Featured image: r e a, GARI (language) (detail), 2024-25, courtesy and © the artist
Justine Youssef, Somewhat Eternal (detail), 2023, installation view, ACE, Adelaide, 2024, three channel synchronised video, Embroidered faux mink blankets, Burnet Rose (Rosa spinosissima) hydrosol, Damask Rose (Rosa x damascena) hydrosol, Lebanese Cedar (Cedrus libani) hydrosol, Blessed Milk Thistle (Silybum marianum) hydrosol, silver charms, image courtesy and © the artist, photograph: Sam Roberts
Jake Starr, Holobionte, 2023, installation view, Queer Ecology, Schmick Contemporary, Sydney, 2023, coated steel, plastic bone, burrowed wood, plastic netting, farmers friend (Bidens pilosa) seeds, vinyl tubing, magnets, housefly (Musca domestica), bracket fungus (Laetiporus portentosus), glass, anaerobic water, unidentified seeds in rainwater, plaster in tap water, algae bloom (cyanobacteria) in stagnated water, runoff-fed pond water, chemically poisoned soil, contaminated honey, image courtesy and © the artist, photograph: Jake Starr
Sam Chan, At Eventuality’s End, 2024, hand-dyed paper, wire mesh, mild steel rod, image courtesy and © the artist, photograph: Peter Morgan
Frankie L.A, Pieces of, 2024, worn machine made Persian rug, house paint, burnt wood, image courtesy and © the artist, photograph: Frankie L.A
Magic Young, Evulva, 2024, nylon, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt Photography)
Blake Griffiths, Inhibitive Thoughts; stripping of the bark (detail), 2020, eucalyptus dyed woollen blanket, cotton, image courtesy and © the artist, photograph: Document Photography
Ali Tahayori, Objects in Mirror Are Closer Than They Appear, 2022, hand‐cut mirrors and plaster on wood, image courtesy the artist and THIS IS NO FANTASY, Melbourne © the artist, photograph: Simon Strong
Kika Kereru Baker, One Whole, 2024, plaster, ink, image courtesy and © the artist, photograph: Kika Baker