SMH: This seductive show should secure the National Art School’s permanent survival

SMH: This seductive show should secure the National Art School’s permanent survival

By John McDonald

Captivate: Stories from the National Art School and Darlinghurst Gaol, an exhibition celebrating the school’s 100th anniversary, put together by archivist, Deborah Beck. Spread over the two floors of the NAS Gallery, plus the Drawing Gallery and the Rayner Hoff Project Space, this is a monumental project that could have been ten times larger. There are few works that might be described as masterpieces, but the sheer variety – the blend of memorabilia, historical photos, paintings, drawings, sculptures, ceramics, posters, films and much else – is incredibly seductive.

It would make a great permanent display in a museum, which is why I can hardly believe the show is only due to run until the end of the month. This is too brief a time to justify the labour expended, and the steadily building audiences generated by word-of-mouth. If the NAS wants to derive maximum benefit from this project, it should have scheduled a much longer run. How different this is from the post-COVID practises of major public galleries, which keep extending the duration of shows to save resources.

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Thank you to everyone who attended the opening night of ‘Queer Contemporary: Chaosophy’ 
‘Chaosophy’ is now open until Saturday 8 March
11am – 5pm Monday to Saturday
Building 25 Project Space
Free admission, all welcome 
Learn more about the exhibition at the link in bio.
NAS Library is proud to launch their 2025 Library Stairwell Gallery programming with this years LSG show for Queer Contemporary, ‘Subtexts’, opening this Thursday 13 February.  ‘Subtexts’ unites four artists whose work demonstrates the complexities of queer identity, each considering their own personal relationship with queerness. The show offers alternative narratives and styles that challenge notions of queer uniformity, opting to explore the undertones and implications of queerness as a dislocated front.  ‘Subtexts’ asks of the ambiguous term; Are we united by virtue of our difference, or rather the unique positions it presents us?  Featuring works by
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We’re looking for an Exhibitions Project Officer!  The role has a focus on major Indigenous exhibition projects currently in development for the National Art School as well as touring programs. The role assists with the delivery and coordination of Gallery programs, talks, and other events in the gallery spaces.  You have a background in visual art, art history, curatorship and gallery experience. You have excellent interpersonal and communication skills, along with strong organisational and project management experience.  Note this is an Identified Role and is open to Aboriginal and/or Torres Strait Islander applicants only, in accordance with Section 14(D) of the NSW Anti-Discrimination Act, 1977 NSW.  Application deadline extended to Sunday 9 February.  Apply at the link in bio.
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Ronan Pirozzi, 'Serpentine', 2023; 'Trajectory', 2023; 'Desolate', 2023; installation view, undo the day, NAS Gallery, Sydney, 2024, oil on welded steel, image courtesy and © the artist, photograph: Zan Wimberley
The National Art School has today announced respected Australian academic, writer and curator Dr Kristen Sharp as the next Director and Chief Executive Officer.  Kristen joins the National Art School with extensive experience in the fields of contemporary art and tertiary education having spent six years as Associate Dean Discipline, Art in the School of Art at RMIT University, and previously 9 years as Academic Lead Art History and Theory at RMIT. She will commence her new role at the National Art School on 24th February 2025.  Read the full media release at the link in bio.
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