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A Rich Life: Valerie Marshall Strong Olsen: A rare sensibility

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A Rich Life: Valerie Marshall Strong Olsen: A rare sensibility

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Article by Kirsty Francis.

‘A rare sensibility’ is the first solo exhibition of Valerie Marshall Strong Olsen’s work. Curated by Tim and Louise Olsen, in loving memory of their mother a decade after her passing, this exhibition aims to give Valerie the recognition she deserves as one of Australia’s unsung, yet remarkable female artists.

The exhibition is on at the Rayner Hoff Project Space in the historical grounds of Sydney’s National Art School in Darlinghurst, until 27 November.

Read the full article linked below.

Image: Valerie Strong, Afternoon Yarramalong, 1963, oil on board, 90.2 x 120.5cm

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We’re looking for a Facilities and Risk Manager - Application Deadline Sunday 13 April

The Facilities and Risk Manager effectively manages and organises services and resources for the facilities, workshop, security, WHS, and campus operations of National Art School in Darlinghurst. In addition, they provide strategic support and advice to senior management on all issues related to facilities and campus operations.

Apply at the link in bio.

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Mar 27

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We’re looking for a Facilities and Risk Manager - Application Deadline Sunday 13 April The Facilities and Risk Manager effectively manages and organises services and resources for the facilities, workshop, security, WHS, and campus operations of National Art School in Darlinghurst. In addition, they provide strategic support and advice to senior management on all issues related to facilities and campus operations. Apply at the link in bio.

Facture – the manner in which something is made
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Join us Saturday 12 April for the 2025 Drawing Symposium at the National Art School, presented by the National Centre for Drawing. Featuring a diverse range of national and international speakers, as well as associated performances and exhibitions, this event is held in conjunction with the 24th Dobell Drawing Prize. The symposium will explore the theme of Facture, a concept that emphasises an artwork’s tangible reality as an intentionally crafted object, linking the act of creation directly to its physical presence. Considering an artwork in terms of its facture reveals it as a record of the artist’s decisions, methods, and materials. Discussions will examine how this concept enriches our understanding of drawing and aligns with contemporary and interdisciplinary approaches to art-making.
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Learn more and buy tickets at the link in bio.

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Mar 19

Open
Facture – the manner in which something is made — Join us Saturday 12 April for the 2025 Drawing Symposium at the National Art School, presented by the National Centre for Drawing. Featuring a diverse range of national and international speakers, as well as associated performances and exhibitions, this event is held in conjunction with the 24th Dobell Drawing Prize. The symposium will explore the theme of Facture, a concept that emphasises an artwork’s tangible reality as an intentionally crafted object, linking the act of creation directly to its physical presence. Considering an artwork in terms of its facture reveals it as a record of the artist’s decisions, methods, and materials. Discussions will examine how this concept enriches our understanding of drawing and aligns with contemporary and interdisciplinary approaches to art-making. — Learn more and buy tickets at the link in bio.
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