NAS Reconciliation Action Plan

Acknowledgement of Country

The National Art School (NAS) sits on Gadigal land – Always Was, Always Will Be. NAS recognises the Traditional Owners and Custodians of knowledge of the Lands on which we work, learn and make art. NAS’ core tenets include art, creativity, education and place. With respect and understanding from NAS, we acknowledge First Peoples sovereignty has never been ceded. Learning directly from First Peoples perspectives and coming together in this important place of knowledge and ancestral significance. We remain committed to acknowledging the truth of our shared history and the impact this continues to have on our reconciliation journey.

 

Our Vision for Reconciliation

At a broad level, our vision for reconciliation is an Australia that embraces unity between Aboriginal peoples and Torres Strait Islander peoples (referred to as First Peoples throughout this RAP) and other non-Indigenous Australians and a national culture that represents equality and equity, and historical acceptance of our shared histories.

Importantly, our vision for reconciliation begins with and is informed by the site upon which NAS operates, being the former Darlinghurst Gaol, located on Gadigal Land. We recognise the importance of ‘place’ and the experiences of First Peoples at the NAS site, from prior to colonisation to current day. We are aware of the important role that historical acceptance plays in our reconciliation journey. We are committed to and acknowledge the responsibility of raising awareness of the history of this site through our academic curriculum, engagement with staff, students and community through our public programs.

In the context of the core business of our organisation and the primary work that we do, our vision for reconciliation extends to supporting artists to continue their fine arts tertiary education. This includes learning under the guidance of First Peoples in an inclusive and culturally safe and diverse learning environment. In this regard, our culturally responsive practice and pedagogy is informed by our First Peoples Strategy. Where relevant, we will also seek guidance from the key findings set out in the Australian Institute for Teaching and Learning School Leadership Limited (AITSL) ‘Building a cultural responsive Australian teaching workforce’ document.

Together we will nurture respectful relationships that will see First Peoples and non-Indigenous people shape a shared understanding and respect.

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Opening night: The Neighbour at the Gate 

Join us on Thursday 10 July for the opening night of The Neighbour at the Gate, a major exhibition at the National Art School Gallery, curated by a guest curatorium led by Clothilde Bullen (Wardandi Noongar and Badimaya Yamatji), with Micheal Do and Zali Morgan (Whadjuk Balladong and Wilman Noongar).

Bringing together newly commissioned works by leading Australian artists Jacky Cheng, Elham Eshraghian-Haakansson, Dennis Golding (Kamilaroi/Gamilaraay), Jenna Mayilema Lee (Gulumerridjin (Larrakia), Wardaman, KarraJarri), James Nguyen and James Tylor (Kaurna, Thura-Yura language region), the exhibition reckons with the echoes of immigration policies and the legacies of Colonialism in Australia, unravelling how these forces continue to shape First Nations and Asian Australian experiences and relationships.

Across various mediums and perspectives, The Neighbour at the Gate charts the entangled legacies of exclusion and resilience, drawing vital parallels between the past and present, memory and nationhood.

The Neighbour at the Gate has been made possible with the generous support of the NSW Government through its Blockbusters Funding initiative.

RSVP at the link in bio.
Burned trees build no homes. 

Today we acknowledge World Environment Day with this work by alum Una Foster, now in the National Art School Collection.
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Una Foster, ‘Burned Trees Build No Homes’, c.1945, commercial print on paper; image courtesy the artist and National Art School © Una Foster. From the National Art School Collection.
This end of financial year, support the next generation of artists through the National Art School’s Pathways Program.

Your donation will be vital in helping us build a more inclusive and vibrant arts community — creating crucial pathways for talented artists to become leading international artists, regardless of their background.

Support our EOFY campaign via the link in bio and help us to break down barriers to art education.
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