The NAS Foundation

Paving the way for our continuing success and dynamic future, the NAS Foundation is a committee of experienced fundraisers working to ensure the ongoing financial sustainability of the school.

Working alongside the NAS community and Board, the NAS Foundation will future proof NAS against disruption by ensuring diverse revenue streams to supplement our income.

Through transformational philanthropic donations, the NAS Foundation will build the capacity of the School, guarantee world-class fine art education for our students into the future, and cement the National Art School as the leading art school in the Asia Pacific.

NAS Foundation Members

Susan Rothwell AM (Acting Chair NAS Foundation (Ex-officio)
Dr Kristen Sharp (Ex-officio)
Peter Curry
Eliza Gosse
Amelia Liveris
Blainey North
Barry Sechos

To find out more about the NAS Foundation and how your support can shape the future vision of the National Art School, please contact:

Hannah Dickson
Head of Fundraising and Development
T: +61 2 9339 8636 E: [email protected]

Donation Form

All donations over $2 are fully tax deductible

All donations over $1000 will be acknowledged as a NAS Patron

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`Being at NAS, they were the best three years of my life so far` (Rosemary Lee, NAS Alumna 2018)

This end of financial year, support the next generation of artists through the National Art School’s Pathways Program.

Your donation will be vital in helping us build a more inclusive and vibrant arts community — creating crucial pathways for talented artists to become leading international artists, regardless of their background.

Visit link in bio to find out what your donation today could achieve tomorrow.

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Jun 16

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'Being at NAS, they were the best three years of my life so far' (Rosemary Lee, NAS Alumna 2018)

This end of financial year, support the next generation of artists through the National Art School’s Pathways Program.

Your donation will be vital in helping us build a more inclusive and vibrant arts community — creating crucial pathways for talented artists to become leading international artists, regardless of their background.

Visit link in bio to find out what your donation today could achieve tomorrow.

We are delighted to announce Margaret Ambridge`s work `Cheek by jowl` (2024) as the winner of the People’s Choice Award for the 24th Dobell Drawing Prize. A huge congratulations to Margaret, who also won the People`s Choice Award for the 23rd Dobell Drawing Prize in 2023.

Margaret shares:

‘My primary practice is drawing. To have three very different, some say demanding, works exploring the human condition accepted for the Dobell Drawing Prize over the years is such a rare privilege and wonderful recognition of my artwork. For many years I have struggled with drawing’s place in my art practice. To me there always seems to be an external pressure suggesting that drawing is a pathway to something ‘bigger’ like a painting or a sculpture. The longevity and gravitas of the Dobell demands that drawing be seen as the final work in its own right. It’s been a long journey from drawing at the kitchen table as a child with my mother, an artist in her own right.’

See Margaret`s winning work in this final week of the 24th Dobell Drawing Prize at NAS Gallery, closing Saturday 21 June 2025.

Plan your visit at the link in bio.
—
Opening night of the 24th Dobell Drawing Prize, National Art School Gallery, Sydney, 2025, image courtesy and © the artists and National Art School, photograph: Nicole Anderson; Margaret Ambridge, ‘Cheek by jowl’, 2024, charcoal and rainwater on paper, image courtesy and © the artist, photograph: Mark Fitz-Gerald

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Jun 13

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We are delighted to announce Margaret Ambridge's work 'Cheek by jowl' (2024) as the winner of the People’s Choice Award for the 24th Dobell Drawing Prize. A huge congratulations to Margaret, who also won the People's Choice Award for the 23rd Dobell Drawing Prize in 2023.

Margaret shares:

‘My primary practice is drawing. To have three very different, some say demanding, works exploring the human condition accepted for the Dobell Drawing Prize over the years is such a rare privilege and wonderful recognition of my artwork. For many years I have struggled with drawing’s place in my art practice. To me there always seems to be an external pressure suggesting that drawing is a pathway to something ‘bigger’ like a painting or a sculpture. The longevity and gravitas of the Dobell demands that drawing be seen as the final work in its own right. It’s been a long journey from drawing at the kitchen table as a child with my mother, an artist in her own right.’

See Margaret's winning work in this final week of the 24th Dobell Drawing Prize at NAS Gallery, closing Saturday 21 June 2025.

Plan your visit at the link in bio.
—
Opening night of the 24th Dobell Drawing Prize, National Art School Gallery, Sydney, 2025, image courtesy and © the artists and National Art School, photograph: Nicole Anderson; Margaret Ambridge, ‘Cheek by jowl’, 2024, charcoal and rainwater on paper, image courtesy and © the artist, photograph: Mark Fitz-Gerald

Join us to celebrate the opening of `The Neighbour at the Gate` at the National Art School Gallery on Thursday 10 July.

The exhibition features new works by Jacky Cheng, Elham Eshraghian-Haakansson, Dennis Golding (Kamilaroi/Gamilaraay), Jenna Mayilema Lee (Gulumerridjin (Larrakia), Wardaman, KarraJarri), James Nguyen and James Tylor (Kaurna, Thura-Yura language region).

Visit the exhibition page for full artwork captions and details (link in bio).

`The Neighbour at the Gate` is proudly supported by the NSW Government through its Blockbusters Funding initiative.

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Jun 12

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Join us to celebrate the opening of 'The Neighbour at the Gate' at the National Art School Gallery on Thursday 10 July.

The exhibition features new works by Jacky Cheng, Elham Eshraghian-Haakansson, Dennis Golding (Kamilaroi/Gamilaraay), Jenna Mayilema Lee (Gulumerridjin (Larrakia), Wardaman, KarraJarri), James Nguyen and James Tylor (Kaurna, Thura-Yura language region).

Visit the exhibition page for full artwork captions and details (link in bio).

'The Neighbour at the Gate' is proudly supported by the NSW Government through its Blockbusters Funding initiative.

NAS Alum Juz Kitson (@juz_kitson) is known for her emotionally charged, biomorphic sculptures that combine porcelain with organic materials.

See her extraordinary work now on view in her current solo exhibition `Unfolding Earth` at @cassandrabird.gallery. `Unfolding Earth` continues until 14 June.

Join Kitson for her ceramics masterclass on experimental porcelain at the National Art School 28-29 June. Book at the link in bio - limited places available.
—
Images courtesy of CASSANDRA BIRD, photo by Laura Moore.

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Jun 6

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NAS Alum Juz Kitson (@juz_kitson) is known for her emotionally charged, biomorphic sculptures that combine porcelain with organic materials.

See her extraordinary work now on view in her current solo exhibition 'Unfolding Earth' at @cassandrabird.gallery. 'Unfolding Earth' continues until 14 June.

Join Kitson for her ceramics masterclass on experimental porcelain at the National Art School 28-29 June. Book at the link in bio - limited places available.
—
Images courtesy of CASSANDRA BIRD, photo by Laura Moore.

Opening night: The Neighbour at the Gate

Join us on Thursday 10 July for the opening night of The Neighbour at the Gate, a major exhibition at the National Art School Gallery, curated by a guest curatorium led by Clothilde Bullen (Wardandi Noongar and Badimaya Yamatji), with Micheal Do and Zali Morgan (Whadjuk Balladong and Wilman Noongar).

Bringing together newly commissioned works by leading Australian artists Jacky Cheng, Elham Eshraghian-Haakansson, Dennis Golding (Kamilaroi/Gamilaraay), Jenna Mayilema Lee (Gulumerridjin (Larrakia), Wardaman, KarraJarri), James Nguyen and James Tylor (Kaurna, Thura-Yura language region), the exhibition reckons with the echoes of immigration policies and the legacies of Colonialism in Australia, unravelling how these forces continue to shape First Nations and Asian Australian experiences and relationships.

Across various mediums and perspectives, The Neighbour at the Gate charts the entangled legacies of exclusion and resilience, drawing vital parallels between the past and present, memory and nationhood.

The Neighbour at the Gate has been made possible with the generous support of the NSW Government through its Blockbusters Funding initiative.

RSVP at the link in bio.

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Jun 5

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Opening night: The Neighbour at the Gate

Join us on Thursday 10 July for the opening night of The Neighbour at the Gate, a major exhibition at the National Art School Gallery, curated by a guest curatorium led by Clothilde Bullen (Wardandi Noongar and Badimaya Yamatji), with Micheal Do and Zali Morgan (Whadjuk Balladong and Wilman Noongar).

Bringing together newly commissioned works by leading Australian artists Jacky Cheng, Elham Eshraghian-Haakansson, Dennis Golding (Kamilaroi/Gamilaraay), Jenna Mayilema Lee (Gulumerridjin (Larrakia), Wardaman, KarraJarri), James Nguyen and James Tylor (Kaurna, Thura-Yura language region), the exhibition reckons with the echoes of immigration policies and the legacies of Colonialism in Australia, unravelling how these forces continue to shape First Nations and Asian Australian experiences and relationships.

Across various mediums and perspectives, The Neighbour at the Gate charts the entangled legacies of exclusion and resilience, drawing vital parallels between the past and present, memory and nationhood.

The Neighbour at the Gate has been made possible with the generous support of the NSW Government through its Blockbusters Funding initiative.

RSVP at the link in bio.

Burned trees build no homes.

Today we acknowledge World Environment Day with this work by alum Una Foster, now in the National Art School Collection.
—
Una Foster, ‘Burned Trees Build No Homes’, c.1945, commercial print on paper; image courtesy the artist and National Art School © Una Foster. From the National Art School Collection.

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Jun 5

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The NAS Foundation

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Acknowledgement

THE NATIONAL ART SCHOOL ACKNOWLEDGES THE GADIGAL PEOPLES OF THE EORA NATIONS, THE TRADITIONAL OWNERS ON WHOSE LANDS, WATER AND SKIES WE MEET AND SHARE.

WE PAY OUR RESPECTS TO ALL GADIGAL ELDERS, PAST AND PRESENT, AND CELEBRATE THE DIVERSITY, HISTORY AND CREATIVITY OF ABORIGINAL AND TORRES STRAIT ISLANDER PEOPLES.