Caught Stealing: now on view at NAS Gallery

Caught Stealing: now on view at NAS Gallery

2019-05-27

EXHIBITION DATES: Friday 14 June — Saturday 10 August 2019
OPENING NIGHT: Thursday 13 June, 6–9pm
OPENING HOURS: Monday–Saturday, 11am–5pm

CURATOR: Dr Jaime Tsai

ARTISTS: Hany Armanious, Daniel Boyd, Peter Burgess, Destiny Deacon and Virginia Fraser, Linda Dement, Fiona Hall, Shane Haseman, Sean Cordeiro and Claire Healy, Andrew Hurle, Harley Ives, Nancy Mauro-Flude, Tom Nicholson, Lillian O’Neil, Louise Paramor, Philjames, Joan Ross, Soda_Jerk and The Avalanches, Marian Tubbs, Gary Warner.

Caught Stealing is an exhibition by contemporary Australian artists who mobilise theft as an artistic strategy in their work. A century after the first Dada photomontages, misappropriation continues in the diverse practices of artists demanding social justice, revisions of history, and ecological awareness. Motifs of piracy also signify resistance to the corporate control of the cultural sphere, as well as colonisation and its legacy in Australia.

Linda Dement and Nancy Mauro-Flude, ‘Cyberfeminist bed sheet transfigured’, 2018, courtesy the artists

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We are delighted to announce Margaret Ambridge`s work `Cheek by jowl` (2024) as the winner of the People’s Choice Award for the 24th Dobell Drawing Prize. A huge congratulations to Margaret, who also won the People`s Choice Award for the 23rd Dobell Drawing Prize in 2023.

Margaret shares:

‘My primary practice is drawing. To have three very different, some say demanding, works exploring the human condition accepted for the Dobell Drawing Prize over the years is such a rare privilege and wonderful recognition of my artwork. For many years I have struggled with drawing’s place in my art practice. To me there always seems to be an external pressure suggesting that drawing is a pathway to something ‘bigger’ like a painting or a sculpture. The longevity and gravitas of the Dobell demands that drawing be seen as the final work in its own right. It’s been a long journey from drawing at the kitchen table as a child with my mother, an artist in her own right.’

See Margaret`s winning work in this final week of the 24th Dobell Drawing Prize at NAS Gallery, closing Saturday 21 June 2025.

Plan your visit at the link in bio.
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Opening night of the 24th Dobell Drawing Prize, National Art School Gallery, Sydney, 2025, image courtesy and © the artists and National Art School, photograph: Nicole Anderson; Margaret Ambridge, ‘Cheek by jowl’, 2024, charcoal and rainwater on paper, image courtesy and © the artist, photograph: Mark Fitz-Gerald

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Jun 13

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We are delighted to announce Margaret Ambridge's work 'Cheek by jowl' (2024) as the winner of the People’s Choice Award for the 24th Dobell Drawing Prize. A huge congratulations to Margaret, who also won the People's Choice Award for the 23rd Dobell Drawing Prize in 2023.

Margaret shares:

‘My primary practice is drawing. To have three very different, some say demanding, works exploring the human condition accepted for the Dobell Drawing Prize over the years is such a rare privilege and wonderful recognition of my artwork. For many years I have struggled with drawing’s place in my art practice. To me there always seems to be an external pressure suggesting that drawing is a pathway to something ‘bigger’ like a painting or a sculpture. The longevity and gravitas of the Dobell demands that drawing be seen as the final work in its own right. It’s been a long journey from drawing at the kitchen table as a child with my mother, an artist in her own right.’

See Margaret's winning work in this final week of the 24th Dobell Drawing Prize at NAS Gallery, closing Saturday 21 June 2025.

Plan your visit at the link in bio.
—
Opening night of the 24th Dobell Drawing Prize, National Art School Gallery, Sydney, 2025, image courtesy and © the artists and National Art School, photograph: Nicole Anderson; Margaret Ambridge, ‘Cheek by jowl’, 2024, charcoal and rainwater on paper, image courtesy and © the artist, photograph: Mark Fitz-Gerald

Join us to celebrate the opening of `The Neighbour at the Gate` at the National Art School Gallery on Thursday 10 July.

The exhibition features new works by Jacky Cheng, Elham Eshraghian-Haakansson, Dennis Golding (Kamilaroi/Gamilaraay), Jenna Mayilema Lee (Gulumerridjin (Larrakia), Wardaman, KarraJarri), James Nguyen and James Tylor (Kaurna, Thura-Yura language region).

Visit the exhibition page for full artwork captions and details (link in bio).

`The Neighbour at the Gate` is proudly supported by the NSW Government through its Blockbusters Funding initiative.

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Jun 12

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Join us to celebrate the opening of 'The Neighbour at the Gate' at the National Art School Gallery on Thursday 10 July.

The exhibition features new works by Jacky Cheng, Elham Eshraghian-Haakansson, Dennis Golding (Kamilaroi/Gamilaraay), Jenna Mayilema Lee (Gulumerridjin (Larrakia), Wardaman, KarraJarri), James Nguyen and James Tylor (Kaurna, Thura-Yura language region).

Visit the exhibition page for full artwork captions and details (link in bio).

'The Neighbour at the Gate' is proudly supported by the NSW Government through its Blockbusters Funding initiative.

NAS Alum Juz Kitson (@juz_kitson) is known for her emotionally charged, biomorphic sculptures that combine porcelain with organic materials.

See her extraordinary work now on view in her current solo exhibition `Unfolding Earth` at @cassandrabird.gallery. `Unfolding Earth` continues until 14 June.

Join Kitson for her ceramics masterclass on experimental porcelain at the National Art School 28-29 June. Book at the link in bio - limited places available.
—
Images courtesy of CASSANDRA BIRD, photo by Laura Moore.

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Jun 6

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NAS Alum Juz Kitson (@juz_kitson) is known for her emotionally charged, biomorphic sculptures that combine porcelain with organic materials.

See her extraordinary work now on view in her current solo exhibition 'Unfolding Earth' at @cassandrabird.gallery. 'Unfolding Earth' continues until 14 June.

Join Kitson for her ceramics masterclass on experimental porcelain at the National Art School 28-29 June. Book at the link in bio - limited places available.
—
Images courtesy of CASSANDRA BIRD, photo by Laura Moore.

Opening night: The Neighbour at the Gate

Join us on Thursday 10 July for the opening night of The Neighbour at the Gate, a major exhibition at the National Art School Gallery, curated by a guest curatorium led by Clothilde Bullen (Wardandi Noongar and Badimaya Yamatji), with Micheal Do and Zali Morgan (Whadjuk Balladong and Wilman Noongar).

Bringing together newly commissioned works by leading Australian artists Jacky Cheng, Elham Eshraghian-Haakansson, Dennis Golding (Kamilaroi/Gamilaraay), Jenna Mayilema Lee (Gulumerridjin (Larrakia), Wardaman, KarraJarri), James Nguyen and James Tylor (Kaurna, Thura-Yura language region), the exhibition reckons with the echoes of immigration policies and the legacies of Colonialism in Australia, unravelling how these forces continue to shape First Nations and Asian Australian experiences and relationships.

Across various mediums and perspectives, The Neighbour at the Gate charts the entangled legacies of exclusion and resilience, drawing vital parallels between the past and present, memory and nationhood.

The Neighbour at the Gate has been made possible with the generous support of the NSW Government through its Blockbusters Funding initiative.

RSVP at the link in bio.

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Jun 5

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Opening night: The Neighbour at the Gate

Join us on Thursday 10 July for the opening night of The Neighbour at the Gate, a major exhibition at the National Art School Gallery, curated by a guest curatorium led by Clothilde Bullen (Wardandi Noongar and Badimaya Yamatji), with Micheal Do and Zali Morgan (Whadjuk Balladong and Wilman Noongar).

Bringing together newly commissioned works by leading Australian artists Jacky Cheng, Elham Eshraghian-Haakansson, Dennis Golding (Kamilaroi/Gamilaraay), Jenna Mayilema Lee (Gulumerridjin (Larrakia), Wardaman, KarraJarri), James Nguyen and James Tylor (Kaurna, Thura-Yura language region), the exhibition reckons with the echoes of immigration policies and the legacies of Colonialism in Australia, unravelling how these forces continue to shape First Nations and Asian Australian experiences and relationships.

Across various mediums and perspectives, The Neighbour at the Gate charts the entangled legacies of exclusion and resilience, drawing vital parallels between the past and present, memory and nationhood.

The Neighbour at the Gate has been made possible with the generous support of the NSW Government through its Blockbusters Funding initiative.

RSVP at the link in bio.

Burned trees build no homes.

Today we acknowledge World Environment Day with this work by alum Una Foster, now in the National Art School Collection.
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Una Foster, ‘Burned Trees Build No Homes’, c.1945, commercial print on paper; image courtesy the artist and National Art School © Una Foster. From the National Art School Collection.

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Jun 5

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Burned trees build no homes.

Today we acknowledge World Environment Day with this work by alum Una Foster, now in the National Art School Collection.
—
Una Foster, ‘Burned Trees Build No Homes’, c.1945, commercial print on paper; image courtesy the artist and National Art School © Una Foster. From the National Art School Collection.

This end of financial year, support the next generation of artists through the National Art School’s Pathways Program.

Your donation will be vital in helping us build a more inclusive and vibrant arts community — creating crucial pathways for talented artists to become leading international artists, regardless of their background.

Support our EOFY campaign via the link in bio and help us to break down barriers to art education.

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Jun 4

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Caught Stealing: now on view at NAS Gallery