NAS Retake: Karla Dickens

NAS Retake: Karla Dickens

2020-05-24

Karla Dickens is an artist of Wiradjuri, Irish and German heritage, whose work challenges notions associated with gender, inequality, race and violence against Aboriginal women. Her work courageously tackles confronting issues and enables conversations about Aboriginal disadvantage that continues to exist in contemporary Australian society. She incorporates her own text and poetry to emphasise the message and support her artwork. In 2018 Dickens made a body of work that referenced ‘the lucky country”, a phrase coined by Donald Horne in 1964. Dickens stated ‘I was grateful and relieved to find that Donald Horne was ironically condemning Australia for its complacency and failure to acknowledge its history. My playful and straight-forward observation is that you are lucky in Australia if you are white and a bastard if you are Aboriginal.’ (Dickens, 2018)

Unlucky II and Unlucky IV are assemblages on board made from rusty oil and petrol cans that Dickens found whilst rummaging in a dump near a closed Aboriginal mission-camp. Renowned for her practice of repurposing everyday items, she has placed these objects together with text; the oil cans remind us of the conflicts between white colonisers who seized Aboriginal land and exploited it, impervious to the systematic abuse and oppression of traditional owners. Dickens uses the words ‘Unlucky’ and ‘OUT’ (of luck) in relation to the people who never enjoyed the benefits of the so-called ‘lucky country’. However ironic Horne was being with his terminology, he probably was not thinking about Australia’s first people; but if he had been, he would have agreed that they were indeed out of luck.

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Want to find out more?

Keep your eyes peeled on our page as we feature new works and artists straight from the NAS Archive and Collection. Follow the hashtag on Instagram to stay up-to-date with our latest posts.

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Images: Karla Dickens, Unlucky II and Unlucky IV, 2017, mixed media, 110 cm x 110 cm, National Art School Collection, gift of Karla Dickens, 2018

We’re looking for an Event Manager - Application Deadline Sunday 29 June

The Event Manager will have strong experience in hospitality, licensed venue operations, and event delivery. This role delivers a wide range of internal and external events, including Graduate Shows, Gallery Openings, Public Programs, Fundraisers, and Open Day. NAS also operates as a commercial venue, hiring the Cell Block Theatre for weddings, corporate events, and product launches.

Apply at the link in bio.

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Jun 22

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We’re looking for an Event Manager - Application Deadline Sunday 29 June

The Event Manager will have strong experience in hospitality, licensed venue operations, and event delivery. This role delivers a wide range of internal and external events, including Graduate Shows, Gallery Openings, Public Programs, Fundraisers, and Open Day. NAS also operates as a commercial venue, hiring the Cell Block Theatre for weddings, corporate events, and product launches.

Apply at the link in bio.

Call out for all National Art School alumni and staff: There are only 8 days left to apply for two international residency opportunities for 2026: The Onslow Storrier NAS Residency La Cité Internationale Des Arts, Paris and The British School at Rome.

Immerse yourself in the vibrant art scenes of two iconic European cities, Paris and Rome, and further develop your artistic practice in an enriching cultural environment.

Visit our website for more information and apply before Sunday 29 June 2025 (link in bio).

—
Sophia Lee Georgas BSR Open Studio, 2023, image courtesy and © The British School at Rome; Harry de Vries BSR Open Studio, 2024, image courtesy and © The British School at Rome

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Jun 21

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Call out for all National Art School alumni and staff: There are only 8 days left to apply for two international residency opportunities for 2026: The Onslow Storrier NAS Residency La Cité Internationale Des Arts, Paris and The British School at Rome.

Immerse yourself in the vibrant art scenes of two iconic European cities, Paris and Rome, and further develop your artistic practice in an enriching cultural environment.

Visit our website for more information and apply before Sunday 29 June 2025 (link in bio).

—
Sophia Lee Georgas BSR Open Studio, 2023, image courtesy and © The British School at Rome; Harry de Vries BSR Open Studio, 2024, image courtesy and © The British School at Rome

Today is ‘Take Your Dog to Work’ day! And we`ve brought the whole kennel, courtesy of the National Art School Collection.

—
Frank Pearson (Captain Starlight), ‘Two dogs, a white donkey and sailing boats’, 1890, watercolour on paper, Gift of Allan Harding to the NAS Archive & Collection; Margaret Woodward, ‘Dog (Bull Mastiff)’, 1997, watercolour and ink on paper, Gift of Britt Clapson to the NAS Archive & Collection; Bruce Latimer, ‘Gardens full of dogs’, 1973, screenprint on paper edition AP, Gift of Bruce Latimer to the NAS Archive & Collection; Lorna Nimmo ‘Sleeping dog’, pencil on paper; Vivienne Littlejohn, ‘It’s a Dog’s Life’, 1983, woodcut on paper, Gift of Joy Dandie to the NAS Archive & Collection; image courtesy the artists and National Art School © artists.

From the National Art School Collection. The Collection performs a major role within the National Art School, both as a teaching resource and historical record. Visit our website to find out more about the works in our collection.

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Jun 20

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Today is ‘Take Your Dog to Work’ day! And we've brought the whole kennel, courtesy of the National Art School Collection.

—
Frank Pearson (Captain Starlight), ‘Two dogs, a white donkey and sailing boats’, 1890, watercolour on paper, Gift of Allan Harding to the NAS Archive & Collection; Margaret Woodward, ‘Dog (Bull Mastiff)’, 1997, watercolour and ink on paper, Gift of Britt Clapson to the NAS Archive & Collection; Bruce Latimer, ‘Gardens full of dogs’, 1973, screenprint on paper edition AP, Gift of Bruce Latimer to the NAS Archive & Collection; Lorna Nimmo ‘Sleeping dog’, pencil on paper; Vivienne Littlejohn, ‘It’s a Dog’s Life’, 1983, woodcut on paper, Gift of Joy Dandie to the NAS Archive & Collection; image courtesy the artists and National Art School © artists.

From the National Art School Collection. The Collection performs a major role within the National Art School, both as a teaching resource and historical record. Visit our website to find out more about the works in our collection.

Last days to make a tax deductible donation and support the next generation of artists through the Pathways Program.

Your donation this EOFY is vital to help us build a more inclusive and vibrant arts community. Your donation supports a range of programs such as the Student Hardship Fund, Scholarships and Residencies. Help create crucial pathways for talented artists.

Visit link in bio to donate now.

`I think when you walk into the campus, it feels like a sanctuary for a lot of people.` (Samuel Chan, NAS Alumnus 2024)

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Jun 19

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Last days to make a tax deductible donation and support the next generation of artists through the Pathways Program.

Your donation this EOFY is vital to help us build a more inclusive and vibrant arts community. Your donation supports a range of programs such as the Student Hardship Fund, Scholarships and Residencies. Help create crucial pathways for talented artists.

Visit link in bio to donate now.

'I think when you walk into the campus, it feels like a sanctuary for a lot of people.' (Samuel Chan, NAS Alumnus 2024)

We are seeking candidates with strong experience in the areas of extensive audit, governance or philanthropy experience, and strong art and education sector knowledge to join the National Art School Board of Directors.

Our mission is to be a centre of excellence for the provision of higher education and research, scholarship and professional practice in the visual arts and related fields. Members of the Board play a vital role in long-term strategic planning and providing expert advice and support to the shareholding members and Director (CEO) on any matter relating to the school.

Visit I work for NSW website to express your interest (link in bio).

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Jun 18

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We are seeking candidates with strong experience in the areas of extensive audit, governance or philanthropy experience, and strong art and education sector knowledge to join the National Art School Board of Directors.

Our mission is to be a centre of excellence for the provision of higher education and research, scholarship and professional practice in the visual arts and related fields. Members of the Board play a vital role in long-term strategic planning and providing expert advice and support to the shareholding members and Director (CEO) on any matter relating to the school.

Visit I work for NSW website to express your interest (link in bio).

A new student-led, artist-run initiative joined our campus!

‘Pinpoint’ student collective (@nas_pinpoint) reactivates the notice boards outside Building 27 printmaking facility with micro-exhibitions of student work, offering students a chance to share their practice in a low-pressure, highly visible way within the student community.

Artwork by @jubohlephoto
Supported by @nas_src_official & @cafe.nas

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Jun 17

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NAS Retake: Karla Dickens