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Launch of On Stillness: Peter Rushforth

On Stillness

Launch of On Stillness: Peter Rushforth

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Our new online exhibition in collaboration with Newcastle Art Gallery

Today we are excited to launch On Stillness, an evolving online exhibition presented across the social media accounts of public art galleries. Initiated by the National Art School and Newcastle Art Gallery, it highlights artworks from the collections of participating institutions that embody the idea of stillness.

As COVID-19 restrictions ease and the pace of regular life cautiously resumes, On Stillness reminds us to slow down and remain observant. Simply follow the hashtag #onstillnessexhibition to see the growing number of works and gallery collaborators.

Peter Rushforth

We are kicking off with celebrated ceramic artist and Zen enthusiast Peter Rushforth. Peter Rushforth (1920–2015) was a master potter largely responsible for introducing ancient Japanese ceramic traditions to Australia. After early studies in Melbourne, he was appointed as the first full-time ceramics teacher at NAS in 1951. ‘Blossom jar’ and ‘Vase’ in the NAS Collection are examples of his manipulation of abstract form and surface to reflect ineffable human qualities. One such quality he admired in Japanese ceramics was jaku, meaning ‘to be quiet’ or ‘mellow’. The calm poise of his vessels is in harmony with the vitality of their variegated surfaces. The textured ‘Blossom jar’ shows his groundbreaking use of stoneware techniques in an Australian context, which often incorporated granulated rocks from his local environment. This work was based on the mist in the valley outside his studio window. His renowned chun glaze, evident in the second image of ‘Vase’, evokes limpid azure skies. Rushforth’s pots suggest the silent transformations of atmospheric phenomena and the slow time of geological change. Like a view of the earth from space, they are still but invisibly turning worlds

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Images 1 and 3: Peter Rushforth, Blossom jar, c. 1980s, salt-glazed stoneware, 22 x 22 cm; Vase, c. 1980s, stoneware, chun glaze 24 x 25 cm. National Art School Collection, gifts of Georg, Keay and Anders Lindstrom 2015

Image 2: Peter Rushforth (seated, left) with NAS ceramics students and teachers, 1960s. National Art School Collection, gift of Mollie Douglas 2005

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Due to the overwhelming interest in The Neighbour at the Gate, we are excited to announce that the NAS Gallery is now open on Sunday, for the duration of the exhibition.

Head to the link in bio to plan your visit.

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Aug 1

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Due to the overwhelming interest in The Neighbour at the Gate, we are excited to announce that the NAS Gallery is now open on Sunday, for the duration of the exhibition. Head to the link in bio to plan your visit.

Ever wondered what it’s like studying at the National Art School?

Find out at our Open Day on Saturday 6 September, 10am to 4pm.

Considering art as a career or simply curious about what happens behind the school’s historic sandstone walls? Save the date on Eventbrite (link in bio) to see what life is like for students at NAS by participating in studio demonstrations, chatting to our academic staff and visiting the NAS Gallery and student exhibition spaces across our campus.

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Jul 30

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Ever wondered what it’s like studying at the National Art School? Find out at our Open Day on Saturday 6 September, 10am to 4pm. Considering art as a career or simply curious about what happens behind the school’s historic sandstone walls? Save the date on Eventbrite (link in bio) to see what life is like for students at NAS by participating in studio demonstrations, chatting to our academic staff and visiting the NAS Gallery and student exhibition spaces across our campus.

The National Art School was saddened to hear of the recent death of artist and NAS alumnus Bruce Goold (1948-2025).

Born in Newcastle in 1948, from 1961- 65 Bruce attended Sydney Grammar School, where he studied art with ceramicist and potter Gordon McCausland. This was followed by a year at the National Art School, Newcastle. Here he experimented with various mediums and made his first linocut. He then studied at the National Art School, c. 1967-68.

Bruce was a member of the artist collective Yellow House between 1970-72. The former Clune Gallery in Kings Cross was transformed by Martin Sharp and a group of fellow artists, who painted the exterior bright yellow and covered its internal walls with murals, portraits and decoration. Artists such as Brett Whiteley, Peter Wright, Bruce Goold, Greg Weight and Peter Kingston turned the building into an artwork, while visiting bands and celebrities made it a regular fixture of the Sydney scene.

Known principally as a printmaker, Goold created coloured linocuts and woodblocks including many images of Australian flora and fauna, as well as South Pacific inspired esoteric and symbolic subjects. He held solo exhibitions in Sydney, Melbourne and internationally in London and Ireland. He received major commissions for poster, logo and interior design and worked as a designer for Mambo from 1992.

A retrospective exhibition, Bruce Goold, Artist, Designer, Printmaker, curated by Therese Kenyon, was held at Manly Art Gallery & Museum in 2008.
The National Art School extends its sympathies to Bruce’s family and many friends.
—
Greg Weight, `Bruce Goold`, 1998, NAS Collection

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Jul 28

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The National Art School was saddened to hear of the recent death of artist and NAS alumnus Bruce Goold (1948-2025). Born in Newcastle in 1948, from 1961- 65 Bruce attended Sydney Grammar School, where he studied art with ceramicist and potter Gordon McCausland. This was followed by a year at the National Art School, Newcastle. Here he experimented with various mediums and made his first linocut. He then studied at the National Art School, c. 1967-68. Bruce was a member of the artist collective Yellow House between 1970-72. The former Clune Gallery in Kings Cross was transformed by Martin Sharp and a group of fellow artists, who painted the exterior bright yellow and covered its internal walls with murals, portraits and decoration. Artists such as Brett Whiteley, Peter Wright, Bruce Goold, Greg Weight and Peter Kingston turned the building into an artwork, while visiting bands and celebrities made it a regular fixture of the Sydney scene. Known principally as a printmaker, Goold created coloured linocuts and woodblocks including many images of Australian flora and fauna, as well as South Pacific inspired esoteric and symbolic subjects. He held solo exhibitions in Sydney, Melbourne and internationally in London and Ireland. He received major commissions for poster, logo and interior design and worked as a designer for Mambo from 1992. A retrospective exhibition, Bruce Goold, Artist, Designer, Printmaker, curated by Therese Kenyon, was held at Manly Art Gallery & Museum in 2008. The National Art School extends its sympathies to Bruce’s family and many friends. — Greg Weight, 'Bruce Goold', 1998, NAS Collection

Got a young artist at home?

Art Club Term 3 is now open for enrolment — and we’ve got an exciting painting program lined up. This term, kids will explore styles like Expressive Acrylics and Contemporary Watercolour, all while building their confidence and creativity.

Monday afternoons, led by artist and educator Grant Bellamy.

Visit the link in bio to learn more and enrol.

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Jul 17

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Got a young artist at home? Art Club Term 3 is now open for enrolment — and we’ve got an exciting painting program lined up. This term, kids will explore styles like Expressive Acrylics and Contemporary Watercolour, all while building their confidence and creativity. Monday afternoons, led by artist and educator Grant Bellamy. Visit the link in bio to learn more and enrol.
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