AFR: Art fair sales point to young artists on the rise

AFR: Art fair sales point to young artists on the rise

By Gabriella Coslovich

After a three-year hiatus, Sydney Contemporary made a triumphant return with almost 29,000 people streaming through Carriageworks over the five-day fair that ended on Sunday.

Sydney’s National Art School had the only stall at Sydney Contemporary featuring artists yet to be represented by a gallery. The school exhibited the work of eight recent graduates –Arash Chehelnabi, Susie Choi, Brydie Greedy, Charlie Komsic, Dylan Newling, TC Overson, Onrie Radovic and Greg Stanford – and the response was phenomenal. Each of the artists sold at least one work, with many selling multiple works. Susie Choi’s ceramic creations had sold out by the first afternoon of the fair, compelling her to bring in more work, which also sold out. On opening night, NSW Minister for Aboriginal Affairs, the Arts and Regional Youth, Ben Franklin, bought Greg Stanford’s glowing abstract print, L-III, 2022, for the reasonable price of $600. The costs of these emerging artists’ works are accessible, but the quality is high, the result of three years (Bachelor of Fine Art) or five years (Master of Fine Art) study.

Image: Greg Stanford, L-III, 2022, sold for $600 at Sydney Contemporary 

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Thank you to everyone who attended the opening night of ‘Queer Contemporary: Chaosophy’ 
‘Chaosophy’ is now open until Saturday 8 March
11am – 5pm Monday to Saturday
Building 25 Project Space
Free admission, all welcome 
Learn more about the exhibition at the link in bio.
NAS Library is proud to launch their 2025 Library Stairwell Gallery programming with this years LSG show for Queer Contemporary, ‘Subtexts’, opening this Thursday 13 February.  ‘Subtexts’ unites four artists whose work demonstrates the complexities of queer identity, each considering their own personal relationship with queerness. The show offers alternative narratives and styles that challenge notions of queer uniformity, opting to explore the undertones and implications of queerness as a dislocated front.  ‘Subtexts’ asks of the ambiguous term; Are we united by virtue of our difference, or rather the unique positions it presents us?  Featuring works by
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We’re looking for an Exhibitions Project Officer!  The role has a focus on major Indigenous exhibition projects currently in development for the National Art School as well as touring programs. The role assists with the delivery and coordination of Gallery programs, talks, and other events in the gallery spaces.  You have a background in visual art, art history, curatorship and gallery experience. You have excellent interpersonal and communication skills, along with strong organisational and project management experience.  Note this is an Identified Role and is open to Aboriginal and/or Torres Strait Islander applicants only, in accordance with Section 14(D) of the NSW Anti-Discrimination Act, 1977 NSW.  Application deadline extended to Sunday 9 February.  Apply at the link in bio.
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Ronan Pirozzi, 'Serpentine', 2023; 'Trajectory', 2023; 'Desolate', 2023; installation view, undo the day, NAS Gallery, Sydney, 2024, oil on welded steel, image courtesy and © the artist, photograph: Zan Wimberley
The National Art School has today announced respected Australian academic, writer and curator Dr Kristen Sharp as the next Director and Chief Executive Officer.  Kristen joins the National Art School with extensive experience in the fields of contemporary art and tertiary education having spent six years as Associate Dean Discipline, Art in the School of Art at RMIT University, and previously 9 years as Academic Lead Art History and Theory at RMIT. She will commence her new role at the National Art School on 24th February 2025.  Read the full media release at the link in bio.
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