Queer Contemporary: I want a future that lives up to my past
Curated to coincide with the 2022 Sydney Gay and Lesbian Mardi Gras, this exhibition brings together a range of distinct LGBTQI voices from within the NAS community, including teaching staff and alumni. It presents works in dialogue about the nature of contemporary art and politics and possible personal, local and global futures through queer visual languages and points of view. I want a future that lives up to my past juxtaposes artists and works to make visible queer aesthetics that are not tied to obvious representations of identity and sexuality, but are materially grounded in the ways LGBTQI lived experience and creative practice demands a range of navigations and interventions in mainstream cultural forms and interpretations. Against the global backdrop of the climate crisis, our second pandemic, and the last decade’s conservative backlash against the human rights of those of us who live in the margins, the works included offer subtle and complex articulations of ideas, images and forms that bridge difficult pasts and possible futures.
Exhibition dates:
25 February – 12 March 2022
Rayner Hoff Project Space, Monday to Saturday, 11am–5pm
Curator:
Dr Liz Bradshaw
Artists:
Karla Dickens, Bridie Lunney, Justine Youssef, Nadia Odlum, Christine Dean, Luke Thurgate, Steven Cavanagh, Kurt Banks, Liz Bradshaw
PROGRAMS
NAS Short Course: Queer Contemporary Life Drawing Workshop
Thursday 3 and 10 March 2022, 6–8pm
with Luke Thurgate
Join us for an evening of Life Drawing inspired by the 2022 Queer Contemporary exhibition at the National Art School. Set within the Hoff Project Space, this workshop is part immersive tour and part traditional life drawing class. Exhibiting artist, alumnus and NAS lecturer Luke Thurgate demonstrates and guides you to draw the human figure in relation to works on display in the Queer Contemporary exhibition. You will learn from other artists in the exhibition who celebrate the queer community of the National Art School.
This workshop is designed for participants of all levels and is a LGBTQI+ friendly event.
BREAK OUT: Queer Contemporary Performances
Thursday 3 March 2022
NAS Campus
Solar Gold Dancers
6pm Cell Block Theatre
Pat the dyke dry Annaliese Constable
Annaliese Constable invites you into her LTR with her long-suffering partner Emily. This hotbed of mental illness provides the basis for Constable’s exploration of class, ableism and the life as an Indigenous queer woman with a disability.
6.30–8pm The Chapel
Chapel Gareth Ernst
Gareth Ernst is creating a Shibari Tableau Drawing Performance work in the historic and sacred Chapel with three undraped models. One cis male, one cis female and one trans woman. Combining and roping them together with a Japanese roping art form called Shibari, he will be creating a tableau piece from the three joined figures, and will draw them on a large unstretched canvas prepared with ash. Come along and quietly watch the work unfold.
8.15pm Rayner Hoff Project Space
at one’s own pace Lou Harris
at one’s own pace (2021) begins with a small collection of besser blocks gathered on the floor. As the space is activated, the artist’s body rises up on the blocks. A set of parameters emerge; the body is constantly elevated from the ground by the foundations of the blocks, and each movement becomes a searching manoeuvre, reaching for ways to move through the site. Over the course of the performance, the artist physically shifts what holds their body in space – dropping, lifting and dragging these concrete blocks – continuously making accommodations for their needs and desires.
This performance explores ideas of precarious movement and navigation of structures in order to hold and support oneself. Intuitive thought processes are witnessed in real time; an open offer for intimate engagement.
This act of vulnerability articulates the limits and potentials of the artist’s body, marked by concessions made for various physical and emotional boundaries. Tension, stress and satisfaction become a communal experience.
9.50pm Cell Block Theatre
Last Walk Susann Taylor
Susann Taylor’s experiential site-specific performance of lament and defiance.
BREAK OUT: Queer Contemporary Moving Image
Thursday 3 March 2022, 6–10pm
Cell Block Theatre, featuring work by
Todd Fuller
1727: Pieter and Adriaan 2021
Single Channel HD video 6:06
Ladonna Rama (Tokyo)
Abazure 2020
Single Channel HD video 5:04
Claudia Nicholson
Alliance 2011
Single Channel HD video 2:00
Aaron McGarry
Charity/Death 2022
Single Channel HD video 6:36
Liz Bradshaw
1984 2022
Single Channel HD video 6:50
Thank you to everyone who has come through to see the 24th Dobell Drawing Prize for its first week. The exhibition is now open until Saturday 21 June 2025. Please note we are open this Saturday and closed for the observed Easter holidays.
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Good Friday CLOSED 18 April 2025
Easter Saturday OPEN Sat 19 April 2025, 11am – 5pm
Easter Sunday CLOSED Sun 20 April 2025
Easter Monday CLOSED Mon 21 April 2025
Anzac Day CLOSED Fri 25 April 2025
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Installation view, 24th Dobell Drawing Prize, National Art School Gallery, Sydney, 2025, image courtesy the artists and National Art School © the artists, photograph: Peter Morgan
Apr 17
Art Club is our high school student program for 15-17 year olds, designed to enhance and extend students’ technical, conceptual, and intellectual skills, through intensive practical study in the disciplines offered at NAS as well as engaging in an experience of our studios and campus, under the expert direction of experienced artists.
Set your child on a creative path with Art Club.
Learn more at the link in bio.
Apr 15
Thank you to everyone who attended the opening night of the 24th Dobell Drawing Prize and congratulations again to the prize winner NAS alumna Rosemary Lee.
The 24th Dobell Drawing Prize is now open until Saturday 21 June 2025
11am – 5pm Monday to Saturday
NAS Gallery
Free admission, all welcome
Learn more about the exhibition at the link in bio.
Apr 11
We are delighted to announce NAS alumna Rosemary Lee as the winner of the 24th Dobell Drawing Prize, Australia’s leading prize for drawing, worth $30,000.
Selected from 56 nationwide finalists, and 965 entries, Rosemary’s work will become part of the National Art School’s significant collection, built over the past 120 years. Rosemary, in her winning work 24-1 (2024), observes tonal and compositional profundity in everyday life.
The judging panel comprising acclaimed First Nations artist Vernon Ah Kee, Paula Latos-Valier AM, Trustee and Art Director of the Sir William Dobell Art Foundation, and Dr Yolunda Hickman, Head of Postgraduate Studies, National Art School, commented of Rosemary’s work: “The decision to award the 24th Dobell Drawing Prize to Rosemary Lee for the work ‘24-1’ was unanimous. We were most impressed by the level of visual intensity the artist has achieved in this work both through its vibrant colour and in the extraordinary detail of the composition. The artwork’s exploration of the urban landscape and gentrification of the Sydney suburbs of Ashfield and Summer Hill, has produced an image capturing a broader sense of transience and the omnipresence of construction sites in our cities today. It questions the cultural and historical value of place, through the lens of the artist’s personal connection.”
See Lee’s work alongside the work of the other finalists in the 24th Dobell Drawing Prize, 11 April – 21 June 2025, NAS Gallery
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Left to right: NAS Director and CEO, Dr Kristen Sharp with artist Rosemary Lee, featuring winning artwork 24–1, 2024, pencil on paper, image courtesy the artist and National Art School Gallery © the artist, photograph: Peter Morgan
Apr 10
Introducing the National Art School Short Courses Program from July–December 2025
Whether you’re a beginner, rediscovering a past passion, refining your skills, or considering our Fine Arts degree, the short courses offer a stimulating and rewarding experience for all levels.
Our 2025 program begins in July with Winter School, followed by Term Three, Spring Weekend Workshops in September, and Term Four in October.
Learn more and enrol at the link in bio.
Apr 10
Making Sound is a performance event featuring four artists who make devices that make sound, including Gary Warner, Pia van Gelder, Ben Denham and Sean O’Connell, presented following Facture: Drawing Symposium 2025, Saturday 12 April 5-6pm.
Gary Warner creates an improvised soundfield with his ‘aleatoric ensemble’ autonomous sound machines, a collection of modified turntables that spin ad-hoc bric-a-brac assemblages.
Pia van Gelder (pictured) amplifies an electronic circuit as it is built in real-time. Under the moniker of “PvG sans PCB,” in these performances, van Gelder works on a breadboard with electronic components and additional found objects to demonstrate the electronic variabilities produced in the material world.
Ben Denham and Sean O’Connell perform together with handmade synthesizer systems that sense and sonify barometric pressure and the flow of electrons through matter.
Purchase your tickets to the symposium at the link in bio.
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Pia van Gelder, `sans PCB`, 2021, performance, Collings Creative, image courtesy and © the artist
Apr 6
