Open Day 2019: the Future is Art

Open Day 2019: the Future is Art

2019-07-24

SATURDAY 7 SEPTEMBER 2019

10AM–4PM

THE FUTURE IS ART

The National Art School is Australia’s leading fine art school, with a successful studio-based teaching model that has delivered a rich tradition of artistic practice and generations of world-renowned alumni. We are a progressive and holistic art school and we look forward to sharing it with you on Open Day.

Explore our studios and working spaces, visit NAS Gallery, meet our faculty and students, get advice about your study options and the application process, and get involved in interactive art workshops – including watching the live bronze pour, and participating in screenprinting, life drawing and much more.

DOWNLOAD THE PROGRAM

Bachelor of Fine Art info sessions
10.30–11.30am, 12–10pm and 2–3pm
Seminar Room, Building 11
Meet with National Art School lecturers to discuss undergraduate study options.

Screen printing demonstration
11am–12pm
Screen studio, Building 16
See artist Wendy Murray in action during our interactive screen printing demos, and take a poster home with you.

Photography portraits
11am–3pm
Lighting studio, Building 1
Photomedia students will use a tethered Hasselblad digital camera and studio lighting equipment to shoot visitors’ portraits then make a print to take home

Alumni talk – Kirtika Kain
11–11.30am
NAS Gallery Courtyard
Hear from NAS alumna and Open Day ambassador Kirtika Kain speak about her experience at art school and beyond.

NAS Band
11.30am and 1pm
NAS Cafe courtyard
Listen to music from The Current, the very talented NAS staff and student band.

Short Courses Info Session
11.30am–12pm and 1.30–2pm
Seminar Room, Building 11
Hear all about our extensive public short course program and find the right one for you.

Gaol Tours
10:30–11.00am and 2.30–3pm
Meet at Forbes St Entrance
Join us for a tour of the original Darlinghurst Gaol, shedding light on the fascinating history of the NAS site.

Bronze pouring demonstrations
12pm (approx) and 1pm (approx)
Foundry
See our sculpture department in action as they pour hot liquid bronze into a mold.

Master of Fine Art info session
1–1.30pm
Seminar Room, Building 11
Meet with National Art School lecturers to discuss postgraduate study options.

Alumni talk – Alesandro Ljubicic
1.30–2pm
NAS Gallery Courtyard
Hear from NAS alumnus and Open Day ambassador Alesandro Ljubicic speak about his experience at art school and beyond.

Panel discussion
2–3pm
NAS Gallery
Part of Paper Tigers, a panel including artists Blak Douglas, Marie McMahon and Chris O’Doherty (aka Reg Mombassa) and musician Kirin J Callinan tackle the theme ‘Art Speaks Truth to Power’.

Doctor of Fine Art info session
3–3.30pm
Seminar Room, Building 11
Meet with National Art School lecturers to discuss postgraduate study options.

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News

‘Queer Contemporary: Chaosophy’, as part of Mardi Gras 2025, is now open until Saturday 8 March.

Curated by Dr Liz Bradshaw, with work by artists Kika Kereru Baker, Daniel Browning, Sam Chan, Blake Griffiths, Frankie L.A, nikita lelu, r e a, Victoria Spence, Jake Starr, Ali Tahayori, Magic Young and Justine Youssef.

Three generations of queer artists make and break language across the intersections of art, activism, poetry and performance. Through their individual aesthetics and distinct voices, together the artists disrupt histories, languages, conventional silences and institutional spaces, using and queering language to propose alternate perspectives on and interpretations of identity and ways of being.

11am – 5pm Monday to Saturday
Building 25 Project Space
Free admission, all welcome

View

Feb 17

Open

Thank you to everyone who attended the opening night of ‘Queer Contemporary: Chaosophy’

‘Chaosophy’ is now open until Saturday 8 March
11am – 5pm Monday to Saturday
Building 25 Project Space
Free admission, all welcome

Learn more about the exhibition at the link in bio.

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Feb 14

Open

NAS Library is proud to launch their 2025 Library Stairwell Gallery programming with this years LSG show for Queer Contemporary, ‘Subtexts’, opening this Thursday 13 February.

‘Subtexts’ unites four artists whose work demonstrates the complexities of queer identity, each considering their own personal relationship with queerness. The show offers alternative narratives and styles that challenge notions of queer uniformity, opting to explore the undertones and implications of queerness as a dislocated front.

‘Subtexts’ asks of the ambiguous term; Are we united by virtue of our difference, or rather the unique positions it presents us?

Featuring works by
@professional__disoppointment
@sarah_r_serfati
@theolathouras
@ziggywoodartist

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Feb 9

Open

Three generations of queer artists make and break language across the intersections of art, activism, poetry and performance in ‘Queer Contemporary: Chaosophy’, as part of Mardi Gras 2025.

Through their individual aesthetics and distinct voices, together the artists disrupt histories, languages, conventional silences and institutional spaces, using and queering language to propose alternate perspectives on and interpretations of identity and ways of being.

Opening night Thursday 13 February, with special guests Swamp Daisies.

RSVP at link in the bio.
—
Sam Chan, ‘Transfiguration’, 2024, Chillagoe White Pearl marble, mild steel, incense, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt)

Ali Tahayori, ’The four elements: fire, earth, water, air (detail)’, 2022, hand cut mirrors plaster on wood, image courtesy and © the artist, photograph: Daniel Kukec Photography

nikita lelu, ’I drip into a bath and drift’, 2024, glazed mid-fire paperclay, underglaze, terra sigillata, silver, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt Photography)

Magic Young, ‘Evulva’, 2024, nylon, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt)

View

Feb 6

Open

Three generations of queer artists make and break language across the intersections of art, activism, poetry and performance in ‘Queer Contemporary: Chaosophy’, as part of Mardi Gras 2025. Through their individual aesthetics and distinct voices, together the artists disrupt histories, languages, conventional silences and institutional spaces, using and queering language to propose alternate perspectives on and interpretations of identity and ways of being. Opening night Thursday 13 February, with special guests Swamp Daisies. RSVP at link in the bio.
—
Sam Chan, ‘Transfiguration’, 2024, Chillagoe White Pearl marble, mild steel, incense, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt) Ali Tahayori, ’The four elements: fire, earth, water, air (detail)’, 2022, hand cut mirrors plaster on wood, image courtesy and © the artist, photograph: Daniel Kukec Photography nikita lelu, ’I drip into a bath and drift’, 2024, glazed mid-fire paperclay, underglaze, terra sigillata, silver, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt Photography) Magic Young, ‘Evulva’, 2024, nylon, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt)

We’re looking for an Exhibitions Project Officer!

The role has a focus on major Indigenous exhibition projects currently in development for the National Art School as well as touring programs. The role assists with the delivery and coordination of Gallery programs, talks, and other events in the gallery spaces.

You have a background in visual art, art history, curatorship and gallery experience. You have excellent interpersonal and communication skills, along with strong organisational and project management experience.

Note this is an Identified Role and is open to Aboriginal and/or Torres Strait Islander applicants only, in accordance with Section 14(D) of the NSW Anti-Discrimination Act, 1977 NSW.

Application deadline extended to Sunday 9 February.

Apply at the link in bio.
—
Ronan Pirozzi, `Serpentine`, 2023; `Trajectory`, 2023; `Desolate`, 2023; installation view, undo the day, NAS Gallery, Sydney, 2024, oil on welded steel, image courtesy and © the artist, photograph: Zan Wimberley

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Feb 2

Open

We’re looking for an Exhibitions Project Officer! The role has a focus on major Indigenous exhibition projects currently in development for the National Art School as well as touring programs. The role assists with the delivery and coordination of Gallery programs, talks, and other events in the gallery spaces. You have a background in visual art, art history, curatorship and gallery experience. You have excellent interpersonal and communication skills, along with strong organisational and project management experience. Note this is an Identified Role and is open to Aboriginal and/or Torres Strait Islander applicants only, in accordance with Section 14(D) of the NSW Anti-Discrimination Act, 1977 NSW. Application deadline extended to Sunday 9 February. Apply at the link in bio.
—
Ronan Pirozzi, 'Serpentine', 2023; 'Trajectory', 2023; 'Desolate', 2023; installation view, undo the day, NAS Gallery, Sydney, 2024, oil on welded steel, image courtesy and © the artist, photograph: Zan Wimberley

The National Art School has today announced respected Australian academic, writer and curator Dr Kristen Sharp as the next Director and Chief Executive Officer.

Kristen joins the National Art School with extensive experience in the fields of contemporary art and tertiary education having spent six years as Associate Dean Discipline, Art in the School of Art at RMIT University, and previously 9 years as Academic Lead Art History and Theory at RMIT. She will commence her new role at the National Art School on 24th February 2025.

Read the full media release at the link in bio.

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Jan 30

Open

Open Day 2019: the Future is Art