Email us:
[email protected]
Follow us:

NAS Retake: Karla Dickens

NAS Connect

NAS Retake: Karla Dickens

by

Karla Dickens is an artist of Wiradjuri, Irish and German heritage, whose work challenges notions associated with gender, inequality, race and violence against Aboriginal women. Her work courageously tackles confronting issues and enables conversations about Aboriginal disadvantage that continues to exist in contemporary Australian society. She incorporates her own text and poetry to emphasise the message and support her artwork. In 2018 Dickens made a body of work that referenced ‘the lucky country”, a phrase coined by Donald Horne in 1964. Dickens stated ‘I was grateful and relieved to find that Donald Horne was ironically condemning Australia for its complacency and failure to acknowledge its history. My playful and straight-forward observation is that you are lucky in Australia if you are white and a bastard if you are Aboriginal.’ (Dickens, 2018)

Unlucky II and Unlucky IV are assemblages on board made from rusty oil and petrol cans that Dickens found whilst rummaging in a dump near a closed Aboriginal mission-camp. Renowned for her practice of repurposing everyday items, she has placed these objects together with text; the oil cans remind us of the conflicts between white colonisers who seized Aboriginal land and exploited it, impervious to the systematic abuse and oppression of traditional owners. Dickens uses the words ‘Unlucky’ and ‘OUT’ (of luck) in relation to the people who never enjoyed the benefits of the so-called ‘lucky country’. However ironic Horne was being with his terminology, he probably was not thinking about Australia’s first people; but if he had been, he would have agreed that they were indeed out of luck.

Want to find out more?

Keep your eyes peeled on our page as we feature new works and artists straight from the NAS Archive and Collection. Follow the hashtag on Instagram to stay up-to-date with our latest posts.

Images: Karla Dickens, Unlucky II and Unlucky IV, 2017, mixed media, 110 cm x 110 cm, National Art School Collection, gift of Karla Dickens, 2018

Share:
#Follow us on Instagram

Due to the overwhelming interest in The Neighbour at the Gate, we are excited to announce that the NAS Gallery is now open on Sunday, for the duration of the exhibition.

Head to the link in bio to plan your visit.

View Instagram post by nas_au

Aug 1

Open post by nas_au with ID 18068047988159612
Due to the overwhelming interest in The Neighbour at the Gate, we are excited to announce that the NAS Gallery is now open on Sunday, for the duration of the exhibition. Head to the link in bio to plan your visit.

Ever wondered what it’s like studying at the National Art School?

Find out at our Open Day on Saturday 6 September, 10am to 4pm.

Considering art as a career or simply curious about what happens behind the school’s historic sandstone walls? Save the date on Eventbrite (link in bio) to see what life is like for students at NAS by participating in studio demonstrations, chatting to our academic staff and visiting the NAS Gallery and student exhibition spaces across our campus.

View Instagram post by nas_au

Jul 30

Open post by nas_au with ID 18082364110859325
Ever wondered what it’s like studying at the National Art School? Find out at our Open Day on Saturday 6 September, 10am to 4pm. Considering art as a career or simply curious about what happens behind the school’s historic sandstone walls? Save the date on Eventbrite (link in bio) to see what life is like for students at NAS by participating in studio demonstrations, chatting to our academic staff and visiting the NAS Gallery and student exhibition spaces across our campus.

The National Art School was saddened to hear of the recent death of artist and NAS alumnus Bruce Goold (1948-2025).

Born in Newcastle in 1948, from 1961- 65 Bruce attended Sydney Grammar School, where he studied art with ceramicist and potter Gordon McCausland. This was followed by a year at the National Art School, Newcastle. Here he experimented with various mediums and made his first linocut. He then studied at the National Art School, c. 1967-68.

Bruce was a member of the artist collective Yellow House between 1970-72. The former Clune Gallery in Kings Cross was transformed by Martin Sharp and a group of fellow artists, who painted the exterior bright yellow and covered its internal walls with murals, portraits and decoration. Artists such as Brett Whiteley, Peter Wright, Bruce Goold, Greg Weight and Peter Kingston turned the building into an artwork, while visiting bands and celebrities made it a regular fixture of the Sydney scene.

Known principally as a printmaker, Goold created coloured linocuts and woodblocks including many images of Australian flora and fauna, as well as South Pacific inspired esoteric and symbolic subjects. He held solo exhibitions in Sydney, Melbourne and internationally in London and Ireland. He received major commissions for poster, logo and interior design and worked as a designer for Mambo from 1992.

A retrospective exhibition, Bruce Goold, Artist, Designer, Printmaker, curated by Therese Kenyon, was held at Manly Art Gallery & Museum in 2008.
The National Art School extends its sympathies to Bruce’s family and many friends.
—
Greg Weight, `Bruce Goold`, 1998, NAS Collection

View Instagram post by nas_au

Jul 28

Open post by nas_au with ID 18066898961516848
The National Art School was saddened to hear of the recent death of artist and NAS alumnus Bruce Goold (1948-2025). Born in Newcastle in 1948, from 1961- 65 Bruce attended Sydney Grammar School, where he studied art with ceramicist and potter Gordon McCausland. This was followed by a year at the National Art School, Newcastle. Here he experimented with various mediums and made his first linocut. He then studied at the National Art School, c. 1967-68. Bruce was a member of the artist collective Yellow House between 1970-72. The former Clune Gallery in Kings Cross was transformed by Martin Sharp and a group of fellow artists, who painted the exterior bright yellow and covered its internal walls with murals, portraits and decoration. Artists such as Brett Whiteley, Peter Wright, Bruce Goold, Greg Weight and Peter Kingston turned the building into an artwork, while visiting bands and celebrities made it a regular fixture of the Sydney scene. Known principally as a printmaker, Goold created coloured linocuts and woodblocks including many images of Australian flora and fauna, as well as South Pacific inspired esoteric and symbolic subjects. He held solo exhibitions in Sydney, Melbourne and internationally in London and Ireland. He received major commissions for poster, logo and interior design and worked as a designer for Mambo from 1992. A retrospective exhibition, Bruce Goold, Artist, Designer, Printmaker, curated by Therese Kenyon, was held at Manly Art Gallery & Museum in 2008. The National Art School extends its sympathies to Bruce’s family and many friends. — Greg Weight, 'Bruce Goold', 1998, NAS Collection

Got a young artist at home?

Art Club Term 3 is now open for enrolment — and we’ve got an exciting painting program lined up. This term, kids will explore styles like Expressive Acrylics and Contemporary Watercolour, all while building their confidence and creativity.

Monday afternoons, led by artist and educator Grant Bellamy.

Visit the link in bio to learn more and enrol.

View Instagram post by nas_au

Jul 17

Open post by nas_au with ID 18067867283512308
Got a young artist at home? Art Club Term 3 is now open for enrolment — and we’ve got an exciting painting program lined up. This term, kids will explore styles like Expressive Acrylics and Contemporary Watercolour, all while building their confidence and creativity. Monday afternoons, led by artist and educator Grant Bellamy. Visit the link in bio to learn more and enrol.
Loading...