Vale Andrew ‘Greedy’ Smith (1956-2019)

Vale Andrew ‘Greedy’ Smith (1956-2019)

The National Art School is deeply saddened by the news that Andrew ‘Greedy’ Smith, one of the founding members of iconic Australian band Mental as Anything, has died.

Smith attended the National Art School in the 1970s, then East Sydney Tech, where he met band members and fellow art students Chris O’Doherty (aka Reg Mombassa), Martin Murphy (Martin Plaza), David Twohill (Wayne DeLisle) and Steve Coburn.

Smith was already in a covers band with a school mate from North Sydney Boys, but first played with the Mentals in December 1976, at the Anthony Doherty Community Centre Hall in Darlinghurst. He also appeared with them at the Unicorn Hotel near the art school, where the band had a regular gig. He played harmonica at first but after being invited to join as a permanent member, was urged to start playing keyboards.

“Martin thought I was sitting around too much reading the paper and going to the bar between my songs,” Smith recalls in the book The Mind and Times of Reg Mombassa, published in 2009. “He and I went out to Epping where we bought an old Farfisa wedding reception organ. I was playing it that night. It was just one-handed stuff but because it was the era of punk bands, I could get away with it.

“Anyway, I always made a point not to learn too much about music because I think it interferes with song writing – the more you know about music, the more you know you can’t do. But if you write your own songs, people can’t say you’re playing it wrong.”

The band’s first gig with their final line up – Martin, Greedy, David, Chris and his brother Peter O’Doherty, was at the National Art School’s Cell Block Theatre on August 17, 1977, the night Elvis died.

The name Mental as Anything had been chosen earlier by another National Art School student, Paul Worstead, who had booked them for a gig at the Settlement in Chippendale. Worstead went on to design the cover of Mental As Anything’s first album Get Wet, released in 1979.

The school is proud to have been the crucible for the band that has held such a special place in the Australian music scene for generations.

In the Sydney Morning Herald yesterday, Mombassa said he would remember his friend and bandmate as “the most positive and cheerful person I have ever met in my life”.

“He was a decent guy, he was kind to people, he cared about people,” Mombassa said. “The way he was on stage, that joyous stage presence was genuine, he was like that off stage, he cared about his fans and gave them the time of the day.”

Steven Alderton, Director and CEO of NAS, says, “Greedy Smith was an exceptional artist who could light up a room with his many talents. He was part of a golden age at the National Art School when many talented visual artists became members of bands, plying their considerable creative skills on many platforms. We will certainly miss him.”

Greedy Smith will be greatly missed and mourned by many. The National Art School would like to extend its sympathy to his friends and family.

Image: Reg Mombassa, Greedy Smith and Martin Plaza in 1976 at the Anthony Doherty Hall, Darlinghurst.

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Art Club is our high school student program for 15-17 year olds, designed to enhance and extend students’ technical, conceptual, and intellectual skills, through intensive practical study in the disciplines offered at NAS as well as engaging in an experience of our studios and campus, under the expert direction of experienced artists.

Set your child on a creative path with Art Club. 

Learn more at the link in bio.
Thank you to everyone who attended the opening night of the 24th Dobell Drawing Prize and congratulations again to the prize winner NAS alumna Rosemary Lee.

The 24th Dobell Drawing Prize is now open until Saturday 21 June 2025
11am – 5pm Monday to Saturday 
NAS Gallery 
Free admission, all welcome

Learn more about the exhibition at the link in bio.
We are delighted to announce NAS alumna Rosemary Lee as the winner of the 24th Dobell Drawing Prize, Australia’s leading prize for drawing, worth $30,000.

Selected from 56 nationwide finalists, and 965 entries, Rosemary’s work will become part of the National Art School’s significant collection, built over the past 120 years. Rosemary, in her winning work 24-1 (2024), observes tonal and compositional profundity in everyday life.

The judging panel comprising acclaimed First Nations artist Vernon Ah Kee, Paula Latos-Valier AM, Trustee and Art Director of the Sir William Dobell Art Foundation, and Dr Yolunda Hickman, Head of Postgraduate Studies, National Art School, commented of Rosemary’s work: “The decision to award the 24th Dobell Drawing Prize to Rosemary Lee for the work ‘24-1’ was unanimous. We were most impressed by the level of visual intensity the artist has achieved in this work both through its vibrant colour and in the extraordinary detail of the composition. The artwork’s exploration of the urban landscape and gentrification of the Sydney suburbs of Ashfield and Summer Hill, has produced an image capturing a broader sense of transience and the omnipresence of construction sites in our cities today. It questions the cultural and historical value of place, through the lens of the artist’s personal connection.” 

See Lee’s work alongside the work of the other finalists in the 24th Dobell Drawing Prize, 11 April – 21 June 2025, NAS Gallery
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Left to right: NAS Director and CEO, Dr Kristen Sharp with artist Rosemary Lee, featuring winning artwork 24–1, 2024, pencil on paper, image courtesy the artist and National Art School Gallery © the artist, photograph: Peter Morgan
Introducing the National Art School Short Courses Program from July–December 2025

Whether you’re a beginner, rediscovering a past passion, refining your skills, or considering our Fine Arts degree, the short courses offer a stimulating and rewarding experience for all levels.

Our 2025 program begins in July with Winter School, followed by Term Three, Spring Weekend Workshops in September, and Term Four in October.

Learn more and enrol at the link in bio.
Making Sound is a performance event featuring four artists who make devices that make sound, including Gary Warner, Pia van Gelder, Ben Denham and Sean O’Connell, presented following Facture: Drawing Symposium 2025, Saturday 12 April 5-6pm. 

Gary Warner creates an improvised soundfield with his ‘aleatoric ensemble’ autonomous sound machines, a collection of modified turntables that spin ad-hoc bric-a-brac assemblages.

Pia van Gelder (pictured) amplifies an electronic circuit as it is built in real-time. Under the moniker of “PvG sans PCB,” in these performances, van Gelder works on a breadboard with electronic components and additional found objects to demonstrate the electronic variabilities produced in the material world.

Ben Denham and Sean O’Connell perform together with handmade synthesizer systems that sense and sonify barometric pressure and the flow of electrons through matter.

Purchase your tickets to the symposium at the link in bio.
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Pia van Gelder, 'sans PCB', 2021, performance, Collings Creative, image courtesy and © the artist
Passionate about collections and the arts? Join us as a Digitisation Volunteer!

The National Art School Archive and Collection team is looking for enthusiastic Digitisation Volunteers to help bring our art collection to life! Your work will play a key role in making art and history more accessible—by photographing and recording our collections, enhancing our museum database, and digitising our extensive archive of photographs. Through your efforts, every stored object and artwork in our collection will have a high-quality, searchable digital record for generations to come.

Apply at the link in bio.
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