SMH ‘My Best Worst’: Lesley Wengembo

SMH ‘My Best Worst’: Lesley Wengembo

Feature by Lissa Christopher.

Each week, SMH asks someone to tell them about the upside of a bad experience or rough patch. This week features NAS student Lesley Wengembo.

Artist Lesley Wengembo had never been outside Papua New Guinea when, in 2018, he was invited to attend an art symposium in Paris and won a scholarship to attend an art school in Florence, Italy.

His first stop was Sydney, where he planned to stay for two weeks while his Europe visa was processed. He’d saved money, paid for his flights and various other expenses, and had even attracted some sponsorship.

“I was so excited,” says the 24-year-old. “Growing up I had seen [art] books and things like that about the great [European] masters and I wanted to go there, to be able to go to those galleries and museums where you could experience the art itself and see where those artists had lived.”

But it turned out Lesley was missing a vital document and his visa application was rejected. He had to cancel the whole trip, lost the money he’d paid out, and had to disappoint those who had sponsored him.

“It was so bad,” he says. “Stuck in Sydney I so frustrated. I was like shit, I should be in Paris, it’s a dream place … I want to see all those things. And for me to miss it was like oh, man.”

A Sydney-based friend he’d known only on Facebook, Lisa, invited him for coffee, and he told her about his disappointment. She suggested he look at the art schools in Sydney and took him on a tour that included the historic campus for the National Art School in Darlinghurst.

“When I went there I was like, ‘Wow, okay’. The place looks so good because of the history that is there and the building itself … I could feel the atmosphere and the energy there straight away. So I applied and I was accepted.”

Sydney has since become Lesley’s second home, and he has no regrets about Europe 2018.

“I have made a lot of friends in Sydney … I get a lot of opportunities here,” he says. Lisa, her husband and their daughter have also become “like family”.

Lesley was invited back to Europe, too, and visited twice before the pandemic hit.

“There is always another chance,” he says.

He’s also grateful to have been in Australia rather than Europe over the past 18, COVID-plagued months.

“I think about what it would be like to [be in Europe] in a lockdown. It’s so far away from PNG and away from family, and even though we’re in lockdown now, we have been so free really for so much of the time. It has really been so much better here.”

Lesley has ambitions to fulfil in Sydney. The two-time Archibald Prize entrant wants to enter again and probably again after that. “It’s also my dream to win,” he says. You can see some of Lesley’s work here.

Photo: Peter Morgan.
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Join us from 6–9pm on Thursday 22 January for the opening of SEARCHERS: Graffiti and Contemporary Art.

Featuring Ben Aitken, Howard Arkley, BAGL, BREAK, Andrew Browne, Daniel Crooks, Adam Cullen, Mikala Dwyer, Dale Frank, Shaun Gladwell, Brendan Huntley, Rhys John Kaye, Luke Kennedy, LAZY, Mim Libro, Fiona Lowry, Eddie Martin, MACH, Tony McGillick, Paul McNeil, TV Moore, Callum Morton, Tresor Murace, Sidney Nolan, POWER, Ben Quilty, Scott Redford, Reko Rennie, RUM, Leslie Rice, Joan Ross, Khaled Sabsabi, Tim Silver, SNAIL, SPICE, Bridget Stehli, Maya Stocks, Latai Taumoepeau & TAVEN

RSVP 🔗 in bio. 

Presented as part of @sydney_festival.

—
Sidney Nolan, ‘Untitled’, 1983, spray can enamel on canvas, Nolan Collection, managed by Canberra Museum and Gallery on behalf of the Australian Government
Marking 20 years of the National Art School Gallery, we are thrilled to share this year's program of ambitious group and solo exhibitions that foster critical appreciation and innovative art practice.
 
SEARCHERS: Graffiti and Contemporary Art
17 January – 11 April
Opening: Thurs 22 January, 6pm
Bringing together over thirty of Australia's most dynamic artists united by one charged medium: spray paint, presented as part of @sydney_festival.
 
Queer Contemporary: Liz Bradshaw
13 February – 7 March
Opening: Thurs 12 February, 6pm
Experience a large-scale sculpture and installation by NAS alum Liz Bradshaw as part of @sydneymardigras.
 
Mitch Cairns: Artist's Mouth
1 May – 11 July
Opening: Thurs 30 April, 6pm
Presented with the @instituteofmodernart, the largest and most comprehensive exhibition by Sydney-based artist and NAS alum Mitch Cairns.
 
Margaret Olley: Australian Intimiste
31 July – 25 October
Opening: Thurs 30 July, 6pm
Celebrating the legacy of NAS alum and one of Australia's most beloved painters, Margaret Olley AC.
 
The Postgrad Show 
6–15 November
 
The Grad Show
4–13 December

Full program 🔗 in bio.
 
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Howard Arkley, 'Triple fronted', 1987, synthetic polymer paint on canvas, Art Gallery of New South Wales, Mollie and Jim Gowing Bequest Fund 2014 © The Estate of Howard Arkley, courtesy Kalli Rolfe Contemporary Art, image © Art Gallery of New South Wales
We are pleased to announce that applications are now open for the Prudence MacLeod Prize. 

The Prudence MacLeod Prize, which will continue for a further three years, supports a recent National Art School graduate to undertake a six-month residency at @acme.art, London.

Supported by the Lansdowne Foundation, the Prize provides an emerging artist with an opportunity to step forward into an expanded, international context at a vital time in their career. The artist will live and work in London, one of the world's great art cities, in a supportive artist community. This important opportunity will enable the artist to forge professional international contacts, explore London's art world and rich cultural resources, and produce a new body of work.

The recipient of this Prize will receive:
– Return travel to London. To be arranged for the artist by NAS.
– Studio accommodation and workspace at Acme Studios for 6 months.
– Living stipend of $AUD3,500 per month for 6 months. Total $AUD21,000.

Application deadline: Sunday 1 February 2026, 11.59pm
Residency: Monday 6 July – Friday 18 December 2026

The Prudence MacLeod Prize is open to eligible NAS alumni who have graduated within the past five years and meet the selection criteria.

Learn more 🔗 in bio. 

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Acme Fire Station, 30 Gillender Street, 1999 © Acme Archive
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