The Guardian: Look away, straight male gaze! How life-drawing became more inclusive

The Guardian: Look away, straight male gaze! How life-drawing became more inclusive

2022-04-29

Article by Jenny Valentish. Photograph: Katy Marks.

“It’s not about the typical male gaze,” says Twyford-Moore of the models. “And I also like to find people who appeal to the queer gaze.”

NAS alumni Bligh Twyford-Moore, an illustrator and a roadie, thought a life-drawing club would be a “cool throwback idea”. He took inspiration from clubs he’d seen in Melbourne, both in terms of having themes (Gladdy Drawing Club has covered Wonder Woman, Hulk and Wolverine) and booking models who have reputations in their own right.

“They’re exactly the vibe I’m after – queer-inclusive, models that look different to each other,” he says. “Even in life-drawing, Sydney is stuffy and conservative.”

‘A beautiful place to be with a moving story underneath’
‘Eye opening and very very thoughtful’
‘[This show] evokes feelings of acceptance and peace’
– quotes from NAS Gallery visitor feedback

Last week to visit `The Neighbour at the Gate`! - closing next Saturday 18 October. Visit link in bio to learn more about the exhibition and plan your visit to see the exhibition everyone is talking about.

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Oct 11

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‘A beautiful place to be with a moving story underneath’
‘Eye opening and very very thoughtful’
‘[This show] evokes feelings of acceptance and peace’
– quotes from NAS Gallery visitor feedback

Last week to visit 'The Neighbour at the Gate'! - closing next Saturday 18 October. Visit link in bio to learn more about the exhibition and plan your visit to see the exhibition everyone is talking about.

Join our online information session to find out exactly what makes our Bachelor of Fine Art (Honours) ideal for emerging artists.

New scholarships will be available to students entering the BFA (Hons), with further details to be shared later this year.

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Oct 10

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Join our online information session to find out exactly what makes our Bachelor of Fine Art (Honours) ideal for emerging artists.

New scholarships will be available to students entering the BFA (Hons), with further details to be shared later this year.

...and that`s a wrap! Congratulations to all our Year 11 Visual Arts students who participated in the 2025 HSC Intensive program, Module 2.

We loved welcoming you to our campus for the last five days of creativity and hard work.

Best wishes for all your future endeavours as budding artists. We can`t wait to see what you create next.

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Oct 7

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...and that's a wrap! Congratulations to all our Year 11 Visual Arts students who participated in the 2025 HSC Intensive program, Module 2.

We loved welcoming you to our campus for the last five days of creativity and hard work.

Best wishes for all your future endeavours as budding artists. We can't wait to see what you create next.

Fondly remembered by a generation of TV viewers as the creator of `Mr Squiggle`, Norman Hetherington OAM (1921-2010) was a student at the National Art School from 1937-1941.

Co-scripted by his wife, Margaret, `Mr Squiggle` ran on the ABC for 40 years becoming the longest running children’s TV program in the world.

Norman Hetherington’s daughter Rebecca Hetherington co-hosted Mr Squiggle and in 2002 helped her father with his first solo exhibition (curated by NAS alumna Toni Warburton) at the Blackheath Area Neighbourhood Centre in the Blue Mountains.

Rebecca donated many of Norman’s works to the NAS Collection, including his poster (designed and painted when he was 17 years old) for the first known film by NAS students. `Love Laughs at Death` screened at NAS from 30 September-5 October 1938, and while the film itself has been lost, a photo and newspaper article about it were kept by actor and NAS alumna Shirley Jones.

The National Museum of Australia in Canberra (@nationalmuseumofaustralia) is showing the free exhibition `Mr Squiggle and Friends` until October 13.

---
Norman Hetherington
(1921-2010)
NAS student 1937-1938; 1939-1941

`Mr Squiggle`, etching, 12 x 9.5 cm, Gift of Rebecca Hetherington, 2023, National Art School Collection

Photographer unknown. Students Jim Swan, Shirley Jones and Jack Edwards from the film `Love Laughs at Death`, made and screened at NAS in 1938. This photograph was displayed on the front page of ‘The Labor Daily’, 3 September 1938. Jim Swan was the producer, Shirley Jones an actor, as was Jack Edwards who played the ‘Crazy Scientist’.

`Love Laughs at Death`, 1938 , gouache on cardboard, 63 x 55 cm , Gift of Rebecca Hetherington, 2020, National Art School Collection

`Screws`, 1937, ink on card, 11.5 x 12 cm, Gift of Rebecca Hetherington, 2022, National Art School Collection

`Man in suit`, 1937, gouache on card, 32 x 14.5 cm, Gift of Rebecca Hetherington, 2022, National Art School Collection

`Colour for men`, gouache on paper, 38 x 27 cm, Gift of Rebecca Hetherington, 2022, National Art School Collection

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Oct 5

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Fondly remembered by a generation of TV viewers as the creator of 'Mr Squiggle', Norman Hetherington OAM (1921-2010) was a student at the National Art School from 1937-1941.

Co-scripted by his wife, Margaret, 'Mr Squiggle' ran on the ABC for 40 years becoming the longest running children’s TV program in the world.

Norman Hetherington’s daughter Rebecca Hetherington co-hosted Mr Squiggle and in 2002 helped her father with his first solo exhibition (curated by NAS alumna Toni Warburton) at the Blackheath Area Neighbourhood Centre in the Blue Mountains.

Rebecca donated many of Norman’s works to the NAS Collection, including his poster (designed and painted when he was 17 years old) for the first known film by NAS students. 'Love Laughs at Death' screened at NAS from 30 September-5 October 1938, and while the film itself has been lost, a photo and newspaper article about it were kept by actor and NAS alumna Shirley Jones.

The National Museum of Australia in Canberra (@nationalmuseumofaustralia) is showing the free exhibition 'Mr Squiggle and Friends' until October 13.

---
Norman Hetherington
(1921-2010)
NAS student 1937-1938; 1939-1941

'Mr Squiggle', etching, 12 x 9.5 cm, Gift of Rebecca Hetherington, 2023, National Art School Collection

Photographer unknown. Students Jim Swan, Shirley Jones and Jack Edwards from the film 'Love Laughs at Death', made and screened at NAS in 1938. This photograph was displayed on the front page of ‘The Labor Daily’, 3 September 1938. Jim Swan was the producer, Shirley Jones an actor, as was Jack Edwards who played the ‘Crazy Scientist’.

'Love Laughs at Death', 1938 , gouache on cardboard, 63 x 55 cm , Gift of Rebecca Hetherington, 2020, National Art School Collection

'Screws', 1937, ink on card, 11.5 x 12 cm, Gift of Rebecca Hetherington, 2022, National Art School Collection

'Man in suit', 1937, gouache on card, 32 x 14.5 cm, Gift of Rebecca Hetherington, 2022, National Art School Collection

'Colour for men', gouache on paper, 38 x 27 cm, Gift of Rebecca Hetherington, 2022, National Art School Collection

Final weeks to visit The Neighbour at the Gate, closing Saturday 18 October.

Across various mediums and perspectives, The Neighbour at the Gate charts the entangled legacies of exclusion and resilience, drawing vital parallels between the past and present, memory and nationhood.

Learn more about the exhibition and plan your visit at the link in bio.

Please note: the gallery is closed for Labour Day Monday 6 October

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Oct 3

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Final weeks to visit The Neighbour at the Gate, closing Saturday 18 October.

Across various mediums and perspectives, The Neighbour at the Gate charts the entangled legacies of exclusion and resilience, drawing vital parallels between the past and present, memory and nationhood.

Learn more about the exhibition and plan your visit at the link in bio.

Please note: the gallery is closed for Labour Day Monday 6 October

Enjoy 20% off a Summer School Short Course with code FLASHSALE20

Don’t miss this exclusive 20% off flash sale on the National Art School Summer School Short Courses (link in bio). Flash Sale starts right now and ends midnight Monday 6 October.*

*Offer begins midday Friday 3 October and ends midnight Monday 6 October. Terms and conditions apply.

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Oct 3

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The Guardian: Look away, straight male gaze! How life-drawing became more inclusive