The good, the bad and that new $344m gallery: the year in art

The good, the bad and that new $344m gallery: the year in art

Article: John McDonald
Image: Colin Lanceley’s Balmoral, 1984.

Other Sydney exhibitions that warranted serious attention included Shaken to His Core: Nolan’s Auschwitz at the Jewish Museum; Heart of Country, a first-rate collection of bark painting at the S.H. Ervin Gallery, and two brilliant shows at the National Art School Gallery – a retrospective of Colin Lanceley, an important artist who has been too easily overlooked since his death in 2015; and Captivate – an encyclopaedic, carnivalesque celebration of the 100th anniversary of the NAS, with extra material drawn from its pre-history as Darlinghurst Goal, from 1841-1914. The show ran for barely five weeks, but it deserved to be a permanent display.

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Opening 12 February — Queer Contemporary, as part of @sydneymardigras 

This year's edition presents 'Liz Bradshaw: I didn't expect to live this long' — an exhibition of large-scale sculpture and installation works that offer a personal and political queering of time, space, materiality, and idea — with student exhibitions organised by Jack Oliver Owen and nikita lelu.

Join us for the opening night on Thursday 12 February, from 6–9pm.

RSVP 🔗 in bio.

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Liz Bradshaw, 'Two Pair', 2023
Thank you to all who joined us at last night’s opening.

SEARCHERS: Graffiti and Contemporary Art continues until 11 April.

Open Monday to Saturday, 11am–5pm.
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