Short Courses Program from July–December 2025

Whether you’re a beginner, rediscovering a past passion, refining your skills, or considering our Fine Arts degree, the short courses offer a stimulating and rewarding experience for all levels.

Our 2025 program begins in July with Winter School, followed by Term Three, Spring Weekend Workshops in September, and Term Four in October.

Learn more and enrol at the link in bio.

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Apr 10

Open
Introducing the National Art School Short Courses Program from July–December 2025 Whether you’re a beginner, rediscovering a past passion, refining your skills, or considering our Fine Arts degree, the short courses offer a stimulating and rewarding experience for all levels. Our 2025 program begins in July with Winter School, followed by Term Three, Spring Weekend Workshops in September, and Term Four in October. Learn more and enrol at the link in bio.

Making Sound is a performance event featuring four artists who make devices that make sound, including Gary Warner, Pia van Gelder, Ben Denham and Sean O’Connell, presented following Facture: Drawing Symposium 2025, Saturday 12 April 5-6pm.

Gary Warner creates an improvised soundfield with his ‘aleatoric ensemble’ autonomous sound machines, a collection of modified turntables that spin ad-hoc bric-a-brac assemblages.

Pia van Gelder (pictured) amplifies an electronic circuit as it is built in real-time. Under the moniker of “PvG sans PCB,” in these performances, van Gelder works on a breadboard with electronic components and additional found objects to demonstrate the electronic variabilities produced in the material world.

Ben Denham and Sean O’Connell perform together with handmade synthesizer systems that sense and sonify barometric pressure and the flow of electrons through matter.

Purchase your tickets to the symposium at the link in bio.
—
Pia van Gelder, `sans PCB`, 2021, performance, Collings Creative, image courtesy and © the artist

View

Apr 6

Open
Making Sound is a performance event featuring four artists who make devices that make sound, including Gary Warner, Pia van Gelder, Ben Denham and Sean O’Connell, presented following Facture: Drawing Symposium 2025, Saturday 12 April 5-6pm. Gary Warner creates an improvised soundfield with his ‘aleatoric ensemble’ autonomous sound machines, a collection of modified turntables that spin ad-hoc bric-a-brac assemblages. Pia van Gelder (pictured) amplifies an electronic circuit as it is built in real-time. Under the moniker of “PvG sans PCB,” in these performances, van Gelder works on a breadboard with electronic components and additional found objects to demonstrate the electronic variabilities produced in the material world. Ben Denham and Sean O’Connell perform together with handmade synthesizer systems that sense and sonify barometric pressure and the flow of electrons through matter. Purchase your tickets to the symposium at the link in bio. — Pia van Gelder, 'sans PCB', 2021, performance, Collings Creative, image courtesy and © the artist

Passionate about collections and the arts? Join us as a Digitisation Volunteer!

The National Art School Archive and Collection team is looking for enthusiastic Digitisation Volunteers to help bring our art collection to life! Your work will play a key role in making art and history more accessible—by photographing and recording our collections, enhancing our museum database, and digitising our extensive archive of photographs. Through your efforts, every stored object and artwork in our collection will have a high-quality, searchable digital record for generations to come.

Apply at the link in bio.

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Apr 2

Open
Passionate about collections and the arts? Join us as a Digitisation Volunteer! The National Art School Archive and Collection team is looking for enthusiastic Digitisation Volunteers to help bring our art collection to life! Your work will play a key role in making art and history more accessible—by photographing and recording our collections, enhancing our museum database, and digitising our extensive archive of photographs. Through your efforts, every stored object and artwork in our collection will have a high-quality, searchable digital record for generations to come. Apply at the link in bio.
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