The Guardian: Look away, straight male gaze! How life-drawing became more inclusive

The Guardian: Look away, straight male gaze! How life-drawing became more inclusive

Article by Jenny Valentish. Photograph: Katy Marks.

“It’s not about the typical male gaze,” says Twyford-Moore of the models. “And I also like to find people who appeal to the queer gaze.”

NAS alumni Bligh Twyford-Moore, an illustrator and a roadie, thought a life-drawing club would be a “cool throwback idea”. He took inspiration from clubs he’d seen in Melbourne, both in terms of having themes (Gladdy Drawing Club has covered Wonder Woman, Hulk and Wolverine) and booking models who have reputations in their own right.

“They’re exactly the vibe I’m after – queer-inclusive, models that look different to each other,” he says. “Even in life-drawing, Sydney is stuffy and conservative.”

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Karatsu ceramicist Yukiko Tsuchiya (@tsuchiyayukiko) and curator Kathryn Hunyor (@artspeople_au) delivered two very special workshops in the teaching studios of the Ceramics Department at the National Art School (NAS), in an exciting collaboration between The Japan Foundation (@jpfsydney), Sydney, the NAS Ceramics Department and the National Art School.

Peek inside the wheel-throwing and hand-coiling masterclasses that took place.
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