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The Guardian: Ken Done: ‘I’ll never be as good as a five-year-old’

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The Guardian: Ken Done: ‘I’ll never be as good as a five-year-old’

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Article by: by Neha Kale. Photograph: Carly Earl/The Guardian

NAS Alumni Ken Done has been alive to sensory details for as long as he can recall. As a boy, the artist spent a large part in Maclean, a small fishing town in New South Wales’s Clarence Valley. There, he pored over encyclopaedias, hypnotised by pictures of butterflies. He listened to The Argonauts Club, a long-running children’s program on ABC Radio. He observed shifts in the Clarence River, one of Australia’s largest waterways. These early impressions formed him.

“I was an only child who liked to paint and my mother was very encouraging,” says Done, now 81. “We were quite poor. If you lived in a country town as I did, you had to make a lot of your own fun. When the river was in flood, it was this wonderful khaki colour.” He grins. “It used to have big clumps of bright green and blue hyacinths floating down.”

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We’re looking for a Facilities and Risk Manager - Application Deadline Sunday 13 April

The Facilities and Risk Manager effectively manages and organises services and resources for the facilities, workshop, security, WHS, and campus operations of National Art School in Darlinghurst. In addition, they provide strategic support and advice to senior management on all issues related to facilities and campus operations.

Apply at the link in bio.

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Mar 27

Open
We’re looking for a Facilities and Risk Manager - Application Deadline Sunday 13 April The Facilities and Risk Manager effectively manages and organises services and resources for the facilities, workshop, security, WHS, and campus operations of National Art School in Darlinghurst. In addition, they provide strategic support and advice to senior management on all issues related to facilities and campus operations. Apply at the link in bio.

Facture – the manner in which something is made
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Join us Saturday 12 April for the 2025 Drawing Symposium at the National Art School, presented by the National Centre for Drawing. Featuring a diverse range of national and international speakers, as well as associated performances and exhibitions, this event is held in conjunction with the 24th Dobell Drawing Prize. The symposium will explore the theme of Facture, a concept that emphasises an artwork’s tangible reality as an intentionally crafted object, linking the act of creation directly to its physical presence. Considering an artwork in terms of its facture reveals it as a record of the artist’s decisions, methods, and materials. Discussions will examine how this concept enriches our understanding of drawing and aligns with contemporary and interdisciplinary approaches to art-making.
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Learn more and buy tickets at the link in bio.

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Mar 19

Open
Facture – the manner in which something is made — Join us Saturday 12 April for the 2025 Drawing Symposium at the National Art School, presented by the National Centre for Drawing. Featuring a diverse range of national and international speakers, as well as associated performances and exhibitions, this event is held in conjunction with the 24th Dobell Drawing Prize. The symposium will explore the theme of Facture, a concept that emphasises an artwork’s tangible reality as an intentionally crafted object, linking the act of creation directly to its physical presence. Considering an artwork in terms of its facture reveals it as a record of the artist’s decisions, methods, and materials. Discussions will examine how this concept enriches our understanding of drawing and aligns with contemporary and interdisciplinary approaches to art-making. — Learn more and buy tickets at the link in bio.
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