Art Guide: Teresa Margolles maps the repercussions of pain

Media News

Art Guide: Teresa Margolles maps the repercussions of pain

2020-03-20

by Danielle Neely

Article by Tracey Clement

Delve into the artistic practice and deeper meaning behind Teresa Margolles’ Approximation to The Scene of The Facts in this in-depth interview with Art Guide. Part of the 22nd Biennale of Sydney: NIRIN in NAS Gallery – read on through the link below.

Image: Teresa Margolles, Approximation to The Scene of The Facts (detail), 2020, mixed-media installation. Installation view (2020) for the 22nd Biennale of Sydney, National Art School. Courtesy the artist and Galerie Peter Kilchmann, Zurich. Photograph: Peter Morgan

Buy your ticket to join us at the NAS Gala | National Treasures. Mark your diaries for Friday 21 November,

The NAS Gala is an unforgettable evening of music, art and artists, with the opportunity to bid on extraordinary artworks by NAS Fellows and alumni - this is your chance to add something truly special to your collection.

Take a first look at some of the amazing artworks available to collect in our unmissable auction.

Link in bio - tickets selling fast!

1.Jelena Telecki, `I am not your dog`, oil on linen, 81 x 97 cm
2.Eliza Gosse, `Her Dalmatian Was More Accessory Than Companion`, oil on birch plywood,158 x 120 cm
3.Juz Kitson, `All of it necessary`., Stoneware, raku and various glazes, 68 x 35 x 34 cm
4.Joshua Charadia, `Nocturne 56`, oil on board, 60 x 45 cm

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Oct 29

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Buy your ticket to join us at the NAS Gala | National Treasures. Mark your diaries for Friday 21 November.

The NAS Gala is an unforgettable evening of music and art, with the opportunity to bid on extraordinary works by NAS Fellows and alumni - this is your chance to add something truly special to your collection.

Take a first look at some of the amazing artworks available in our unmissable auction.

Link in bio - tickets selling fast!

1.Jelena Telecki, `I am not your dog`, oil on linen, 81 x 97 cm
2.Eliza Gosse, `Her Dalmatian Was More Accessory Than Companion`, oil on birch plywood,158 x 120 cm
3.Juz Kitson, `All of it necessary`, stoneware, raku and various glazes, 68 x 35 x 34 cm
4.Joshua Charadia, `Nocturne 56`, oil on board, 60 x 45 cm

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Oct 29

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Introducing Aldi Difinubun (@aldi.ex.di_), one of our graduating Photomedia MFA students, and their selected work ‘Glass Ceiling’.

Celebrate the future of contemporary art at The Postgrad Show Opening Night, Thursday 6 November (RSVP link in bio).

Aldi Difinubun
‘Glass Ceiling’
single-channel HD digital video, colour, sound
21:51 minutes
Production assistance: Anton Grabreck

Portrait Photography: Jack Rockliffe (@soybased_snack)
Artwork Photography: Peter Morgan (@petrius)

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Oct 26

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Introducing Aldi Difinubun (@aldi.ex.di_), one of our graduating Photomedia MFA students, and their selected work ‘Glass Ceiling’.

Celebrate the future of contemporary art at The Postgrad Show Opening Night, Thursday 6 November (RSVP link in bio).

Aldi Difinubun
‘Glass Ceiling’
single-channel HD digital video, colour, sound
21:51 minutes
Production assistance: Anton Grabreck

Portrait Photography: Jack Rockliffe (@soybased_snack)
Artwork Photography: Peter Morgan (@petrius)

Introducing Lisa Stonham (lisa_stonham), one of our graduating Photomedia MFA students, and their selected work ‘Interior Fragments’.

Celebrate the future of contemporary art at The Postgrad Show Opening Night, Thursday 6 November (RSVP link in bio).

Lisa Stonham
‘Interior Fragments’
archival transparent photo-media on acrylic, space, painted wood
edition of 2 (+1 AP)
61 x 61 x 61 cm

Portrait Photography: Jack Rockliffe (@soybased_snack)
Artwork Photography: Peter Morgan (@petrius)

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Oct 26

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Introducing Lisa Stonham (lisa_stonham), one of our graduating Photomedia MFA students, and their selected work ‘Interior Fragments’.

Celebrate the future of contemporary art at The Postgrad Show Opening Night, Thursday 6 November (RSVP link in bio).

Lisa Stonham
‘Interior Fragments’
archival transparent photo-media on acrylic, space, painted wood
edition of 2 (+1 AP)
61 x 61 x 61 cm

Portrait Photography: Jack Rockliffe (@soybased_snack)
Artwork Photography: Peter Morgan (@petrius)

Introducing Tresor Murace (@muracetresorart), one of our graduating Painting MFA students, and their selected work ‘Amy Ice Cream’.

Celebrate the future of contemporary art at The Postgrad Show Opening Night, Thursday 6 November (RSVP link in bio).

Tresor Murace
‘Amy Ice Cream’
airbrushed acrylic paint, Talens Pantone markers and Posca pens on Yupo paper
109 x 78 cm

Portrait Photography: Jack Rockliffe (@soybased_snack)
Artwork Photography: Peter Morgan (@petrius)

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Oct 25

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Introducing Tresor Murace (@muracetresorart), one of our graduating Painting MFA students, and their selected work ‘Amy Ice Cream’.

Celebrate the future of contemporary art at The Postgrad Show Opening Night, Thursday 6 November (RSVP link in bio).

Tresor Murace
‘Amy Ice Cream’
airbrushed acrylic paint, Talens Pantone markers and Posca pens on Yupo paper
109 x 78 cm

Portrait Photography: Jack Rockliffe (@soybased_snack)
Artwork Photography: Peter Morgan (@petrius)

Introducing Beth Perry, one of our graduating Painting MFA students, and their selected work ‘Convene’.

Celebrate the future of contemporary art at The Postgrad Show Opening Night, Thursday 6 November (RSVP link in bio).

Beth Perry
‘Convene’
linen on canvas
152 x 137 cm

Portrait Photography: Jack Rockliffe (@soybased_snack)
Artwork Photography: Peter Morgan (@petrius)

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Oct 25

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Art Guide: Teresa Margolles maps the repercussions of pain