NAVA launches a new campaign, ‘Sit For An Artist’ urging everyone who is eligible to get vaccinated to support Australia’s creative recovery.
The visual arts sector is in crisis. Australian artists and arts workers have been impacted by lockdowns across the country with their exhibitions and commissions cancelled.
NAVA’s ‘Sit For An Artist’ campaign has been created in response to deep concerns about the long-term impacts of the pandemic and lockdowns on visual artists, galleries, organisations and arts workers. The ‘Sit For An Artist’ campaign is a play on the age-old concept of sitting for an artist for a portrait, but this time NAVA is asking Australians to sit for a COVID vaccination.
Fronting the campaign, which was filmed at the National Art School in Sydney, are Thea Perkins, Ramesh Mario Nithiyendran, NAS Fellow Wendy Sharpe and NAS staff Dean Cross.
Karatsu ceramicist Yukiko Tsuchiya (@tsuchiyayukiko) and curator Kathryn Hunyor (@artspeople_au) delivered two very special workshops in the teaching studios of the Ceramics Department at the National Art School (NAS), in an exciting collaboration between The Japan Foundation (@jpfsydney), Sydney, the NAS Ceramics Department and the National Art School.
Peek inside the wheel-throwing and hand-coiling masterclasses that took place.
If you are visiting Sydney Contemporary art fair today, keep an eye out for the many artworks on display by our extraordinary alumni. These are just a handful to spot. 1. Kirtika Kain at Roslyn Oxley9 2. Catherine O’Donnell at Dominik Mersch Gallery 3. Oliver Abbott at Dominik Mersch Gallery 4. Eliza Gosse at Edwina Corlette Gallery 5. Mirra Whale at Mitchell Fine Art 6. Erin Murphy at Velvet Lobster.
NAS Fellow Guido Maestri (@_guido_maestri) opens his solo exhibition, `Buoy,` at Ames Yavuz. Inspired by the landscapes of Pittwater and Ku-ring-gai National Park, the show marks a new evolution in the artist`s work. The exhibition continues until September 27.
Congratulations to NAS Alumna Johanna Ng (@johanna__ng) for winning the 2025 Mullins Conceptual Photography Prize for her work, `a woman wearing a choker is walking in a crowd`.
The 2025 Mullins Conceptual Photography Prize is made possible by the Australian Photographic Society (@austphotosoc) in partnership with the Muswellbrook Regional Arts Centre (@muswellbrookartscentre), and with the support of Bengalla Mining Company, MACH Energy, Malabar Resources and AGL.
--- 1) Guido Maestri, `Whole sound`, 2025, oil on linen, 152 x 183 cm, courtesy of the artist and Ames Yavuz (@amesyavuz).
2) Johanna Ng, ‘a woman wearing a choker is walking in a crowd’ 2024, inkjet print on cotton rag, inkjet print on clear film, 59.4 x 80.5cm, courtesy of the artist and MCPP
We’re thrilled to welcome you to Booth J12, where we are showcasing the work of nine emerging artists and alumni, including Jake Bartley @_trizm__, Christian Bonett @christian_bonett_art, Harrison Chao @w4r.h4mm3r, Lewis Doherty @lewisstepsandrew, Isabella Kennedy @isa.kennedy, Rachel Mackay @rachelmackay.art, Megan McKenzie @megan_mckenzie_, Johanna Ng @johanna__ng, and Taylor Steel @taylor__steel.
Sydney Contemporary is on until Sunday 14 September 2025 at Carriageworks — we look forward to seeing you there!
Thank you to everyone who joined us for Open Day last Saturday! Don’t forget: applications for the Schools Recommendation Scheme (SRS) round close on Friday 3 October.
We have more in-person and online info sessions coming up. Sign up via link in bio to find out what makes NAS different from all other Fine Art degrees or receive one-on-one feedback on your portfolio from a member of the NAS Academic Team.
Image credit: Nicole Anderson (@nicoleandersonphotography)
The National Art School is seeking an experienced Exhibitions Officer with strong attention to detail to join the NAS Gallery Team.
As Exhibitions Officer, you’ll be a key operational support to the NAS Gallery team, helping deliver a vibrant program of exhibitions, talks, and events. You’ll coordinate volunteers, maintain gallery presentation standards, assist with production and publications, and contribute to audience engagement aligned with the School’s strategic goals.
To learn more about the position and to apply, visit nas.edu.au (link in bio).
THE NATIONAL ART SCHOOL ACKNOWLEDGES THE GADIGAL PEOPLES OF THE EORA NATIONS, THE TRADITIONAL OWNERS ON WHOSE LANDS, WATER AND SKIES WE MEET AND SHARE.
WE PAY OUR RESPECTS TO ALL GADIGAL ELDERS, PAST AND PRESENT, AND CELEBRATE THE DIVERSITY, HISTORY AND CREATIVITY OF ABORIGINAL AND TORRES STRAIT ISLANDER PEOPLES.