NAS Retake: Karla Dickens

NAS Retake: Karla Dickens

Karla Dickens is an artist of Wiradjuri, Irish and German heritage, whose work challenges notions associated with gender, inequality, race and violence against Aboriginal women. Her work courageously tackles confronting issues and enables conversations about Aboriginal disadvantage that continues to exist in contemporary Australian society. She incorporates her own text and poetry to emphasise the message and support her artwork. In 2018 Dickens made a body of work that referenced ‘the lucky country”, a phrase coined by Donald Horne in 1964. Dickens stated ‘I was grateful and relieved to find that Donald Horne was ironically condemning Australia for its complacency and failure to acknowledge its history. My playful and straight-forward observation is that you are lucky in Australia if you are white and a bastard if you are Aboriginal.’ (Dickens, 2018)

Unlucky II and Unlucky IV are assemblages on board made from rusty oil and petrol cans that Dickens found whilst rummaging in a dump near a closed Aboriginal mission-camp. Renowned for her practice of repurposing everyday items, she has placed these objects together with text; the oil cans remind us of the conflicts between white colonisers who seized Aboriginal land and exploited it, impervious to the systematic abuse and oppression of traditional owners. Dickens uses the words ‘Unlucky’ and ‘OUT’ (of luck) in relation to the people who never enjoyed the benefits of the so-called ‘lucky country’. However ironic Horne was being with his terminology, he probably was not thinking about Australia’s first people; but if he had been, he would have agreed that they were indeed out of luck.

Want to find out more?

Keep your eyes peeled on our page as we feature new works and artists straight from the NAS Archive and Collection. Follow the hashtag on Instagram to stay up-to-date with our latest posts.

Images: Karla Dickens, Unlucky II and Unlucky IV, 2017, mixed media, 110 cm x 110 cm, National Art School Collection, gift of Karla Dickens, 2018

#Follow us on Instagram
We're excited to share that NAS Photomedia sessional Dr Jack Ball (@jack__ball_) is the winner of the $100,000 Ramsay Art Prize 2025, the nation’s most generous prize for Australian artists under forty.

Jack's award winning work 'Heavy Grit' is on display in the Ramsay Art Prize 2025 exhibition which opens tomorrow, Saturday 31 May

Jack Ball with 'Heavy Grit' in Ramsay Art Prize 2025, Art Gallery of South Australia, (@agsa.adelaide) Adelaide; photo: Saul Steed
Thank you to outgoing Chair Susan Rothwell AM & welcome to incoming Chair Jeff Weeden. The National Art School would like to express its deepest gratitude to Susan Rothwell AM, whose term as Chair of the NAS Board concludes on 31 May 2025. 

At the same time, we are pleased to announce and warmly welcome Jeff Weeden as the incoming Chair of the NAS Board, effective 1 June 2025.

Jeff has served as a Director on the NAS Board since 2019 and currently chairs the Finance and Audit Committee, a position he has held since 2023.  For the full announcement, click the link in the bio.
National Reconciliation Week (NRW) starts today! As part of our NAS NRW program, we invite you to a special screening of the documentary 'Kindred' (2023) in our Cell Block Theatre. The directors Gillian Moody and Adrian Russell Wills will be joining us for the screening.

'There's the black world, and then there's the white world. I felt walking in each of them was complicated enough. To bring those together would just make it even harder.' (Kindred: Trailer)

'Kindred' is a deeply personal feature-length documentary that delves into the emotional landscape of family, love, and loss through the eyes of two close friends.'

Limited capacity - click the link in bio to reserve your seats.
Loading...