What’s On: January – June 2020

Welcome to the National Art School (NAS) and Issue 2 of our arts and education bulletin. Our site accommodates vibrant and engaging programs that make art and culture accessible to the whole community. We actively seek to develop programs, festivals, talks and events onsite, and to further develop our outreach programs to Western Sydney and regional NSW. There is so much to get involved in at NAS and we welcome you to join us for one of our many programs and activities. You can see exhibitions, attend special events, school holiday classes, intensive weekend workshops, talks and forums and more.

You’ll find all the details of our programs over the next few months in this publication – pick up a copy when on campus or download below. I look forward to welcoming you soon and encourage you to join us here at NAS.

Steven Alderton
Director and CEO

DOWNLOAD THE WHAT’S ON BROCHURE HERE

A selection of works by our graduating MFA students currently on show at The Postgrad Show, on until 17 November at NAS Galleries.
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Learn more about the artists and view available works at the link in bio.
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Isabella Kennedy, ‘()’, 2024, inkjet print on Epson matte, 44 x 29.5 cm, edition of 3
Emilee Robinson, ‘lizard’, 2024, platinum silicone, toner and vinyl on board, 30 x 25cm
Artemisia Cornett, ‘Encroaching’, 2024, pen on paper, 40 x 17cm
Bibi Soleimani, ‘Pigeon Tower 10’, 2024, oil monotype on BFK Rives paper, 76 x 56cm
Julie Edgar, ‘Essence’, 2024, oil on canvas, 140 x 180 cm
India Swinton, ‘Subtle Sensations I’, 2024, acrylic on canvas, 50 x 40cm
Criena Court, ‘unified (swing)’, 2024, rope, timber, concrete, gold pigment, variable x 70 x 14 cm
Alice Xu, ‘The light guided me to a destiny’, 2024, oil on canvas, 102 x 76cm
Bronwyn Vaughan, ‘Hot Pink Support Structure 4’, 2024, steel, saris, stainless steel cable ties, 200 x 10cm

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Nov 13

Open

A selection of works by our graduating MFA students currently on show at The Postgrad Show, on until 17 November at NAS Galleries.
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Learn more about the artists and view available works at the link in bio.
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Benjamin Akuila, ‘Mask For Mask II’, 2024, stoneware, gold lustre, clear spray paint, 26 x 15 x 3 cm
Beatrice Weidner, ‘Tendrils’, 2024, mixed media collage on paper, 76 x 56 cm
Brooke Marchel, ‘The Way of All Flesh’, 2024, oil and acrylic on book, 20.5 x 26.5 x 2cm
Lucinda Bird, ‘Patchwork Archive’, 2024, copper plate etching on Hahnemüle paper, etched aluminium standoffs, eyelets, cotton thread, 80 x 61 x 7cm
Mitchell Davis, ‘mummy’s boy (left)’, 2024, plaster cast, 23 x 78 x 10cm, edition of 3
Sophie Victoria, ‘Misperceptions III’, 2024, copper, acrylic, faux fur, dimensions variable
Quan Zhu Ma, ‘Samsara II (b)’, 2024, burnt wood, plaster, 14 x 54 cm
Emily Isabel Taylor, ‘Hydra’, 2024, UV digital print on clear acrylic, 115 x 183 x 1cm
Jocelyn Hedley, ‘GENV8_LG_VOCT_03’, 2024, multilayered nanoparticle screen prints on Stonehenge black paper, 101 x 127 cm
Freyja Fristad, ‘VOID’, 2024, linocut relief on Accademia, 85 x 169 cm, edition of 5

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Nov 13

Open

A selection of works by our graduating MFA students currently on show at The Postgrad Show, on until 17 November at NAS Galleries.
—
Learn more about the artists and view available works at the link in bio.
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Oliver Abbott, ‘288, -87.35, 1.65’, 2024, oil on linen, 120 x 180cm
Rachel Mackay, ‘Fountain’, 2024, unfired paperclay, sealant, fabric, 20 x 20 x 130 cm
Nikky Morgan-smith, ‘EFT3’, 2024, oil stick on wood, 20 x 30cm
Harry Merriman, ‘Swallow Me Whole’, 2024, inkjet print, unframed: 56 x 79.5cm, framed: 60 x 83.5 x 3.7cm, edition of 3
Chrystie Longworth, ‘Domestic Goddess: Spotless’, 2024, stoneware clay, pigment, glaze, 17 x 13 x 13 cm
James Little, ‘youtu.be/AgfzksAY-mY’, 2024, inkjet print on glossy photo paper on aluminium panel, steel frame, 29 cm x 42 cm, 29 cm
Jake Starr, ‘Dogma’, 2024, 4K video (runtime 15 mins), clothing, TV screen, steel mount, installation 100 x 120 x 180 cm, 1/8 (custom usb boxed set)
James Gardiner (fahn), ‘Presence Pr24-01’, 2024, acrylic polymer on machine cut composite board (fibre, resin, card, polystyrene and chipboard), 76 x 84 x 4.3 cm
Martin John Oldfield, ‘Bulldog 7W’, 2024, steel pickaxe, mild steel, 33 x 22 x 14 cm
Zara Collins, ‘Unfolding the folds VII’, 2024, porcelain, 11 x 12 x 3.5cm

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Nov 13

Open

Putting together a strong portfolio is one of the most important parts of your application to the National Art School.

At the Portfolio Review, NAS lecturers will offer helpful advice to guide you through your portfolio preparation, plus provide personal feedback on your portfolio.

Monday 18 November, 11.00am - 12.30pm, Cell Block Theatre.

RSVP at the link in bio.

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Nov 13

Open

We’re looking for a new Digital Marketing Specialist. Application deadline Sunday 24 November. Apply now!

The Digital Marketing Specialist plays an important role in coordinating the marketing and communication activities that drive degree recruitment, short course attendance, public program participation, exhibition promotion, brand positioning and alumni engagement.

Visit the link in bio to learn more.

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Nov 13

Open

Highlights from the upcoming Art Club Intensive, 15 – 17 January 2025.

Find inspiration in the environment in ‘The Natural World’, discover contemporary forms of print and image making in ‘Zine Magic’, or interrogate and challenge notions of the body in ‘The Human Form’.

These 3-day courses are designed to impart technical and conceptual skills to students aged 15 – 17.

Book now at the link in bio.

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Nov 12

Open

What’s On: January – June 2020

DOWNLOAD THE WHAT’S ON BROCHURE HERE

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Acknowledgement

THE NATIONAL ART SCHOOL ACKNOWLEDGES THE GADIGAL PEOPLES OF THE EORA NATIONS, THE TRADITIONAL OWNERS ON WHOSE LANDS, WATER AND SKIES WE MEET AND SHARE.

WE PAY OUR RESPECTS TO ALL GADIGAL ELDERS, PAST AND PRESENT, AND CELEBRATE THE DIVERSITY, HISTORY AND CREATIVITY OF ABORIGINAL AND TORRES STRAIT ISLANDER PEOPLES.