Elioth Gruner

Elioth Gruner

Many poets, artists and filmmakers have appreciated the expansive Michelago Valley, situated south of Canberra in the Monaro region of New South Wales. Along with his mentor George Lambert, Elioth Gruner (1882- 1939) was captivated by the subtle play of light across the valley. When he died at the age of 57 in 1939, he left two large paintings of Michelago Valley unfinished, and the Gruner Estate donated them to the National Art School as teaching aids for the students.

Gruner’s approach to painting is fascinating to see, and both works display immaculately finished skies and very raw unfinished foregrounds. Despite this, the works are framed as if completed, and the second painting contains one central soft cloud, hovering over the distant hills, creating a feeling of calm and tranquility.

Images: Elioth Gruner, Michelago Valley, c1938, oil on canvas, 91 x 136 cm, National Art School Collection, gift of the Gruner estate, c1939; Elioth Gruner, Unfinished landscape (detail), c1938,oil on canvas, 101 x 120 cm, National Art School Collection, gift of the Gruner estate, c1939

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Due to the overwhelming interest in The Neighbour at the Gate, we are excited to announce that the NAS Gallery is now open on Sunday, for the duration of the exhibition. 

Head to the link in bio to plan your visit.
Ever wondered what it’s like studying at the National Art School?

Find out at our Open Day on Saturday 6 September, 10am to 4pm.

Considering art as a career or simply curious about what happens behind the school’s historic sandstone walls? Save the date on Eventbrite (link in bio) to see what life is like for students at NAS by participating in studio demonstrations, chatting to our academic staff and visiting the NAS Gallery and student exhibition spaces across our campus.
The National Art School was saddened to hear of the recent death of artist and NAS alumnus Bruce Goold (1948-2025).

Born in Newcastle in 1948, from 1961- 65 Bruce attended Sydney Grammar School, where he studied art with ceramicist and potter Gordon McCausland. This was followed by a year at the National Art School, Newcastle. Here he experimented with various mediums and made his first linocut. He then studied at the National Art School, c. 1967-68. 

Bruce was a member of the artist collective Yellow House between 1970-72. The former Clune Gallery in Kings Cross was transformed by Martin Sharp and a group of fellow artists, who painted the exterior bright yellow and covered its internal walls with murals, portraits and decoration. Artists such as Brett Whiteley, Peter Wright, Bruce Goold, Greg Weight and Peter Kingston turned the building into an artwork, while visiting bands and celebrities made it a regular fixture of the Sydney scene.

Known principally as a printmaker, Goold created coloured linocuts and woodblocks including many images of Australian flora and fauna, as well as South Pacific inspired esoteric and symbolic subjects. He held solo exhibitions in Sydney, Melbourne and internationally in London and Ireland. He received major commissions for poster, logo and interior design and worked as a designer for Mambo from 1992. 

A retrospective exhibition, Bruce Goold, Artist, Designer, Printmaker, curated by Therese Kenyon, was held at Manly Art Gallery & Museum in 2008.
The National Art School extends its sympathies to Bruce’s family and many friends.
—
Greg Weight, 'Bruce Goold', 1998, NAS Collection
Got a young artist at home?

Art Club Term 3 is now open for enrolment — and we’ve got an exciting painting program lined up. This term, kids will explore styles like Expressive Acrylics and Contemporary Watercolour, all while building their confidence and creativity.

Monday afternoons, led by artist and educator Grant Bellamy. 

Visit the link in bio to learn more and enrol.
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