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The good, the bad and that new $344m gallery: the year in art

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The good, the bad and that new $344m gallery: the year in art

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Article: John McDonald
Image: Colin Lanceley’s Balmoral, 1984.

Other Sydney exhibitions that warranted serious attention included Shaken to His Core: Nolan’s Auschwitz at the Jewish Museum; Heart of Country, a first-rate collection of bark painting at the S.H. Ervin Gallery, and two brilliant shows at the National Art School Gallery – a retrospective of Colin Lanceley, an important artist who has been too easily overlooked since his death in 2015; and Captivate – an encyclopaedic, carnivalesque celebration of the 100th anniversary of the NAS, with extra material drawn from its pre-history as Darlinghurst Goal, from 1841-1914. The show ran for barely five weeks, but it deserved to be a permanent display.

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We are pleased to announce that applications are now open for the Prudence MacLeod Prize.

The Prudence MacLeod Prize, which will continue for a further three years, supports a recent National Art School graduate to undertake a six-month residency at @acme.art, London.

Supported by the Lansdowne Foundation, the Prize provides an emerging artist with an opportunity to step forward into an expanded, international context at a vital time in their career. The artist will live and work in London, one of the world`s great art cities, in a supportive artist community. This important opportunity will enable the artist to forge professional international contacts, explore London`s art world and rich cultural resources, and produce a new body of work.

The recipient of this Prize will receive:
– Return travel to London. To be arranged for the artist by NAS.
– Studio accommodation and workspace at Acme Studios for 6 months.
– Living stipend of $AUD3,500 per month for 6 months. Total $AUD21,000.

Application deadline: Sunday 1 February 2026, 11.59pm
Residency: Monday 6 July – Friday 18 December 2026

The Prudence MacLeod Prize is open to eligible NAS alumni who have graduated within the past five years and meet the selection criteria.

Learn more 🔗 in bio.

—
Acme Fire Station, 30 Gillender Street, 1999 © Acme Archive

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Dec 11

Open post by nas_au with ID 17852100045598290
We are pleased to announce that applications are now open for the Prudence MacLeod Prize. The Prudence MacLeod Prize, which will continue for a further three years, supports a recent National Art School graduate to undertake a six-month residency at @acme.art, London. Supported by the Lansdowne Foundation, the Prize provides an emerging artist with an opportunity to step forward into an expanded, international context at a vital time in their career. The artist will live and work in London, one of the world's great art cities, in a supportive artist community. This important opportunity will enable the artist to forge professional international contacts, explore London's art world and rich cultural resources, and produce a new body of work. The recipient of this Prize will receive: – Return travel to London. To be arranged for the artist by NAS. – Studio accommodation and workspace at Acme Studios for 6 months. – Living stipend of $AUD3,500 per month for 6 months. Total $AUD21,000. Application deadline: Sunday 1 February 2026, 11.59pm Residency: Monday 6 July – Friday 18 December 2026 The Prudence MacLeod Prize is open to eligible NAS alumni who have graduated within the past five years and meet the selection criteria. Learn more 🔗 in bio. — Acme Fire Station, 30 Gillender Street, 1999 © Acme Archive

Thank you to everyone who joined us at the opening of The Grad Show!

Find works by this year`s cohort exhibited throughout the NAS campus until 14 December. Open daily from 11am — 5pm and until 9pm on Fridays.

View online via 🔗 in bio.

—
Video: Tim Connolly

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Dec 5

Open post by nas_au with ID 18085817414025392
Thank you to everyone who joined us at the opening of The Grad Show! Find works by this year's cohort exhibited throughout the NAS campus until 14 December. Open daily from 11am — 5pm and until 9pm on Fridays. View online via 🔗 in bio. — Video: Tim Connolly
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