NAS Studio Sessions: Week Two

NAS Studio Sessions: Week Two

Keep us updated with all of your work and home studios

Photos, videos and Instagram Stories have been pouring in to our #NASStudioSessions Instagram hashtag, and we’ve been loving each and every one of them. There have been many of you who overcame barriers using creative solutions – check some of them out below!

Studio features of the week

Jude Rae 1

NAS Drawing Lecturer Jude Rae shares the steps she puts in place to stay motivated while working in her studio.

“Establish a working routine – we all know our bodies like it but I’ve got a feeling our intuition does too. Within that routine, include variation. You may feel a bit flat about something but if you break off from it ­– like stretch a canvas or have time to yourself – thing can look different. I often see something that had completely eluded me as little as 30 minutes before.

Try to keep social media to a minimum. I’ve noticed my recent increased indulgence really interferes with my concentration and judgement.”

— Jude Rae

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Artist and NAS alumna Nicole Kelly is taking advantage of her current situation and is encouraging us to do the same.

“We are living through such uncertainty and for many of us, unprecedented in our lives. I think it is entirely normal and appropriate to feel lost. In the face of such instability and collective anxiety, there is nothing more stable and grounding than turning inwards, to practice and to the work we are compelled to make.

Facing work seems to be an emotionally and spiritually sane response, a making sense of in and through materials. In the struggle of making a work, there is a stability where your mind can adjust, stilled to only the next move in paint.

I find the domestic interior, to where we are now confined, a fascinating stage for the silent theatrics of human identity. It houses our anxieties, fears, hopes and the raw, honest, frustrated dualistic selves. Let this pandemic change how we think, see and represent the world.”

— Nicole Kelly

Face first

The past few weeks we have been seeing a lot of portraiture created – whether it’s of friends, family, or artist self-portraits. Being at home was no issue however, with one student facilitating a portraiture sitting through Zoom.

Images: @ellewickenstudio, @skillzbykat, @erinmacnaught, @jackthorn__, @thepieddepyper, @ivory_sketching, @emmaleen_diaz

New methods and materials

Some of you have been experimenting with new and unique methods and materials to incorporate into your practice, and getting wonderful results! From converting the bathroom into a darkroom to harvesting your own squid ink to draw with – check it out below.

Images: @cailynforrest, @clementinebelleart, @skillzbykat, @miartsky, @scottelkartwork, @teacuprose, @lanaproart

Studio updates

Whether it’s indoors or outdoors, in your bedroom or by the road, these home studios knows no boundaries!

Images: @crying_room_illustrations, @lukekennedystudio, @nicola_higgins, @nina_radonja, @yalan_chen_canberra_artist, @clementinebelleart, @carmelbyrneart

Want to find out more?

Thank you to our amazing community who shared their studio spaces with us this week. Keep your eyes peeled on our page as we feature weekly updates to keep you inspired. Follow #NASStudioSessions on Instagram to stay up-to-date with our latest posts.

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Congratulations to our recent BFA graduate Samuel Chan (@__szwc), who has been named one of three recipients of the ‘most exceptional’ prize at the Dr Harold Schenberg Arts Awards.

Now in its 16th year, the Dr Harold Schenberg Arts Awards offers the largest prize pool for emerging artists in Australia and is part of PICA’s ‘Hatched: National Graduate Show’. To be part of ‘Hatched’ exhibition is an honour as it showcases the next generation of Australia’s contemporary creative voices, presenting artworks by 23 outstanding art school graduates from across the country.

Sam’s award-winning installation work includes 'At Eventuality’s End' - an evocative sculptural piece previously featured in our ‘Queer Contemporary: Chaosophy ‘exhibition as well as the NAS Grad Show.

Inspired by our alumni success stories? Join our Open Day on 6 September to explore your own creative path and get application-ready with one-on-one consultation sessions. (Link in bio)

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(In order of appearance in the video)

'Embrace', 2024, resin, stainless steel hook, Conte crayon, 47 x 14.5 x 9.5cm

‘Transfiguration’, 2024, Chillagoe White Pearl marble, mild steel, incense, 172 x 26 x 26cm 

'Noose', 2024, resin, graphite, titanium rod, 30 x 14 x 5cm 

'At Eventuality's End', 2024, hand-dyed paper, wire mesh, mild steel rod, 255 x 80 x 60cm

Image courtesy and © the artist, photograph: Jennifer Leahy (@silversalt_photography)

@pica_perth
We’re Hiring!

Painting Technician - Application Deadline Sunday 7 September 
Under the direction of the Head of Painting and lecturing staff of the department, the Painting Technician is responsible for the resourcing, maintenance and upkeep of the studios and equipment of the department; the implementation of effective studio process and procedures, and the demonstration/monitoring of safe and appropriate use of studio equipment and resources. The Painting Technician is responsible for resourcing and supporting the delivery of all Painting programs including Degree Programs, Public Programs short courses, and Education Outreach programs and workshops.

Sales and Events Coordinator - Application Deadline Sunday 7 September 
The Sales and Events Coordinator plays a key role in promoting and coordinating commercial venue hire at the National Art School (NAS), located on a unique and historic heritage-listed campus in Darlinghurst. The role is responsible for managing client enquiries, preparing event plans and quotes, and ensuring client needs are clearly scoped and communicated — without exceeding agreed service levels or budgets.

Facilities Assistant – Application Deadline Sunday 31 August 
The Facilities Assistant provides general facilities support across the campus heritage buildings, undertaking all general maintenance on buildings, grounds, plant, and equipment, as well as preventative maintenance. Work is planned through maintenance schedules as well as daily reactive work, prioritising and escalating urgent matters as appropriate. If you’re practical, reliable, and ready to contribute to a creative, purpose-driven environment, we’d love to hear from you.

Visit the link in bio to learn more.
Exciting news! Thanks to Creality (@creality_anz), the National Art School is now equipped with the latest 3D printers and equipment.

This semester, printmaking lecturer Stephanie Nova Milne has been guiding students as they explore 3D printing in their creative practice, and the results are incredible.

We look forward to seeing what they create next.
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