SMH: Older, wiser, more empathetic: The Chaser team reunites for one last laugh

SMH: Older, wiser, more empathetic: The Chaser team reunites for one last laugh

2022-06-23

Article: Anthony Segaert
Photo: Charles Firth, Chris Taylor, Craig Reucassel, and Dom Knight are among the seven founding editors of the Chaser newspaper, back in the same room together for the first time in over a decade. Steven Siewert

The original team of seven comedians is reuniting for the first time in over a decade to launch the 100th and final edition of The Chaser newspaper, their satirical take on world events, via a live show.

The Museum of Chaser event is on at Cell Block Theatre, National Art School, 156 Forbes St, Darlinghurst, on June 23.

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Three generations of queer artists make and break language across the intersections of art, activism, poetry and performance in ‘Queer Contemporary: Chaosophy’, as part of Mardi Gras 2025.

Through their individual aesthetics and distinct voices, together the artists disrupt histories, languages, conventional silences and institutional spaces, using and queering language to propose alternate perspectives on and interpretations of identity and ways of being.

Opening night Thursday 13 February, with special guests Swamp Daisies.

RSVP at link in the bio.
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Sam Chan, ‘Transfiguration’, 2024, Chillagoe White Pearl marble, mild steel, incense, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt)

Ali Tahayori, ’The four elements: fire, earth, water, air (detail)’, 2022, hand cut mirrors plaster on wood, image courtesy and © the artist, photograph: Daniel Kukec Photography

nikita lelu, ’I drip into a bath and drift’, 2024, glazed mid-fire paperclay, underglaze, terra sigillata, silver, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt Photography)

Magic Young, ‘Evulva’, 2024, nylon, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt)

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Feb 6

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Three generations of queer artists make and break language across the intersections of art, activism, poetry and performance in ‘Queer Contemporary: Chaosophy’, as part of Mardi Gras 2025. Through their individual aesthetics and distinct voices, together the artists disrupt histories, languages, conventional silences and institutional spaces, using and queering language to propose alternate perspectives on and interpretations of identity and ways of being. Opening night Thursday 13 February, with special guests Swamp Daisies. RSVP at link in the bio.
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Sam Chan, ‘Transfiguration’, 2024, Chillagoe White Pearl marble, mild steel, incense, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt) Ali Tahayori, ’The four elements: fire, earth, water, air (detail)’, 2022, hand cut mirrors plaster on wood, image courtesy and © the artist, photograph: Daniel Kukec Photography nikita lelu, ’I drip into a bath and drift’, 2024, glazed mid-fire paperclay, underglaze, terra sigillata, silver, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt Photography) Magic Young, ‘Evulva’, 2024, nylon, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt)

We’re looking for an Exhibitions Project Officer!

The role has a focus on major Indigenous exhibition projects currently in development for the National Art School as well as touring programs. The role assists with the delivery and coordination of Gallery programs, talks, and other events in the gallery spaces.

You have a background in visual art, art history, curatorship and gallery experience. You have excellent interpersonal and communication skills, along with strong organisational and project management experience.

Note this is an Identified Role and is open to Aboriginal and/or Torres Strait Islander applicants only, in accordance with Section 14(D) of the NSW Anti-Discrimination Act, 1977 NSW.

Application deadline extended to Sunday 9 February.

Apply at the link in bio.
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Ronan Pirozzi, `Serpentine`, 2023; `Trajectory`, 2023; `Desolate`, 2023; installation view, undo the day, NAS Gallery, Sydney, 2024, oil on welded steel, image courtesy and © the artist, photograph: Zan Wimberley

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Feb 2

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We’re looking for an Exhibitions Project Officer! The role has a focus on major Indigenous exhibition projects currently in development for the National Art School as well as touring programs. The role assists with the delivery and coordination of Gallery programs, talks, and other events in the gallery spaces. You have a background in visual art, art history, curatorship and gallery experience. You have excellent interpersonal and communication skills, along with strong organisational and project management experience. Note this is an Identified Role and is open to Aboriginal and/or Torres Strait Islander applicants only, in accordance with Section 14(D) of the NSW Anti-Discrimination Act, 1977 NSW. Application deadline extended to Sunday 9 February. Apply at the link in bio.
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Ronan Pirozzi, 'Serpentine', 2023; 'Trajectory', 2023; 'Desolate', 2023; installation view, undo the day, NAS Gallery, Sydney, 2024, oil on welded steel, image courtesy and © the artist, photograph: Zan Wimberley

The National Art School has today announced respected Australian academic, writer and curator Dr Kristen Sharp as the next Director and Chief Executive Officer.

Kristen joins the National Art School with extensive experience in the fields of contemporary art and tertiary education having spent six years as Associate Dean Discipline, Art in the School of Art at RMIT University, and previously 9 years as Academic Lead Art History and Theory at RMIT. She will commence her new role at the National Art School on 24th February 2025.

Read the full media release at the link in bio.

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Jan 30

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The National Art School has today announced respected Australian academic, writer and curator Dr Kristen Sharp as the next Director and Chief Executive Officer. Kristen joins the National Art School with extensive experience in the fields of contemporary art and tertiary education having spent six years as Associate Dean Discipline, Art in the School of Art at RMIT University, and previously 9 years as Academic Lead Art History and Theory at RMIT. She will commence her new role at the National Art School on 24th February 2025. Read the full media release at the link in bio.

Opening Night — ‘Queer Contemporary: Chaosophy’

Join us Thursday 13 February for the opening night of ‘Queer Contemporary: Chaosophy’, an exhibition that brings together three generations of queer artists who make and break language across the intersections of art, activism, poetry and performance; as part of Mardi Gras 2025.

Curated by Dr Liz Bradshaw, with work by artists Kika Kereru Baker, Daniel Browning, Sam Chan, Blake Griffiths, Frankie L.A, nikita lelu, r e a, Victoria Spence, Jake Starr, Ali Tahayori, Magic Young and Justine Youssef.

With special guests Swamp Daisies.

RSVP at link in the bio.
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r e a, ’GARI (language) (detail)’, 2024-25, courtesy and © the artist

Justine Youssef, ‘Somewhat Eternal (detail)’, 2023, installation view, ACE, Adelaide, 2024, three channel synchronised video, embroidered faux mink blankets, Burnet Rose (Rosa spinosissima) hydrosol, Damask Rose (Rosa x damascena) hydrosol, Lebanese Cedar (Cedrus libani) hydrosol, Blessed Milk Thistle (Silybum marianum) hydrosol, silver charms, image courtesy and © the artist, photograph: Sam Roberts

Kika Baker, `Pendulum`, 2024, plaster, ink, copper, found plastic, image courtesy and © the artist, photograph: Kika Baker

Blake Griffiths, ’Inhibitive Thoughts; stripping of the bark (detail)’, 2020, eucalyptus dyed woollen blanket, cotton, image courtesy and © the artist, photograph: Document Photography

Jake Starr, `A Weak & Panicked Animal`, 2024, installation view, Syrup Contemporary, Sydney, 2024, digital video, 4K, screen, construction fence, child safety straps, aluminium bench, lego, power cords, image courtesy and © the artist, photograph: Damien Dillon

Frankie L.A, `Pieces of`, 2024, worn machine made Persian rug, house paint, burnt wood, image courtesy and © the artist, photograph: Frankie L.A

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Jan 24

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Don’t miss out! This is your last chance to apply for our BFA degree for 2025. Applications for our final round close Sunday 26 January.

Apply now at the link in bio.

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Jan 23

Open

Don’t miss out! This is your last chance to apply for our BFA degree for 2025. Applications for our final round close Sunday 26 January. Apply now at the link in bio.

Set your child on a creative path with Art Club Term 1 - Drawing.

They’ll spend Tuesday afternoons developing their skills in this drawing fundamentals program that covers still life, portraiture, and experimental drawing.

Learn more at the link in bio.

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Jan 22

Open

SMH: Older, wiser, more empathetic: The Chaser team reunites for one last laugh