SMH: King-of-bright John Olsen reveals his dark and melancholy side

SMH: King-of-bright John Olsen reveals his dark and melancholy side

Article by John McDonald

The public Olsen is a great performer but occasionally, alone in the studio at night, a different persona emerges. John Olsen: Goya’s Dog is an exhibition originally conceived by the late Bill Wright, and followed through by National Art School director Steven Alderton.

The idea, as explained in a letter that Wright wrote to Olsen, was to look at the artist’s “introspective” paintings.

Read more through the link below.

Image: John Olsen, Donde voy? Self-portraits in moments of doubt, 1989, oil on canvas (diptych), 183 x 366 cm, Private collection, Sydney
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Now open in Building 25 Project Space — Liz Bradshaw 'I didn't expect to live this long'.
 
For this year's Queer Contemporary, NAS alum Liz Bradshaw presents an exhibition of large-scale sculpture and installation works that offer a personal and political queering of time, space, materiality, and ideas. Integrating new works alongside a fragment of an artwork created at NAS in the 1990s, the installation folds together the artist's personal experiences with the complex histories of the school's site and the broader Darlinghurst area, which served as an epicentre of Australian queer history.
 
On view until 7 March. Monday to Saturday, 11am–5pm.
 
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Installation view: Zan Wimberley
Opening 12 February — Queer Contemporary, as part of @sydneymardigras 

This year's edition presents 'Liz Bradshaw: I didn't expect to live this long' — an exhibition of large-scale sculpture and installation works that offer a personal and political queering of time, space, materiality, and idea — with student exhibitions organised by Jack Oliver Owen and nikita lelu.

Join us for the opening night on Thursday 12 February, from 6–9pm.

RSVP 🔗 in bio.

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Liz Bradshaw, 'Two Pair', 2023
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