The Australian: John Olsen Zooms in to draw on experience

The Australian: John Olsen Zooms in to draw on experience

2020-06-11

Article by Jane Albert

Much like our current students, NAS alumnus John Olsen is utilising Zoom to continue teaching his painting classes.

“Why should we stop just because of the coronavirus?” he said. It didn’t take long for him to adapt to teaching over Zoom instead, and the classes resumed. “We’ve continued in that kind of way and that’s been rather nice — it’s a long time since I’ve taught.”

Read the full article through the link below.

Image: Artist John Olsen, with his daughter Louise, in his NSW southern highlands studio provides drawing classes to local artists on a monthly basis. Picture: Ken Redpath.

‘Queer Contemporary: Chaosophy’, as part of Mardi Gras 2025, is now open until Saturday 8 March.

Curated by Dr Liz Bradshaw, with work by artists Kika Kereru Baker, Daniel Browning, Sam Chan, Blake Griffiths, Frankie L.A, nikita lelu, r e a, Victoria Spence, Jake Starr, Ali Tahayori, Magic Young and Justine Youssef.

Three generations of queer artists make and break language across the intersections of art, activism, poetry and performance. Through their individual aesthetics and distinct voices, together the artists disrupt histories, languages, conventional silences and institutional spaces, using and queering language to propose alternate perspectives on and interpretations of identity and ways of being.

11am – 5pm Monday to Saturday
Building 25 Project Space
Free admission, all welcome

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Feb 17

Open

Thank you to everyone who attended the opening night of ‘Queer Contemporary: Chaosophy’

‘Chaosophy’ is now open until Saturday 8 March
11am – 5pm Monday to Saturday
Building 25 Project Space
Free admission, all welcome

Learn more about the exhibition at the link in bio.

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Feb 14

Open

NAS Library is proud to launch their 2025 Library Stairwell Gallery programming with this years LSG show for Queer Contemporary, ‘Subtexts’, opening this Thursday 13 February.

‘Subtexts’ unites four artists whose work demonstrates the complexities of queer identity, each considering their own personal relationship with queerness. The show offers alternative narratives and styles that challenge notions of queer uniformity, opting to explore the undertones and implications of queerness as a dislocated front.

‘Subtexts’ asks of the ambiguous term; Are we united by virtue of our difference, or rather the unique positions it presents us?

Featuring works by
@professional__disoppointment
@sarah_r_serfati
@theolathouras
@ziggywoodartist

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Feb 9

Open

Three generations of queer artists make and break language across the intersections of art, activism, poetry and performance in ‘Queer Contemporary: Chaosophy’, as part of Mardi Gras 2025.

Through their individual aesthetics and distinct voices, together the artists disrupt histories, languages, conventional silences and institutional spaces, using and queering language to propose alternate perspectives on and interpretations of identity and ways of being.

Opening night Thursday 13 February, with special guests Swamp Daisies.

RSVP at link in the bio.
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Sam Chan, ‘Transfiguration’, 2024, Chillagoe White Pearl marble, mild steel, incense, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt)

Ali Tahayori, ’The four elements: fire, earth, water, air (detail)’, 2022, hand cut mirrors plaster on wood, image courtesy and © the artist, photograph: Daniel Kukec Photography

nikita lelu, ’I drip into a bath and drift’, 2024, glazed mid-fire paperclay, underglaze, terra sigillata, silver, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt Photography)

Magic Young, ‘Evulva’, 2024, nylon, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt)

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Feb 6

Open

Three generations of queer artists make and break language across the intersections of art, activism, poetry and performance in ‘Queer Contemporary: Chaosophy’, as part of Mardi Gras 2025. Through their individual aesthetics and distinct voices, together the artists disrupt histories, languages, conventional silences and institutional spaces, using and queering language to propose alternate perspectives on and interpretations of identity and ways of being. Opening night Thursday 13 February, with special guests Swamp Daisies. RSVP at link in the bio.
—
Sam Chan, ‘Transfiguration’, 2024, Chillagoe White Pearl marble, mild steel, incense, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt) Ali Tahayori, ’The four elements: fire, earth, water, air (detail)’, 2022, hand cut mirrors plaster on wood, image courtesy and © the artist, photograph: Daniel Kukec Photography nikita lelu, ’I drip into a bath and drift’, 2024, glazed mid-fire paperclay, underglaze, terra sigillata, silver, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt Photography) Magic Young, ‘Evulva’, 2024, nylon, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt)

We’re looking for an Exhibitions Project Officer!

The role has a focus on major Indigenous exhibition projects currently in development for the National Art School as well as touring programs. The role assists with the delivery and coordination of Gallery programs, talks, and other events in the gallery spaces.

You have a background in visual art, art history, curatorship and gallery experience. You have excellent interpersonal and communication skills, along with strong organisational and project management experience.

Note this is an Identified Role and is open to Aboriginal and/or Torres Strait Islander applicants only, in accordance with Section 14(D) of the NSW Anti-Discrimination Act, 1977 NSW.

Application deadline extended to Sunday 9 February.

Apply at the link in bio.
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Ronan Pirozzi, `Serpentine`, 2023; `Trajectory`, 2023; `Desolate`, 2023; installation view, undo the day, NAS Gallery, Sydney, 2024, oil on welded steel, image courtesy and © the artist, photograph: Zan Wimberley

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Feb 2

Open

We’re looking for an Exhibitions Project Officer! The role has a focus on major Indigenous exhibition projects currently in development for the National Art School as well as touring programs. The role assists with the delivery and coordination of Gallery programs, talks, and other events in the gallery spaces. You have a background in visual art, art history, curatorship and gallery experience. You have excellent interpersonal and communication skills, along with strong organisational and project management experience. Note this is an Identified Role and is open to Aboriginal and/or Torres Strait Islander applicants only, in accordance with Section 14(D) of the NSW Anti-Discrimination Act, 1977 NSW. Application deadline extended to Sunday 9 February. Apply at the link in bio.
—
Ronan Pirozzi, 'Serpentine', 2023; 'Trajectory', 2023; 'Desolate', 2023; installation view, undo the day, NAS Gallery, Sydney, 2024, oil on welded steel, image courtesy and © the artist, photograph: Zan Wimberley

The National Art School has today announced respected Australian academic, writer and curator Dr Kristen Sharp as the next Director and Chief Executive Officer.

Kristen joins the National Art School with extensive experience in the fields of contemporary art and tertiary education having spent six years as Associate Dean Discipline, Art in the School of Art at RMIT University, and previously 9 years as Academic Lead Art History and Theory at RMIT. She will commence her new role at the National Art School on 24th February 2025.

Read the full media release at the link in bio.

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Jan 30

Open

The Australian: John Olsen Zooms in to draw on experience