Sydney Biennale review: an incisive global perspective on deeper crises
Article by Felicity Fenner
This Biennale, more than any of the previous 21 editions, is testament to the capacity of art and exhibitions to move beyond reflection to lead dialogue. Find out more about the themes of NIRIN and how it ties in with the National Art School through the link below.
Image: Tony Albert, Brothers (The Prodigal Son), 2020, glass, lead, photographic decal, steel, stone. Installation view (2020) for the 22nd Biennale of Sydney, National Art School. Courtesy the artist and Sullivan+Strumpf, Sydney. Photograph: Zan Wimberley