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The Guardian: Look away, straight male gaze! How life-drawing became more inclusive

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The Guardian: Look away, straight male gaze! How life-drawing became more inclusive

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Article by Jenny Valentish. Photograph: Katy Marks.

“It’s not about the typical male gaze,” says Twyford-Moore of the models. “And I also like to find people who appeal to the queer gaze.”

NAS alumni Bligh Twyford-Moore, an illustrator and a roadie, thought a life-drawing club would be a “cool throwback idea”. He took inspiration from clubs he’d seen in Melbourne, both in terms of having themes (Gladdy Drawing Club has covered Wonder Woman, Hulk and Wolverine) and booking models who have reputations in their own right.

“They’re exactly the vibe I’m after – queer-inclusive, models that look different to each other,” he says. “Even in life-drawing, Sydney is stuffy and conservative.”

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Opening night: The Neighbour at the Gate

Join us on Thursday 10 July for the opening night of The Neighbour at the Gate, a major exhibition at the National Art School Gallery, curated by a guest curatorium led by Clothilde Bullen (Wardandi Noongar and Badimaya Yamatji), with Micheal Do and Zali Morgan (Whadjuk Balladong and Wilman Noongar).

Bringing together newly commissioned works by leading Australian artists Jacky Cheng, Elham Eshraghian-Haakansson, Dennis Golding (Kamilaroi/Gamilaraay), Jenna Mayilema Lee (Gulumerridjin (Larrakia), Wardaman, KarraJarri), James Nguyen and James Tylor (Kaurna, Thura-Yura language region), the exhibition reckons with the echoes of immigration policies and the legacies of Colonialism in Australia, unravelling how these forces continue to shape First Nations and Asian Australian experiences and relationships.

Across various mediums and perspectives, The Neighbour at the Gate charts the entangled legacies of exclusion and resilience, drawing vital parallels between the past and present, memory and nationhood.

The Neighbour at the Gate has been made possible with the generous support of the NSW Government through its Blockbusters Funding initiative.

RSVP at the link in bio.

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Jun 5

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Opening night: The Neighbour at the Gate Join us on Thursday 10 July for the opening night of The Neighbour at the Gate, a major exhibition at the National Art School Gallery, curated by a guest curatorium led by Clothilde Bullen (Wardandi Noongar and Badimaya Yamatji), with Micheal Do and Zali Morgan (Whadjuk Balladong and Wilman Noongar). Bringing together newly commissioned works by leading Australian artists Jacky Cheng, Elham Eshraghian-Haakansson, Dennis Golding (Kamilaroi/Gamilaraay), Jenna Mayilema Lee (Gulumerridjin (Larrakia), Wardaman, KarraJarri), James Nguyen and James Tylor (Kaurna, Thura-Yura language region), the exhibition reckons with the echoes of immigration policies and the legacies of Colonialism in Australia, unravelling how these forces continue to shape First Nations and Asian Australian experiences and relationships. Across various mediums and perspectives, The Neighbour at the Gate charts the entangled legacies of exclusion and resilience, drawing vital parallels between the past and present, memory and nationhood. The Neighbour at the Gate has been made possible with the generous support of the NSW Government through its Blockbusters Funding initiative. RSVP at the link in bio.

Burned trees build no homes.

Today we acknowledge World Environment Day with this work by alum Una Foster, now in the National Art School Collection.
—
Una Foster, ‘Burned Trees Build No Homes’, c.1945, commercial print on paper; image courtesy the artist and National Art School © Una Foster. From the National Art School Collection.

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Jun 5

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Burned trees build no homes. Today we acknowledge World Environment Day with this work by alum Una Foster, now in the National Art School Collection. — Una Foster, ‘Burned Trees Build No Homes’, c.1945, commercial print on paper; image courtesy the artist and National Art School © Una Foster. From the National Art School Collection.

This end of financial year, support the next generation of artists through the National Art School’s Pathways Program.

Your donation will be vital in helping us build a more inclusive and vibrant arts community — creating crucial pathways for talented artists to become leading international artists, regardless of their background.

Support our EOFY campaign via the link in bio and help us to break down barriers to art education.

View Instagram post by nas_au

Jun 4

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This end of financial year, support the next generation of artists through the National Art School’s Pathways Program. Your donation will be vital in helping us build a more inclusive and vibrant arts community — creating crucial pathways for talented artists to become leading international artists, regardless of their background. Support our EOFY campaign via the link in bio and help us to break down barriers to art education.

In June, we celebrate World Pride Month. Like many other culturally significant times, it’s a month that’s meaningful to our community and the Oxford precinct we are part of.

In 2015, NAS alum Todd Fuller (@fuller_todd) sent members of the public black and white drawings depicting two men engaged in a passionate kiss. The participants were encouraged to respond to the image by colouring in the figures, with the resulting images compiled by Fuller into a mixed media video animation.

Fuller gifted this work to the National Art School Collection, a collection that performs a major role within the National Art School as both a teaching resource and a historical record. Visit our website to find out more about the works in our collection.

—
Todd Fuller, ‘The Unite Project - 3rd generation ‘, 2015, mixed media animation, colour and sound, 13.35 mins loop; image courtesy the artist and National Art School © Todd Fuller. From the National Art School Collection - Gift of Todd Fuller.

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Jun 1

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In June, we celebrate World Pride Month. Like many other culturally significant times, it’s a month that’s meaningful to our community and the Oxford precinct we are part of. In 2015, NAS alum Todd Fuller (@fuller_todd) sent members of the public black and white drawings depicting two men engaged in a passionate kiss. The participants were encouraged to respond to the image by colouring in the figures, with the resulting images compiled by Fuller into a mixed media video animation. Fuller gifted this work to the National Art School Collection, a collection that performs a major role within the National Art School as both a teaching resource and a historical record. Visit our website to find out more about the works in our collection. — Todd Fuller, ‘The Unite Project - 3rd generation ‘, 2015, mixed media animation, colour and sound, 13.35 mins loop; image courtesy the artist and National Art School © Todd Fuller. From the National Art School Collection - Gift of Todd Fuller.
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