The National Art School’s end of year graduate exhibitions are testament to why Australia’s oldest art school still stands at the forefront of art education in this country. NAS has been celebrated for nearly a century for its intensive studio-based, artist-led learning environment.
Image: Justine Roche, Laura from the Here/Now series, Tintype photograph, 10.16 x 12.7 cm
The National Art School has today announced respected Australian academic, writer and curator Dr Kristen Sharp as the next Director and Chief Executive Officer.
Kristen joins the National Art School with extensive experience in the fields of contemporary art and tertiary education having spent six years as Associate Dean Discipline, Art in the School of Art at RMIT University, and previously 9 years as Academic Lead Art History and Theory at RMIT. She will commence her new role at the National Art School on 24th February 2025.
Read the full media release at the link in bio.
Jan 30
Opening Night — ‘Queer Contemporary: Chaosophy’
Join us Thursday 13 February for the opening night of ‘Queer Contemporary: Chaosophy’, an exhibition that brings together three generations of queer artists who make and break language across the intersections of art, activism, poetry and performance; as part of Mardi Gras 2025.
Curated by Dr Liz Bradshaw, with work by artists Kika Kereru Baker, Daniel Browning, Sam Chan, Blake Griffiths, Frankie L.A, nikita lelu, r e a, Victoria Spence, Jake Starr, Ali Tahayori, Magic Young and Justine Youssef.
With special guests Swamp Daisies.
RSVP at link in the bio.
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r e a, ’GARI (language) (detail)’, 2024-25, courtesy and © the artist
Justine Youssef, ‘Somewhat Eternal (detail)’, 2023, installation view, ACE, Adelaide, 2024, three channel synchronised video, embroidered faux mink blankets, Burnet Rose (Rosa spinosissima) hydrosol, Damask Rose (Rosa x damascena) hydrosol, Lebanese Cedar (Cedrus libani) hydrosol, Blessed Milk Thistle (Silybum marianum) hydrosol, silver charms, image courtesy and © the artist, photograph: Sam Roberts
Kika Baker, `Pendulum`, 2024, plaster, ink, copper, found plastic, image courtesy and © the artist, photograph: Kika Baker
Blake Griffiths, ’Inhibitive Thoughts; stripping of the bark (detail)’, 2020, eucalyptus dyed woollen blanket, cotton, image courtesy and © the artist, photograph: Document Photography
Jake Starr, `A Weak & Panicked Animal`, 2024, installation view, Syrup Contemporary, Sydney, 2024, digital video, 4K, screen, construction fence, child safety straps, aluminium bench, lego, power cords, image courtesy and © the artist, photograph: Damien Dillon
Frankie L.A, `Pieces of`, 2024, worn machine made Persian rug, house paint, burnt wood, image courtesy and © the artist, photograph: Frankie L.A
Jan 24
We’re Hiring!
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Exhibitions Project Officer - Application Deadline Sunday 2 February
The Exhibitions Project Officer is a member of the NAS Galleries Curatorial Team and provides administrative and operational support to the National Art School’s Galleries exhibition programs. It has a focus on major Indigenous exhibition projects currently in development for the National Art School as well as touring programs. Please note this is part time, three day a week, fixed term contract until 19 December 2025.
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Digital Marketer - Application Deadline Sunday 2 February
The Digital Marketer plays an important role in coordinating the marketing and communication activities that drive degree recruitment, short course attendance, public program participation, exhibition promotion, brand positioning and alumni engagement. You will have a thorough understanding of marketing principles with a focus on digital media channels and e-communications.
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Visit the link in bio to learn more.
Jan 21
The National Art School is delighted to announce rising multi-disciplinary artist Anna Mould as the first ever winner of a prestigious international artist residency program, the Prudence MacLeod Prize, generously supported by the Lansdowne Foundation, located at Acme Fire Station Studios, London.
Learn more about the prize at the link in bio.
@annalouisemould
@acme.art
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Anna Mould, ‘The Damned, Tambaroora NSW’, 2023, machine embroidery and acrylic on canvas, 50 x 50 cm
Jan 14
