NAS Retake: Todd Fuller

NAS Retake: Todd Fuller

For this month’s edition of NAS Retake, we take a look at the work of NAS alumnus, Todd Fuller.

‘I first came to the National Art School as a 17-year old during the HSC intensive program, which proved a highly transformative experience. When I am in the studio, or teaching a class, or even just talking about drawing, the words of my lecturers still guide me. My love of drawing was incubated here, where I learned to see this art form as a religion, a science, a language, a symphony and a way of life’. (Fuller, 2018)

Fuller graduated from NAS in 2010 with a Bachelor of Fine Art in Sculpture (Honours). He now teaches drawing at NAS, as well as lecturing, curating and performing on campus.

His practice combines animation, sculpture, drawing, performance and painting, yet is still very much underpinned by his love of drawing. The work Chapel (with whom I was united by every tie), is a recent work depicting the roof of the Chapel, the central building on the NAS campus. The drawing is one from a series made for Fuller’s animated film about the life and death of Darlinghurst Gaol prisoner Andrew George Scott, known as Captain Moonlite. The chapel represents a view seen by Moonlite at the gaol. The building was designed by Mortimer Lewis and built in 1847-72, and was originally designed as a surveillance tower for the gaol. However it was soon realised that guards would be vulnerable in a central tower. Its usage was changed to be a chapel and bathhouse, and its floor plan forms a perfect circle. Today the former chapel is used by the Drawing Department as a studio space.

Artists’ books come in all shapes and sizes: some are spiral-bound, some are sewn, some have tear-off pages, some have quality paper, some are cheaper lined notebooks. More often than not, they contain creased, crossed out and missing pages, with dog-eared corners, and extra drawings or collages stuck in.

In 2019, Todd Fuller donated five sketchbooks to the National Art School Collection which relate directly to his hand-drawn animations that grapple with ideas of love and loss. They also document his experiences with new sites and histories as he undertook residencies in Paris and Rome between 2011-13.

There are 65 sketchbooks in the NAS Archive and Collection, with the earliest examples dating back to Marion Eich’s anatomical and architectural books from 1926-27. Other early sketchbooks belonging to Gwenna Welch, Freda Rush and Lorna Nimmo are important documents that show NAS students’ ideas, memories and observations in the early days of the art school. The sketchbooks of Douglas Dundas, Dorothy Thornhill, Robin Norling, Jocelyn Maughan and Guy Warren contain quick sketches from the studio and excursions, as well as detailed anatomical studies and drawings of fellow students and teachers.

More recent donations by Merilyn Fairskye, Sophie Cape, Catherine O’Donnell, and Reg Mombassa offer valuable insight into their artistic journeys. The sketchbooks are deeply personal, filled with notes, memos, paint tests, names, influences, telephone numbers, addresses and all manner of lists.

Want to find out more?

Keep your eyes peeled on our page as we feature new works and artists straight from the NAS Archive and Collection. Follow the hashtag on Instagram to stay up-to-date with our latest posts.

Images: Todd Fuller, Chapel (with whom I was united by every tie), 2018, chalk, charcoal and acrylic on timber, (40 cm diameter), National Art School Collection, donated through the Australian Government’s Cultural Gifts Program via the artist, 2019; Todd Fuller, Sketchbook Paris 2, 2011, pencil, crayon, charcoal, chalk and collage on paper, 21 x 29 cm, National Art School Collection, donated through the Australian Government’s Cultural Gifts Program via the artist, 2019 © the artist; Todd Fuller, Sketchbook Rome, 2013, pencil, crayon, charcoal, chalk and collage on paper, 21 x 29 cm, National Art School Collection, donated through the Australian Government’s Cultural Gifts Program via the artist, 2019 © the artist

#Follow us on Instagram
Putting together a strong portfolio is one of the most important parts of your application to the National Art School.  At the Portfolio Review, NAS lecturers will offer helpful advice to guide you through your portfolio preparation, plus provide personal feedback on your portfolio.  Monday 18 November, 11.00am - 12.30pm, Cell Block Theatre.  RSVP at the link in bio.
We’re looking for a new Digital Marketing Specialist. Application deadline Sunday 24 November. Apply now! 
The Digital Marketing Specialist plays an important role in coordinating the marketing and communication activities that drive degree recruitment, short course attendance, public program participation, exhibition promotion, brand positioning and alumni engagement. 
Visit the link in bio to learn more.
Thank you to everyone who attended The Postgrad Show Opening Night!
—
The Postgrad Show is on until 17 November at NAS Galleries.
—
Learn more about the artists and view available works at the link in bio.
Launching the National Art School Short Courses Program for January to June 2025.  Our 2025 program kicks off in January with Summer School Weeks One and Two, followed by Term One in February, and Term Two in April, and the Autumn and Masterclass Weekend Workshops in May and June, respectively.  Enrol in a short course to experience the National Art School’s unique studio-based learning environment and our hands-on approach to teaching.  Visit the link in bio to learn more.
The Postgrad Show is now open! 
—
Celebrate the future of contemporary art, 8–17 November. 
—
Learn more about the exhibition at the link in bio. 
—
Thank you to current NAS BFA student @harrison_chao for the music
Loading...