NAS Retake: Robert Owen

NAS Retake: Robert Owen

Next up for NAS Retake we have NAS alumnus Robert Owen. This week, we took a deep dive into the artist’s practice and looked at how music influences his work.

Study for Manta 6/1 (or panel #6) is from the series Music for the Eyes, which was inspired by Arvo Pärt’s work Spiegel im Spiegel and Für Alina. It runs in a sequence of mirror phrases, patterns, structures and sensations. He is interested in the ‘chromatic quality’ of music. Owen says ‘Music has played an important role in my practice; the jazz clubs in Darlinghurst in the 1950s became part of my education alongside the National Art School’.

Owen was taught at the National Art School by sculptor Lyndon Dadswell who encouraged Owen’s enthusiasm to think and feel through materials, through gravity and movement, through space, light, colour and form.

The work Feeling form (blind carving) is a work made from the period when Owen was a student at the National Art School between 1958 and 1962. “A number of these were made as ‘homework’, a Frank Lumb exercise in carving. Whittling away blindfolded with a pocket knife until a satisfactory form emerged from the hands” – Robert Owen.

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Thank you to everyone who attended the opening night of ‘Queer Contemporary: Chaosophy’ 
‘Chaosophy’ is now open until Saturday 8 March
11am – 5pm Monday to Saturday
Building 25 Project Space
Free admission, all welcome 
Learn more about the exhibition at the link in bio.
NAS Library is proud to launch their 2025 Library Stairwell Gallery programming with this years LSG show for Queer Contemporary, ‘Subtexts’, opening this Thursday 13 February.  ‘Subtexts’ unites four artists whose work demonstrates the complexities of queer identity, each considering their own personal relationship with queerness. The show offers alternative narratives and styles that challenge notions of queer uniformity, opting to explore the undertones and implications of queerness as a dislocated front.  ‘Subtexts’ asks of the ambiguous term; Are we united by virtue of our difference, or rather the unique positions it presents us?  Featuring works by
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We’re looking for an Exhibitions Project Officer!  The role has a focus on major Indigenous exhibition projects currently in development for the National Art School as well as touring programs. The role assists with the delivery and coordination of Gallery programs, talks, and other events in the gallery spaces.  You have a background in visual art, art history, curatorship and gallery experience. You have excellent interpersonal and communication skills, along with strong organisational and project management experience.  Note this is an Identified Role and is open to Aboriginal and/or Torres Strait Islander applicants only, in accordance with Section 14(D) of the NSW Anti-Discrimination Act, 1977 NSW.  Application deadline extended to Sunday 9 February.  Apply at the link in bio.
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Ronan Pirozzi, 'Serpentine', 2023; 'Trajectory', 2023; 'Desolate', 2023; installation view, undo the day, NAS Gallery, Sydney, 2024, oil on welded steel, image courtesy and © the artist, photograph: Zan Wimberley
The National Art School has today announced respected Australian academic, writer and curator Dr Kristen Sharp as the next Director and Chief Executive Officer.  Kristen joins the National Art School with extensive experience in the fields of contemporary art and tertiary education having spent six years as Associate Dean Discipline, Art in the School of Art at RMIT University, and previously 9 years as Academic Lead Art History and Theory at RMIT. She will commence her new role at the National Art School on 24th February 2025.  Read the full media release at the link in bio.
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