Presence: Drawing Symposium 2021
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In this time of forced introversion and on-line communication, The National Centre for Drawing’s 2021 Drawing symposium delves into the question of what Drawing is and does now, how it connects us to the present and makes us present in the world.
Eight very different artists from all over the world will talk to you and each other about the role of drawing in their practice and the drawings that inspire them.
Hosted in the National Art School’s historic Cell Block Theatre, you are invited to attend either online or in person. If you are not in Sydney there will be online options for you to join the conversation.
Speakers
Gerry Davies (UK), Maria Kontis (VIC), Anita Fricek (Austria), Margaret Roberts (NSW), Peter Bonner (USA), Aida Tomescu (NSW), James Nguyen (VIC), Lucienne Rickard (TAS)
Background
We hope that the unusual events of 2020 will enable us to link more closely with artists across the globe and in this context, which generates a strange disjunction between physical presence and on-line connection, the symposium will consider what drawing has to offer the simple idea of being present.
Drawing is powerfully and particularly about presence. The symposium will consider ways that drawing can conjure, evoke, embody and restore this quality of actualisation in both material and non-material, real and virtual modes of being. Emerging from an increasing need to occupy digital environments, the symposium encourages conversations about what this means in the context of drawing.
Presence refers to the state of existence, while also suggesting what is not visible, but rather sensed. The symposium invites discussion on the various ways drawing can elicit presence; from the graphic mark as record/trace to durational, performative and spatial manifestations.
Given the theme and the climate, the symposium will navigate physical and on-line participation.
National Centre for Drawing
The National Centre for Drawing at the National Art School promotes and nurtures practice, research and scholarship in drawing in all of its manifestations. Positioned at the core of an educational institution and cultural precinct, it enables a range of audiences to engage more deeply with drawing. Through the practice of drawing, curatorial projects, exhibitions, publications, conferences, lectures and other special events, it nurtures a curiosity around drawing that is grounded in precedent but extends towards the unknown.
Program
9.30–9.45am
Introduction
9.45–10.45am
Anita Fricek and Margaret Roberts
10.45–11am
Questions
11–11.30am
Morning Tea
11.30am–12.30pm
Gerald Davies and Maria Kontis
12.30–12.45pm
Questions
12.45–1.30pm
Lunch
1.30–2.30pm
Peter Bonner and Aida Tomescu
2.30–2.45pm
Questions
2.45–3.15pm
Break
3.15–4.15pm
James Nguyen and Lucienne Rickard
4.15–4.30pm
Questions
4.30–4.45pm
Final remarks and close
4.45pm
Closing drinks
The National Art School is delighted to announce rising multi-disciplinary artist Anna Mould as the first ever winner of a prestigious international artist residency program, the Prudence MacLeod Prize, generously supported by the Lansdowne Foundation, located at Acme Fire Station Studios, London.
Learn more about the prize at the link in bio.
@annalouisemould
@acme.art
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Anna Mould, ‘The Damned, Tambaroora NSW’, 2023, machine embroidery and acrylic on canvas, 50 x 50 cm
Jan 14
This holiday season, give the gift of creativity.
Whether your loved one is eager to begin their artistic journey, or they wish to continue learning and making art, a National Art School Gift Card will help them unlock their creative potential.
Give a gift that inspires. Buy a National Art School Gift Card today.
Learn more at the link in bio.
Dec 19
A selection of works by our graduating BFA students currently on show at The Grad Show, on until 15 December at NAS Galleries.
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Learn more about the artists and view available works at the link in bio.
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Kaela Jacobs, ‘Tough. (A series of delicate things. I am one of them.)’, 2024, aluminium, silver keyrings, synthetic hair, rivets, 121 x 90 cm
Ellie Pamp, ‘Untitled (Faun series) #2’, 2024, oil on wood board, 20 x 25 cm
Ksenia Kirkbride, ‘Serpent`s Cycle, The Path to Wisdom’, 2024, oil on linen, 100 x 100 cm
James Stewart, ‘sandcastles (mound)’, 2024, terracotta, white earthenware slip, 50 x 49 x 50 cm
Jodie McGill, ‘In conversation with Les’, 2024, oil on Belgium linen, 122 x 91.5 cm
Mitchell Timms, ‘Garden of Odd’, 2024, watercolour and graphite drawing, 21 x 15 cm
Dean O’Brien, ‘The Dear Repose For Limbs With Travel Tired’, 2024, oil on canvas, 91 x 61 x 4 cm
Chaya Atkins, ‘Veil’, 2024, oil on canvas, 80 x 100 cm
Alba Stephen, ‘Small Size Me (CMYK edition)’, 2024, screenprint with acrylic on paper, 19 x 19 cm
Bronte O’Shannessy, ‘Warmth’, 2024, mixed media, 70 x 70 cm
Dec 13
A selection of works by our graduating BFA students currently on show at The Grad Show, on until 15 December at NAS Galleries.
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Learn more about the artists and view available works at the link in bio.
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Jacinta Robinson, ‘Sacred Hollow’, 2024, acrylic on raw canvas, 122 x 152 cm
Harriet Clark, ‘Mum21’, 2024, glazed stoneware, 46 x 24 x 24 cm
Libby Moore, ‘Keep me safe’, 2024, plaster of paris, 26 x 14 x 7cm (boxed)
Jeremy Rotenstein, ‘Rose Metal’, 2024, cast metal and sandstone, 38 x 32 x 7 cm
Harrison Chao, ‘Node 4 (Open)’, 2024, oil on canvas, 90 x 120 cm
Gitte Backhausen, ‘Repercussions’, 2024, acrylic on found wooden pegboard, 90 x 60 cm
Gabriel Suni Sallo, ‘Plaza de Armas II’, 2024, acrylic and oil on wooden panel, 120 x 107 x 2.5 cm
Ariel Filler, ‘Pop and Skip’, 2024, oil, acrylic, dry pigment and glue on canvas, 110 x 97 x 2 cm
Sevgi Yilmaz, ‘Residue’, 2024, spray paint on dropcloth, 80 x 45.5 cm
Shauna Carroll, ‘Sacrifice of Andromeda’, 2024, oil on board, 90 cm
Dec 13
