University Art School Cuts Affect Us All

University Art School Cuts Affect Us All

NAS Director and CEO Steven Alderton discusses the repercussions of proposed cuts, and in the wider context of Australian visual arts education.

This has been an extremely difficult year for the arts in Australia, with the creative industries hard hit by COVID-19 lockdowns and restrictions. But 2020 isn’t over yet. The Australian National University has announced proposed cuts to its highly respected School of Art and Design, while only last month Griffith University announced proposed cuts to the Queensland College of Art.

Like Griffith, where the cuts hit the college’s printmaking and jewellery studios, as well as photography and interactive media, ANU is targeting the furniture, jewellery and object studios, all craft and design disciplines that require specialist equipment and staff, as well as the animation and video program at a time when in-depth tertiary digital media education is crucial for Australia’s future creative professionals.

In July, the University of NSW announced the merger of its single-school UNSW Art and Design faculty into a six-school faculty with the Built Environment and Arts & Social Sciences faculties; the Art and Design faculty’s dean, Ross Harley, left that month.
Universities have suffered greatly during the pandemic this year, however the cuts to art schools are short-sighted and have been widely condemned. The loss of these facilities and the jobs of highly skilled lecturers and technicians cannot be regained and harms the Australian arts community and our international reputation.

After graduating from QCA in Brisbane 30 years ago, I became director of Sydney’s National Art School in 2017, one of only two remaining independent tertiary art schools in Australia. Our independence allows us to maintain intense, hands-on studio-based learning and expand our resources, such as the recent announcement of our new National Centre for Drawing.
According to UNESCO, creativity and innovation have become the true wealth of nations in the 21st century. In October 2020, Australia’s Bureau of Communications, Arts and Regional Research said cultural and creative activity contributed $115.2 billion to Australia’s economy in 2017–18.

Reducing resources and staff at tertiary art schools further erodes Australia’s ability to support and strengthen the creativity, inspiration and innovation that is essential for our economy and society into the future, and to share our vibrant artistic culture with the world.

The most effective way to develop raw artistic talent is with a solid and independent foundation of education taught by experts with dedicated facilities. These proposed cuts are Australia’s loss, not just another blow for art students and teachers.

Steven Alderton is the Director and CEO of the National Art School in Sydney.

Image: NAS Director Steven Alderton and Head of Drawing Maryanne Coutts in front of Building 25, which will become the new Drawing Gallery in 2021, part of the National Centre for Drawing. Photo: Peter Morgan.
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Ever wondered what it’s like studying at the National Art School?

Find out at our Open Day on Saturday 6 September, 10am to 4pm.

Considering art as a career or simply curious about what happens behind the school’s historic sandstone walls? Save the date on Eventbrite (link in bio) to see what life is like for students at NAS by participating in studio demonstrations, chatting to our academic staff and visiting the NAS Gallery and student exhibition spaces across our campus.
The National Art School was saddened to hear of the recent death of artist and NAS alumnus Bruce Goold (1948-2025).

Born in Newcastle in 1948, from 1961- 65 Bruce attended Sydney Grammar School, where he studied art with ceramicist and potter Gordon McCausland. This was followed by a year at the National Art School, Newcastle. Here he experimented with various mediums and made his first linocut. He then studied at the National Art School, c. 1967-68. 

Bruce was a member of the artist collective Yellow House between 1970-72. The former Clune Gallery in Kings Cross was transformed by Martin Sharp and a group of fellow artists, who painted the exterior bright yellow and covered its internal walls with murals, portraits and decoration. Artists such as Brett Whiteley, Peter Wright, Bruce Goold, Greg Weight and Peter Kingston turned the building into an artwork, while visiting bands and celebrities made it a regular fixture of the Sydney scene.

Known principally as a printmaker, Goold created coloured linocuts and woodblocks including many images of Australian flora and fauna, as well as South Pacific inspired esoteric and symbolic subjects. He held solo exhibitions in Sydney, Melbourne and internationally in London and Ireland. He received major commissions for poster, logo and interior design and worked as a designer for Mambo from 1992. 

A retrospective exhibition, Bruce Goold, Artist, Designer, Printmaker, curated by Therese Kenyon, was held at Manly Art Gallery & Museum in 2008.
The National Art School extends its sympathies to Bruce’s family and many friends.
—
Greg Weight, 'Bruce Goold', 1998, NAS Collection
Got a young artist at home?

Art Club Term 3 is now open for enrolment — and we’ve got an exciting painting program lined up. This term, kids will explore styles like Expressive Acrylics and Contemporary Watercolour, all while building their confidence and creativity.

Monday afternoons, led by artist and educator Grant Bellamy. 

Visit the link in bio to learn more and enrol.
Thank you to everyone who attended the opening night and weekend celebrations for The Neighbour at the Gate. 

The Neighbour at the Gate is now open until Saturday 18 October 2025
11am – 5pm Monday to Saturday
NAS Gallery
Free admission, all welcome

Plan your visit at the link in bio.
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