The good, the bad and that new $344m gallery: the year in art

The good, the bad and that new $344m gallery: the year in art

Article: John McDonald
Image: Colin Lanceley’s Balmoral, 1984.

Other Sydney exhibitions that warranted serious attention included Shaken to His Core: Nolan’s Auschwitz at the Jewish Museum; Heart of Country, a first-rate collection of bark painting at the S.H. Ervin Gallery, and two brilliant shows at the National Art School Gallery – a retrospective of Colin Lanceley, an important artist who has been too easily overlooked since his death in 2015; and Captivate – an encyclopaedic, carnivalesque celebration of the 100th anniversary of the NAS, with extra material drawn from its pre-history as Darlinghurst Goal, from 1841-1914. The show ran for barely five weeks, but it deserved to be a permanent display.

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Thank you to everyone who came to celebrate our 2025 cohort at last night's opening of The Postgrad Show.
 
The Postgrad Show is now on view across the NAS campus until 16 November.
 
Learn more and visit the online exhibition at the link in bio.
Opening tonight, The Postgrad Show.
 
Join us from 6–10pm to celebrate the work of our graduating Master of Fine Art (MFA) and Doctor of Fine Art (DFA) students, exhibited throughout the NAS campus.
 
RSVP link in bio.
Thinking about studying at the National Art School? Apply now and join us in 2026. Find out more at nas.edu.au
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