NAS Reconciliation Action Plan

Acknowledgement of Country

The National Art School (NAS) sits on Gadigal land – Always Was, Always Will Be. NAS recognises the Traditional Owners and Custodians of knowledge of the Lands on which we work, learn and make art. NAS’ core tenets include art, creativity, education and place. With respect and understanding from NAS, we acknowledge First Peoples sovereignty has never been ceded. Learning directly from First Peoples perspectives and coming together in this important place of knowledge and ancestral significance. We remain committed to acknowledging the truth of our shared history and the impact this continues to have on our reconciliation journey.

 

Our Vision for Reconciliation

At a broad level, our vision for reconciliation is an Australia that embraces unity between Aboriginal peoples and Torres Strait Islander peoples (referred to as First Peoples throughout this RAP) and other non-Indigenous Australians and a national culture that represents equality and equity, and historical acceptance of our shared histories.

Importantly, our vision for reconciliation begins with and is informed by the site upon which NAS operates, being the former Darlinghurst Gaol, located on Gadigal Land. We recognise the importance of ‘place’ and the experiences of First Peoples at the NAS site, from prior to colonisation to current day. We are aware of the important role that historical acceptance plays in our reconciliation journey. We are committed to and acknowledge the responsibility of raising awareness of the history of this site through our academic curriculum, engagement with staff, students and community through our public programs.

In the context of the core business of our organisation and the primary work that we do, our vision for reconciliation extends to supporting artists to continue their fine arts tertiary education. This includes learning under the guidance of First Peoples in an inclusive and culturally safe and diverse learning environment. In this regard, our culturally responsive practice and pedagogy is informed by our First Peoples Strategy. Where relevant, we will also seek guidance from the key findings set out in the Australian Institute for Teaching and Learning School Leadership Limited (AITSL) ‘Building a cultural responsive Australian teaching workforce’ document.

Together we will nurture respectful relationships that will see First Peoples and non-Indigenous people shape a shared understanding and respect.

#Follow us on Instagram
We are pleased to announce that applications are now open for the Prudence MacLeod Prize. 

The Prudence MacLeod Prize, which will continue for a further three years, supports a recent National Art School graduate to undertake a six-month residency at @acme.art, London.

Supported by the Lansdowne Foundation, the Prize provides an emerging artist with an opportunity to step forward into an expanded, international context at a vital time in their career. The artist will live and work in London, one of the world's great art cities, in a supportive artist community. This important opportunity will enable the artist to forge professional international contacts, explore London's art world and rich cultural resources, and produce a new body of work.

The recipient of this Prize will receive:
– Return travel to London. To be arranged for the artist by NAS.
– Studio accommodation and workspace at Acme Studios for 6 months.
– Living stipend of $AUD3,500 per month for 6 months. Total $AUD21,000.

Application deadline: Sunday 1 February 2026, 11.59pm
Residency: Monday 6 July – Friday 18 December 2026

The Prudence MacLeod Prize is open to eligible NAS alumni who have graduated within the past five years and meet the selection criteria.

Learn more 🔗 in bio. 

—
Acme Fire Station, 30 Gillender Street, 1999 © Acme Archive
Thank you to everyone who joined us at the opening of The Grad Show!

Find works by this year's cohort exhibited throughout the NAS campus until 14 December. Open daily from 11am — 5pm and until 9pm on Fridays. 

View online via 🔗 in bio.

—
Video: Tim Connolly
Loading...