Launch of On Stillness: Peter Rushforth

Launch of On Stillness: Peter Rushforth

Our new online exhibition in collaboration with Newcastle Art Gallery

Today we are excited to launch On Stillness, an evolving online exhibition presented across the social media accounts of public art galleries. Initiated by the National Art School and Newcastle Art Gallery, it highlights artworks from the collections of participating institutions that embody the idea of stillness.

As COVID-19 restrictions ease and the pace of regular life cautiously resumes, On Stillness reminds us to slow down and remain observant. Simply follow the hashtag #onstillnessexhibition to see the growing number of works and gallery collaborators.

Peter Rushforth

We are kicking off with celebrated ceramic artist and Zen enthusiast Peter Rushforth. Peter Rushforth (1920–2015) was a master potter largely responsible for introducing ancient Japanese ceramic traditions to Australia. After early studies in Melbourne, he was appointed as the first full-time ceramics teacher at NAS in 1951. ‘Blossom jar’ and ‘Vase’ in the NAS Collection are examples of his manipulation of abstract form and surface to reflect ineffable human qualities. One such quality he admired in Japanese ceramics was jaku, meaning ‘to be quiet’ or ‘mellow’. The calm poise of his vessels is in harmony with the vitality of their variegated surfaces. The textured ‘Blossom jar’ shows his groundbreaking use of stoneware techniques in an Australian context, which often incorporated granulated rocks from his local environment. This work was based on the mist in the valley outside his studio window. His renowned chun glaze, evident in the second image of ‘Vase’, evokes limpid azure skies. Rushforth’s pots suggest the silent transformations of atmospheric phenomena and the slow time of geological change. Like a view of the earth from space, they are still but invisibly turning worlds

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Images 1 and 3: Peter Rushforth, Blossom jar, c. 1980s, salt-glazed stoneware, 22 x 22 cm; Vase, c. 1980s, stoneware, chun glaze 24 x 25 cm. National Art School Collection, gifts of Georg, Keay and Anders Lindstrom 2015

Image 2: Peter Rushforth (seated, left) with NAS ceramics students and teachers, 1960s. National Art School Collection, gift of Mollie Douglas 2005

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We are pleased to announce that applications are now open for the Prudence MacLeod Prize. 

The Prudence MacLeod Prize, which will continue for a further three years, supports a recent National Art School graduate to undertake a six-month residency at @acme.art, London.

Supported by the Lansdowne Foundation, the Prize provides an emerging artist with an opportunity to step forward into an expanded, international context at a vital time in their career. The artist will live and work in London, one of the world's great art cities, in a supportive artist community. This important opportunity will enable the artist to forge professional international contacts, explore London's art world and rich cultural resources, and produce a new body of work.

The recipient of this Prize will receive:
– Return travel to London. To be arranged for the artist by NAS.
– Studio accommodation and workspace at Acme Studios for 6 months.
– Living stipend of $AUD3,500 per month for 6 months. Total $AUD21,000.

Application deadline: Sunday 1 February 2026, 11.59pm
Residency: Monday 6 July – Friday 18 December 2026

The Prudence MacLeod Prize is open to eligible NAS alumni who have graduated within the past five years and meet the selection criteria.

Learn more 🔗 in bio. 

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Acme Fire Station, 30 Gillender Street, 1999 © Acme Archive
Thank you to everyone who joined us at the opening of The Grad Show!

Find works by this year's cohort exhibited throughout the NAS campus until 14 December. Open daily from 11am — 5pm and until 9pm on Fridays. 

View online via 🔗 in bio.

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Video: Tim Connolly
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