School Holiday Programs – Terms and Conditions

Please see below for the terms and conditions, and frequently asked questions about the National Art School School Holiday Programs.

CONTACT

Education Outreach Office
+61 2 9339 8751
[email protected]

ENROLMENT

  • Enrolment in a program is only secure when payment is completed online, a receipt is issued to the email provided, and a completed Consent Form has been received by NAS.
  • Other forms of payment and enrolment do not immediately confirm placement into a course, in these cases, a confirmation of registration will be sent by mail or email. Placement on a waitlist also does not guarantee enrolment.
  • Although an enrolment is secured once a receipt is issued, course confirmation is subject to adequate subscription and other factors see Changes to, and Cancellation of Courses.
  • Enrolments are not transferable.
  • Cash payments are not accepted.
  • Part-payments or partial enrolments are not accepted.

CONDITIONS OF ENROLMENT

  • NAS has the right to exclude or remove a participant from the course if a consent form has not been provided by a parent/ caregiver, if the participant breaches NAS safety guidelines or is continually late or disruptive.
  • All participants are to be signed in and out by a parent/ caregiver at the beginning and end of the day, or lunchtime, if they are doing a morning or afternoon module.
  • NAS provides supervision during course hours only. NAS will only release children to nominated parents/ caregivers, unless prior arrangements have been specified upon enrolment.
  •  All teachers and staff who deliver the school holiday program are skilled professionals and hold current Working with Children checks.

FEES

  • Fees for School Holiday Programs provide tuition, facilities and course materials. Refer to individual course descriptions for specific inclusions/exclusions.

CHANGES TO, AND CANCELLATION OF COURSES

  • The National Art School reserves the right to cancel or postpone any course due to under subscription or for any other reason at the discretion of NAS.
  • In such cases, the National Art School will contact the relevant students who will be given the opportunity to either transfer to another available course with no administrative penalty, or receive a full refund.
  • NAS reserves the right to amend any course, schedule, location or teacher listed online or in the brochure before or during the course.

WITHDRAWALS, TRANSFERS, AND REFUNDS

  • An enrolled student may request a withdrawal/transfer from a course, up to 5 business days prior to the commencement of their course.
  • There are no refunds, transfers, or substitutions after this period.
  • Requests for transfers/withdrawals must be made in writing to the Education Coordinator [email protected]

If transferring, the new course must currently be available for enrolment. Any differences in fees will be:

  • Refunded by NAS (if new course fees is less); or
  • Paid by the Student (if new course fee is more)

Whether transferring or withdrawing, a $50 administrative fee will be charged, usually deducted from any amount already paid. However, this fee will be waived if the transfer or withdrawal is due to a course cancellation (see above).

ABSENCES

  • Refunds, transfers, or substitutions are not allowed if students miss a class or course. The National Art School does not accept responsibility for changes to students’ circumstances.

WORKPLACE HEALTH AND SAFETY

  • All students must comply with health and safety regulations.
  • Parents/ caregivers must advise NAS in the Consent Form of any medical or allergic conditions and any considerations that must be made.
  • NAS will arrange for medical assistance in an emergency and may disclose medical information as necessary. Parents/ caregivers will be responsible for covering medical costs. NAS will not take responsibility for administering medication to students.
  • Participants must wear enclosed shoes (open toed shoes, thongs and sandals are not allowed in studio environments under NAS safety guideline). The cleaning of art studio space is a shared responsibility for all participants.

STUDENT’S WORK, PHOTOGRAPHS OR VIDEO IMAGE IN PUBLICATIONS

  • As part of the School Holiday Program, images of students and/ or their works are taken as a record of the program. Some of these images may be used in brochures, or promotional material regarding the course by the National Art School or sponsors associated with the program and /or in other professional development and promotional material.
  • Not every image from this project will be published and work samples may not appear in exactly the same form in which they are submitted. The images will be retained for possible future use in other projects and publications.
  • Note: As a Condition of Enrolment, consent is implied. Please notify us in writing if you do not wish for us to take and use photos of students and/or their works.
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Art Club is our high school student program for 15-17 year olds, designed to enhance and extend students’ technical, conceptual, and intellectual skills, through intensive practical study in the disciplines offered at NAS as well as engaging in an experience of our studios and campus, under the expert direction of experienced artists.

Set your child on a creative path with Art Club. 

Learn more at the link in bio.
Thank you to everyone who attended the opening night of the 24th Dobell Drawing Prize and congratulations again to the prize winner NAS alumna Rosemary Lee.

The 24th Dobell Drawing Prize is now open until Saturday 21 June 2025
11am – 5pm Monday to Saturday 
NAS Gallery 
Free admission, all welcome

Learn more about the exhibition at the link in bio.
We are delighted to announce NAS alumna Rosemary Lee as the winner of the 24th Dobell Drawing Prize, Australia’s leading prize for drawing, worth $30,000.

Selected from 56 nationwide finalists, and 965 entries, Rosemary’s work will become part of the National Art School’s significant collection, built over the past 120 years. Rosemary, in her winning work 24-1 (2024), observes tonal and compositional profundity in everyday life.

The judging panel comprising acclaimed First Nations artist Vernon Ah Kee, Paula Latos-Valier AM, Trustee and Art Director of the Sir William Dobell Art Foundation, and Dr Yolunda Hickman, Head of Postgraduate Studies, National Art School, commented of Rosemary’s work: “The decision to award the 24th Dobell Drawing Prize to Rosemary Lee for the work ‘24-1’ was unanimous. We were most impressed by the level of visual intensity the artist has achieved in this work both through its vibrant colour and in the extraordinary detail of the composition. The artwork’s exploration of the urban landscape and gentrification of the Sydney suburbs of Ashfield and Summer Hill, has produced an image capturing a broader sense of transience and the omnipresence of construction sites in our cities today. It questions the cultural and historical value of place, through the lens of the artist’s personal connection.” 

See Lee’s work alongside the work of the other finalists in the 24th Dobell Drawing Prize, 11 April – 21 June 2025, NAS Gallery
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Left to right: NAS Director and CEO, Dr Kristen Sharp with artist Rosemary Lee, featuring winning artwork 24–1, 2024, pencil on paper, image courtesy the artist and National Art School Gallery © the artist, photograph: Peter Morgan
Introducing the National Art School Short Courses Program from July–December 2025

Whether you’re a beginner, rediscovering a past passion, refining your skills, or considering our Fine Arts degree, the short courses offer a stimulating and rewarding experience for all levels.

Our 2025 program begins in July with Winter School, followed by Term Three, Spring Weekend Workshops in September, and Term Four in October.

Learn more and enrol at the link in bio.
Making Sound is a performance event featuring four artists who make devices that make sound, including Gary Warner, Pia van Gelder, Ben Denham and Sean O’Connell, presented following Facture: Drawing Symposium 2025, Saturday 12 April 5-6pm. 

Gary Warner creates an improvised soundfield with his ‘aleatoric ensemble’ autonomous sound machines, a collection of modified turntables that spin ad-hoc bric-a-brac assemblages.

Pia van Gelder (pictured) amplifies an electronic circuit as it is built in real-time. Under the moniker of “PvG sans PCB,” in these performances, van Gelder works on a breadboard with electronic components and additional found objects to demonstrate the electronic variabilities produced in the material world.

Ben Denham and Sean O’Connell perform together with handmade synthesizer systems that sense and sonify barometric pressure and the flow of electrons through matter.

Purchase your tickets to the symposium at the link in bio.
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Pia van Gelder, 'sans PCB', 2021, performance, Collings Creative, image courtesy and © the artist
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