SMH ‘My Best Worst’: Lesley Wengembo

SMH ‘My Best Worst’: Lesley Wengembo

Feature by Lissa Christopher.

Each week, SMH asks someone to tell them about the upside of a bad experience or rough patch. This week features NAS student Lesley Wengembo.

Artist Lesley Wengembo had never been outside Papua New Guinea when, in 2018, he was invited to attend an art symposium in Paris and won a scholarship to attend an art school in Florence, Italy.

His first stop was Sydney, where he planned to stay for two weeks while his Europe visa was processed. He’d saved money, paid for his flights and various other expenses, and had even attracted some sponsorship.

“I was so excited,” says the 24-year-old. “Growing up I had seen [art] books and things like that about the great [European] masters and I wanted to go there, to be able to go to those galleries and museums where you could experience the art itself and see where those artists had lived.”

But it turned out Lesley was missing a vital document and his visa application was rejected. He had to cancel the whole trip, lost the money he’d paid out, and had to disappoint those who had sponsored him.

“It was so bad,” he says. “Stuck in Sydney I so frustrated. I was like shit, I should be in Paris, it’s a dream place … I want to see all those things. And for me to miss it was like oh, man.”

A Sydney-based friend he’d known only on Facebook, Lisa, invited him for coffee, and he told her about his disappointment. She suggested he look at the art schools in Sydney and took him on a tour that included the historic campus for the National Art School in Darlinghurst.

“When I went there I was like, ‘Wow, okay’. The place looks so good because of the history that is there and the building itself … I could feel the atmosphere and the energy there straight away. So I applied and I was accepted.”

Sydney has since become Lesley’s second home, and he has no regrets about Europe 2018.

“I have made a lot of friends in Sydney … I get a lot of opportunities here,” he says. Lisa, her husband and their daughter have also become “like family”.

Lesley was invited back to Europe, too, and visited twice before the pandemic hit.

“There is always another chance,” he says.

He’s also grateful to have been in Australia rather than Europe over the past 18, COVID-plagued months.

“I think about what it would be like to [be in Europe] in a lockdown. It’s so far away from PNG and away from family, and even though we’re in lockdown now, we have been so free really for so much of the time. It has really been so much better here.”

Lesley has ambitions to fulfil in Sydney. The two-time Archibald Prize entrant wants to enter again and probably again after that. “It’s also my dream to win,” he says. You can see some of Lesley’s work here.

Photo: Peter Morgan.
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Ever wondered what it’s like studying at the National Art School?

Find out at our Open Day on Saturday 6 September, 10am to 4pm.

Considering art as a career or simply curious about what happens behind the school’s historic sandstone walls? Save the date on Eventbrite (link in bio) to see what life is like for students at NAS by participating in studio demonstrations, chatting to our academic staff and visiting the NAS Gallery and student exhibition spaces across our campus.
The National Art School was saddened to hear of the recent death of artist and NAS alumnus Bruce Goold (1948-2025).

Born in Newcastle in 1948, from 1961- 65 Bruce attended Sydney Grammar School, where he studied art with ceramicist and potter Gordon McCausland. This was followed by a year at the National Art School, Newcastle. Here he experimented with various mediums and made his first linocut. He then studied at the National Art School, c. 1967-68. 

Bruce was a member of the artist collective Yellow House between 1970-72. The former Clune Gallery in Kings Cross was transformed by Martin Sharp and a group of fellow artists, who painted the exterior bright yellow and covered its internal walls with murals, portraits and decoration. Artists such as Brett Whiteley, Peter Wright, Bruce Goold, Greg Weight and Peter Kingston turned the building into an artwork, while visiting bands and celebrities made it a regular fixture of the Sydney scene.

Known principally as a printmaker, Goold created coloured linocuts and woodblocks including many images of Australian flora and fauna, as well as South Pacific inspired esoteric and symbolic subjects. He held solo exhibitions in Sydney, Melbourne and internationally in London and Ireland. He received major commissions for poster, logo and interior design and worked as a designer for Mambo from 1992. 

A retrospective exhibition, Bruce Goold, Artist, Designer, Printmaker, curated by Therese Kenyon, was held at Manly Art Gallery & Museum in 2008.
The National Art School extends its sympathies to Bruce’s family and many friends.
—
Greg Weight, 'Bruce Goold', 1998, NAS Collection
Got a young artist at home?

Art Club Term 3 is now open for enrolment — and we’ve got an exciting painting program lined up. This term, kids will explore styles like Expressive Acrylics and Contemporary Watercolour, all while building their confidence and creativity.

Monday afternoons, led by artist and educator Grant Bellamy. 

Visit the link in bio to learn more and enrol.
Thank you to everyone who attended the opening night and weekend celebrations for The Neighbour at the Gate. 

The Neighbour at the Gate is now open until Saturday 18 October 2025
11am – 5pm Monday to Saturday
NAS Gallery
Free admission, all welcome

Plan your visit at the link in bio.
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