SMH ‘My Best Worst’: Lesley Wengembo

SMH ‘My Best Worst’: Lesley Wengembo

Feature by Lissa Christopher.

Each week, SMH asks someone to tell them about the upside of a bad experience or rough patch. This week features NAS student Lesley Wengembo.

Artist Lesley Wengembo had never been outside Papua New Guinea when, in 2018, he was invited to attend an art symposium in Paris and won a scholarship to attend an art school in Florence, Italy.

His first stop was Sydney, where he planned to stay for two weeks while his Europe visa was processed. He’d saved money, paid for his flights and various other expenses, and had even attracted some sponsorship.

“I was so excited,” says the 24-year-old. “Growing up I had seen [art] books and things like that about the great [European] masters and I wanted to go there, to be able to go to those galleries and museums where you could experience the art itself and see where those artists had lived.”

But it turned out Lesley was missing a vital document and his visa application was rejected. He had to cancel the whole trip, lost the money he’d paid out, and had to disappoint those who had sponsored him.

“It was so bad,” he says. “Stuck in Sydney I so frustrated. I was like shit, I should be in Paris, it’s a dream place … I want to see all those things. And for me to miss it was like oh, man.”

A Sydney-based friend he’d known only on Facebook, Lisa, invited him for coffee, and he told her about his disappointment. She suggested he look at the art schools in Sydney and took him on a tour that included the historic campus for the National Art School in Darlinghurst.

“When I went there I was like, ‘Wow, okay’. The place looks so good because of the history that is there and the building itself … I could feel the atmosphere and the energy there straight away. So I applied and I was accepted.”

Sydney has since become Lesley’s second home, and he has no regrets about Europe 2018.

“I have made a lot of friends in Sydney … I get a lot of opportunities here,” he says. Lisa, her husband and their daughter have also become “like family”.

Lesley was invited back to Europe, too, and visited twice before the pandemic hit.

“There is always another chance,” he says.

He’s also grateful to have been in Australia rather than Europe over the past 18, COVID-plagued months.

“I think about what it would be like to [be in Europe] in a lockdown. It’s so far away from PNG and away from family, and even though we’re in lockdown now, we have been so free really for so much of the time. It has really been so much better here.”

Lesley has ambitions to fulfil in Sydney. The two-time Archibald Prize entrant wants to enter again and probably again after that. “It’s also my dream to win,” he says. You can see some of Lesley’s work here.

Photo: Peter Morgan.
#Follow us on Instagram
Art Club is our high school student program for 15-17 year olds, designed to enhance and extend students’ technical, conceptual, and intellectual skills, through intensive practical study in the disciplines offered at NAS as well as engaging in an experience of our studios and campus, under the expert direction of experienced artists.

Set your child on a creative path with Art Club. 

Learn more at the link in bio.
Thank you to everyone who attended the opening night of the 24th Dobell Drawing Prize and congratulations again to the prize winner NAS alumna Rosemary Lee.

The 24th Dobell Drawing Prize is now open until Saturday 21 June 2025
11am – 5pm Monday to Saturday 
NAS Gallery 
Free admission, all welcome

Learn more about the exhibition at the link in bio.
We are delighted to announce NAS alumna Rosemary Lee as the winner of the 24th Dobell Drawing Prize, Australia’s leading prize for drawing, worth $30,000.

Selected from 56 nationwide finalists, and 965 entries, Rosemary’s work will become part of the National Art School’s significant collection, built over the past 120 years. Rosemary, in her winning work 24-1 (2024), observes tonal and compositional profundity in everyday life.

The judging panel comprising acclaimed First Nations artist Vernon Ah Kee, Paula Latos-Valier AM, Trustee and Art Director of the Sir William Dobell Art Foundation, and Dr Yolunda Hickman, Head of Postgraduate Studies, National Art School, commented of Rosemary’s work: “The decision to award the 24th Dobell Drawing Prize to Rosemary Lee for the work ‘24-1’ was unanimous. We were most impressed by the level of visual intensity the artist has achieved in this work both through its vibrant colour and in the extraordinary detail of the composition. The artwork’s exploration of the urban landscape and gentrification of the Sydney suburbs of Ashfield and Summer Hill, has produced an image capturing a broader sense of transience and the omnipresence of construction sites in our cities today. It questions the cultural and historical value of place, through the lens of the artist’s personal connection.” 

See Lee’s work alongside the work of the other finalists in the 24th Dobell Drawing Prize, 11 April – 21 June 2025, NAS Gallery
—
Left to right: NAS Director and CEO, Dr Kristen Sharp with artist Rosemary Lee, featuring winning artwork 24–1, 2024, pencil on paper, image courtesy the artist and National Art School Gallery © the artist, photograph: Peter Morgan
Introducing the National Art School Short Courses Program from July–December 2025

Whether you’re a beginner, rediscovering a past passion, refining your skills, or considering our Fine Arts degree, the short courses offer a stimulating and rewarding experience for all levels.

Our 2025 program begins in July with Winter School, followed by Term Three, Spring Weekend Workshops in September, and Term Four in October.

Learn more and enrol at the link in bio.
Making Sound is a performance event featuring four artists who make devices that make sound, including Gary Warner, Pia van Gelder, Ben Denham and Sean O’Connell, presented following Facture: Drawing Symposium 2025, Saturday 12 April 5-6pm. 

Gary Warner creates an improvised soundfield with his ‘aleatoric ensemble’ autonomous sound machines, a collection of modified turntables that spin ad-hoc bric-a-brac assemblages.

Pia van Gelder (pictured) amplifies an electronic circuit as it is built in real-time. Under the moniker of “PvG sans PCB,” in these performances, van Gelder works on a breadboard with electronic components and additional found objects to demonstrate the electronic variabilities produced in the material world.

Ben Denham and Sean O’Connell perform together with handmade synthesizer systems that sense and sonify barometric pressure and the flow of electrons through matter.

Purchase your tickets to the symposium at the link in bio.
—
Pia van Gelder, 'sans PCB', 2021, performance, Collings Creative, image courtesy and © the artist
Loading...