Braving Time: Contemporary Art in Queer Australia
EXHIBITIONS
Braving Time: Contemporary Art in Queer Australia curated by Richard Perram OAM
3 February – 18 March 2023
NAS Galleries
Monday to Saturday
11am – 5pm
Free admission
Artists
Tony Albert, Brook Andrew, Liam Benson, Vivienne Binns, Leigh Bowery, Gary Carsley, Michelle Collocott, Peter Cooley, Christine Dean, Karla Dickens, Todd Fuller, Amos Gebhardt, Tina Havelock Stevens, Brenton Heath-Kerr, Kate Just, Deborah Kelly, MO’JU, Clinton Naina, Nell, Claudia Nicholson, Ramesh Mario Nithiyendran, Emily Parsons-Lord, Troye Sivan, Ali Tahayori, Salote Tawale, Renjie Teoh, Athena Thebus, Dr Christian Thompson AO, Tim Silver, Matthew van Roden, and William Yang.
Image: Amos Gebhardt, Family Portrait, 2020
Braving time is a queer exhibition that celebrates the work of artists who identify as part of the Australian LGBTIQA+ community. This significant exhibition has been curated by Richard Perram OAM for the National Art School in celebration of Sydney WorldPride in 2023. The artists represented in the exhibition celebrate the diverse voices of LGBTIQA+ people in contemporary Australia society, reflecting the breath of genders and sexualities within the community, including artists who identify as lesbian, gay, transgender, inter-sex, asexual and non-binary.
The artists present artworks that explore queerness in ways that are direct and indirect through historical and contemporary artworks that are critical, experimental and political, connecting to our contemporary culture. Together these works instigate conversations about queer experience; what it is and what it means to be queer in Australia today.
Athena Thebus, Bunny, 2021 (photographer: Zan Wimberley)
The Australian LGBTIQA+ community naturally reflects the cultural diversity of Australian contemporary society and this is mirrored in the artists selected. Central to the exhibition are works by Australian Indigenous artists Karla Dickens and Tony Albert. Artists from diverse cultural heritages include William Yang and Renjie Teoh, Claudia Nicholson, Salote Tawale, Ramesh Mario Nithiyendran sitting alongside artists of Anglo-European heritage.
The key themes and connections that flow and overlap through this exhibition are rich and complex and represent issues that have been and remain central, to LGBTQIA+ lived experience including Our Queer Ancestors, Queer Worthies, Death and History, Feminist Expression, Family and Community, Maleness and Power, Humour, Gender and Sexuality.
Together the artists in Braving Time acknowledge the many struggles, the deep sadnesses as well as the triumphs of Australia’s LGBTQIA+ communities over time. The exhibition highlights that queerness is intersectional and it creates parallel conversations about the new histories that are emerging and leading debate, whilst capturing the optimism of change, of acceptance and the pure joy that will be felt by all during the Sydney WorldPride celebrations in 2023.
Kate Just, installation view of “Protest Signs” at Hugo Michell Gallery, 2022
‘Queer Contemporary: Chaosophy’, as part of Mardi Gras 2025, is now open until Saturday 8 March.
Curated by Dr Liz Bradshaw, with work by artists Kika Kereru Baker, Daniel Browning, Sam Chan, Blake Griffiths, Frankie L.A, nikita lelu, r e a, Victoria Spence, Jake Starr, Ali Tahayori, Magic Young and Justine Youssef.
Three generations of queer artists make and break language across the intersections of art, activism, poetry and performance. Through their individual aesthetics and distinct voices, together the artists disrupt histories, languages, conventional silences and institutional spaces, using and queering language to propose alternate perspectives on and interpretations of identity and ways of being.
11am – 5pm Monday to Saturday
Building 25 Project Space
Free admission, all welcome
Feb 17
NAS Library is proud to launch their 2025 Library Stairwell Gallery programming with this years LSG show for Queer Contemporary, ‘Subtexts’, opening this Thursday 13 February.
‘Subtexts’ unites four artists whose work demonstrates the complexities of queer identity, each considering their own personal relationship with queerness. The show offers alternative narratives and styles that challenge notions of queer uniformity, opting to explore the undertones and implications of queerness as a dislocated front.
‘Subtexts’ asks of the ambiguous term; Are we united by virtue of our difference, or rather the unique positions it presents us?
Featuring works by
@professional__disoppointment
@sarah_r_serfati
@theolathouras
@ziggywoodartist
Feb 9
Three generations of queer artists make and break language across the intersections of art, activism, poetry and performance in ‘Queer Contemporary: Chaosophy’, as part of Mardi Gras 2025.
Through their individual aesthetics and distinct voices, together the artists disrupt histories, languages, conventional silences and institutional spaces, using and queering language to propose alternate perspectives on and interpretations of identity and ways of being.
Opening night Thursday 13 February, with special guests Swamp Daisies.
RSVP at link in the bio.
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Sam Chan, ‘Transfiguration’, 2024, Chillagoe White Pearl marble, mild steel, incense, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt)
Ali Tahayori, ’The four elements: fire, earth, water, air (detail)’, 2022, hand cut mirrors plaster on wood, image courtesy and © the artist, photograph: Daniel Kukec Photography
nikita lelu, ’I drip into a bath and drift’, 2024, glazed mid-fire paperclay, underglaze, terra sigillata, silver, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt Photography)
Magic Young, ‘Evulva’, 2024, nylon, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt)
Feb 6
We’re looking for an Exhibitions Project Officer!
The role has a focus on major Indigenous exhibition projects currently in development for the National Art School as well as touring programs. The role assists with the delivery and coordination of Gallery programs, talks, and other events in the gallery spaces.
You have a background in visual art, art history, curatorship and gallery experience. You have excellent interpersonal and communication skills, along with strong organisational and project management experience.
Note this is an Identified Role and is open to Aboriginal and/or Torres Strait Islander applicants only, in accordance with Section 14(D) of the NSW Anti-Discrimination Act, 1977 NSW.
Application deadline extended to Sunday 9 February.
Apply at the link in bio.
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Ronan Pirozzi, `Serpentine`, 2023; `Trajectory`, 2023; `Desolate`, 2023; installation view, undo the day, NAS Gallery, Sydney, 2024, oil on welded steel, image courtesy and © the artist, photograph: Zan Wimberley
Feb 2
The National Art School has today announced respected Australian academic, writer and curator Dr Kristen Sharp as the next Director and Chief Executive Officer.
Kristen joins the National Art School with extensive experience in the fields of contemporary art and tertiary education having spent six years as Associate Dean Discipline, Art in the School of Art at RMIT University, and previously 9 years as Academic Lead Art History and Theory at RMIT. She will commence her new role at the National Art School on 24th February 2025.
Read the full media release at the link in bio.
Jan 30
