Vale Charles Blackman OBE [1928-2018]

“Charles Blackman was an extraordinary artist who made work that helped forge an Australian visual language of the 20th century. As a National Art School alumni he will be sorely missed, but his enduring visual language and mastery of the medium will live on.” – Steven Alderton, Director and CEO, National Art School.
 
The National Art School would like to pay tribute to alumnus Charles Blackman OBE, one of the most original and significant Australian artists of the post-war era. As a teenager, Blackman worked as an illustrator and subeditor’s copyboy at Sydney Newspaper the Sun before studying night classes at East Sydney Technical College for three years, from 1943 to 1946. He moved to Melbourne, where he co-founded the Melbourne Contemporary Art Society (CAS) and was one of the seven artists responsible for the 1959 Antipodean Manifesto, which protested the dominance and rise of abstract expressionism and non-figurative art. He gained recognition as a critically important artist with his Schoolgirl and Alice in Wonderland series of paintings.
After winning the Helena Rubenstein Scholarship in 1960, Blackman lived in London for six years, where his work was exhibited in the Tate Gallery exhibitions of Australian art in 1962-63. In 1970, Blackman was awarded a studio at La Cité Internationale des Arts in Paris, where he lived and worked for a year. Afterwards, he would often return to Paris as a source of inspiration.
His work was described as romantic, poetic, enchanting and melancholic, exploring human relationships, dreams and memories. Blackman himself described it as ‘more feeling than art’.
 
A major retrospective of his work, Schoolgirls and Angels, was organised by the National Gallery of Victoria in 1993, and toured to Sydney, Brisbane and Perth. The NGV also held a major exhibition of his Alice in Wonderland paintings in 2006.
Blackman was presented with an OBE in 1977 in recognition of his service to the arts, and in 2010, the Art Series chain of hotels opened The Blackman in St Kilda Road, Melbourne. Celebrating his 90th birthday only a week ago, Blackman had continued to draw, even after moving into an aged care facility earlier this year. The National Art School extends condolences to the artist’s family and friends.
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Art Club is our high school student program for 15-17 year olds, designed to enhance and extend students’ technical, conceptual, and intellectual skills, through intensive practical study in the disciplines offered at NAS as well as engaging in an experience of our studios and campus, under the expert direction of experienced artists.

Set your child on a creative path with Art Club. 

Learn more at the link in bio.
Thank you to everyone who attended the opening night of the 24th Dobell Drawing Prize and congratulations again to the prize winner NAS alumna Rosemary Lee.

The 24th Dobell Drawing Prize is now open until Saturday 21 June 2025
11am – 5pm Monday to Saturday 
NAS Gallery 
Free admission, all welcome

Learn more about the exhibition at the link in bio.
We are delighted to announce NAS alumna Rosemary Lee as the winner of the 24th Dobell Drawing Prize, Australia’s leading prize for drawing, worth $30,000.

Selected from 56 nationwide finalists, and 965 entries, Rosemary’s work will become part of the National Art School’s significant collection, built over the past 120 years. Rosemary, in her winning work 24-1 (2024), observes tonal and compositional profundity in everyday life.

The judging panel comprising acclaimed First Nations artist Vernon Ah Kee, Paula Latos-Valier AM, Trustee and Art Director of the Sir William Dobell Art Foundation, and Dr Yolunda Hickman, Head of Postgraduate Studies, National Art School, commented of Rosemary’s work: “The decision to award the 24th Dobell Drawing Prize to Rosemary Lee for the work ‘24-1’ was unanimous. We were most impressed by the level of visual intensity the artist has achieved in this work both through its vibrant colour and in the extraordinary detail of the composition. The artwork’s exploration of the urban landscape and gentrification of the Sydney suburbs of Ashfield and Summer Hill, has produced an image capturing a broader sense of transience and the omnipresence of construction sites in our cities today. It questions the cultural and historical value of place, through the lens of the artist’s personal connection.” 

See Lee’s work alongside the work of the other finalists in the 24th Dobell Drawing Prize, 11 April – 21 June 2025, NAS Gallery
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Left to right: NAS Director and CEO, Dr Kristen Sharp with artist Rosemary Lee, featuring winning artwork 24–1, 2024, pencil on paper, image courtesy the artist and National Art School Gallery © the artist, photograph: Peter Morgan
Introducing the National Art School Short Courses Program from July–December 2025

Whether you’re a beginner, rediscovering a past passion, refining your skills, or considering our Fine Arts degree, the short courses offer a stimulating and rewarding experience for all levels.

Our 2025 program begins in July with Winter School, followed by Term Three, Spring Weekend Workshops in September, and Term Four in October.

Learn more and enrol at the link in bio.
Making Sound is a performance event featuring four artists who make devices that make sound, including Gary Warner, Pia van Gelder, Ben Denham and Sean O’Connell, presented following Facture: Drawing Symposium 2025, Saturday 12 April 5-6pm. 

Gary Warner creates an improvised soundfield with his ‘aleatoric ensemble’ autonomous sound machines, a collection of modified turntables that spin ad-hoc bric-a-brac assemblages.

Pia van Gelder (pictured) amplifies an electronic circuit as it is built in real-time. Under the moniker of “PvG sans PCB,” in these performances, van Gelder works on a breadboard with electronic components and additional found objects to demonstrate the electronic variabilities produced in the material world.

Ben Denham and Sean O’Connell perform together with handmade synthesizer systems that sense and sonify barometric pressure and the flow of electrons through matter.

Purchase your tickets to the symposium at the link in bio.
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Pia van Gelder, 'sans PCB', 2021, performance, Collings Creative, image courtesy and © the artist
Passionate about collections and the arts? Join us as a Digitisation Volunteer!

The National Art School Archive and Collection team is looking for enthusiastic Digitisation Volunteers to help bring our art collection to life! Your work will play a key role in making art and history more accessible—by photographing and recording our collections, enhancing our museum database, and digitising our extensive archive of photographs. Through your efforts, every stored object and artwork in our collection will have a high-quality, searchable digital record for generations to come.

Apply at the link in bio.
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