SMH: One of the most original artists of his generation, Colin Lanceley deserves his place in art history

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SMH: One of the most original artists of his generation, Colin Lanceley deserves his place in art history

2022-07-01

by Danielle Neely

Article by: John McDonald. Photo: Colin and Kay Lanceley in the 1970s.

I know comparisons are odious, but some contrasts are so revealing they are hard to ignore. The huge turn-out for the opening of Colin Lanceley: Earthly Delights, showed what a strong following the artist still commands. He is remembered with great fondness for his warmth, charm, and intelligence, not to mention a life-long devotion to his craft.

In the catalogue, Lanceley’s widow, Kay, remembers him in London in the 70s, saying: “I love art. I love to make it. I love to look at it. I love to read about it. I love to think about it. I love to talk about it.”

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Learn more at the link in bio.

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Dec 19

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This holiday season, give the gift of creativity. Whether your loved one is eager to begin their artistic journey, or they wish to continue learning and making art, a National Art School Gift Card will help them unlock their creative potential. Give a gift that inspires. Buy a National Art School Gift Card today. Learn more at the link in bio.

Congratulations to all HSC students receiving their end of year results today! And to our future students, we look forward to meeting you in 2025.

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Dec 17

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Congratulations to all HSC students receiving their end of year results today! And to our future students, we look forward to meeting you in 2025.

A selection of works by our graduating BFA students currently on show at The Grad Show, on until 15 December at NAS Galleries.
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Learn more about the artists and view available works at the link in bio.
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Kaela Jacobs, ‘Tough. (A series of delicate things. I am one of them.)’, 2024, aluminium, silver keyrings, synthetic hair, rivets, 121 x 90 cm
Ellie Pamp, ‘Untitled (Faun series) #2’, 2024, oil on wood board, 20 x 25 cm
Ksenia Kirkbride, ‘Serpent`s Cycle, The Path to Wisdom’, 2024, oil on linen, 100 x 100 cm
James Stewart, ‘sandcastles (mound)’, 2024, terracotta, white earthenware slip, 50 x 49 x 50 cm
Jodie McGill, ‘In conversation with Les’, 2024, oil on Belgium linen, 122 x 91.5 cm
Mitchell Timms, ‘Garden of Odd’, 2024, watercolour and graphite drawing, 21 x 15 cm
Dean O’Brien, ‘The Dear Repose For Limbs With Travel Tired’, 2024, oil on canvas, 91 x 61 x 4 cm
Chaya Atkins, ‘Veil’, 2024, oil on canvas, 80 x 100 cm
Alba Stephen, ‘Small Size Me (CMYK edition)’, 2024, screenprint with acrylic on paper, 19 x 19 cm
Bronte O’Shannessy, ‘Warmth’, 2024, mixed media, 70 x 70 cm

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Dec 13

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A selection of works by our graduating BFA students currently on show at The Grad Show, on until 15 December at NAS Galleries.
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Learn more about the artists and view available works at the link in bio.
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Jacinta Robinson, ‘Sacred Hollow’, 2024, acrylic on raw canvas, 122 x 152 cm
Harriet Clark, ‘Mum21’, 2024, glazed stoneware, 46 x 24 x 24 cm
Libby Moore, ‘Keep me safe’, 2024, plaster of paris, 26 x 14 x 7cm (boxed)
Jeremy Rotenstein, ‘Rose Metal’, 2024, cast metal and sandstone, 38 x 32 x 7 cm
Harrison Chao, ‘Node 4 (Open)’, 2024, oil on canvas, 90 x 120 cm
Gitte Backhausen, ‘Repercussions’, 2024, acrylic on found wooden pegboard, 90 x 60 cm
Gabriel Suni Sallo, ‘Plaza de Armas II’, 2024, acrylic and oil on wooden panel, 120 x 107 x 2.5 cm
Ariel Filler, ‘Pop and Skip’, 2024, oil, acrylic, dry pigment and glue on canvas, 110 x 97 x 2 cm
Sevgi Yilmaz, ‘Residue’, 2024, spray paint on dropcloth, 80 x 45.5 cm
Shauna Carroll, ‘Sacrifice of Andromeda’, 2024, oil on board, 90 cm

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Dec 13

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A selection of works by our graduating BFA students currently on show at The Grad Show, on until 15 December at NAS Galleries.
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Learn more about the artists and view available works at the link in bio.
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Francisca Carrasco-Reyes, ‘Bleeding Light’, 2024, latex on stretched polyester, 74 x 49.5 cm
Samira El Chami, ‘Fruits’, 2024, glazed stoneware, 8.5 x 18.2 x 15.5 cm
Grace Buckley, ‘Blossom’, 2024, canvas, upholstery, fringe, pins, 70 x 41 cm
Harriet Brealey, ‘Wraith’, 2024, etching on Fabriano Rosapina, 49.5 x 35 cm
Ruby McVicar, ‘Go (extension)’, 2024, wooden guillotine, mint pasties, licorice, brass cups, polymer clay, plastic binder, paper, 6 x 34 x 56 cm
Trey Martin, ‘Hallow Bone’, 2024, earthenware, paint, 40 x 25 x 25 cm
Stephanie Barakat, ‘Colonoscocave’, 2024, oil on canvas, 91 x 118 x 4.2 cm
Karim Fares, ‘Pipes’, 2024, plywood, construction adhesive, acrylic paint, spray paint, alcohol markers, PVA, collected stickers, superglue, collected tiles, PVC piping, prop rubber mouse, 20 x 24.5 cm
Olivia Lindgaard, ‘Modern Prey’, 2024, found wood, 165 x 150 x 60 cm
Chloe Lane, ‘Mighty Atom, 2024, oil and acrylic on canvas, 122 x 91 cm

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Dec 13

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SMH: One of the most original artists of his generation, Colin Lanceley deserves his place in art history