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NAS Retake: Guy Maestri

NAS Connect

NAS Retake: Guy Maestri

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Guy Maestri graduated from the National Art School with a BFA, Hons (painting) in 2003. In 2016, he made his first painted bronze works in a series called xerox and the sculptures Maestri donated to NAS, Innocent X and Gould (2017), are from this series. The artist has said that he wanted the works to mirror the material values of the 21st century. It looks like the sculptures are made from an impermanent and malleable plasticine however in fact they are cast in bronze, a material which naturally aligns itself with the traditional medium of the portrait bust.

Inspired by Bernini’s bust of Pope Innocent X and a portrait of ornithologist John Gould, Maestri has removed their facial features, in an expressive gouging of clay, and spray painted them in soft colours of powder blue and cadmium yellow. He has retained the formal shape of the shoulders, hair and hat, and shown concern with ideas surrounding time and permanency. The artist questions whether there is a place for the classical bust in contemporary art and society, or whether its tradition, practice and materiality is waning. He also asks whether it is still suitable for artists to make everlasting effigies.

The painting After Hopper was donated to NAS in 2018. It is the artist’s first oil painting and was produced at the National Art School whilst the artist was in John Bloomfield’s painting class in 2001. The painting draws on a work entitled The Lighthouse at Two Lights by Edward Hopper (1929), held in the collection of the Metropolitan Museum of Art in New York. Like Hopper, Maestri has isolated the lighthouse against the blue sky from a viewpoint that is below the building.

Now a member of the National Art School’s Board of Directors, Guy Maestri recalls his first day on campus as a student. ‘When I walked through the gates of the re-purposed gaol that is the National Art School, on my first day back in early 2000, I knew I had truly found my place. I found people of my ilk condensed within its now protective walls; all of us energised and encouraged to think, explore and make. I found a productive, enlivened place that had long ago redressed its former purpose’ (Maestri, 2018)

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Keep your eyes peeled on our page as we feature new works and artists straight from the NAS Archive and Collection. Follow the hashtag on Instagram to stay up-to-date with our latest posts.

Images: Guy Maestri, Innocent X, 2017, painted bronze, 66 x 46 x 26 cm, National Art School Collection, donated by the artist through the Australian Government’s Cultural Gifts Program, 2018 © the artist; Guy Maestri, Gould, 2017, painted bronze, 67 x 40 x 22 cm, National Art School Collection, donated by the artist through the Australian Government’s Cultural Gifts Program, 2018 © the artist; Guy Maestri, After Hopper, 2001, oil on cardboard, 35 x 22 cm, National Art School Collection, donated by the artist through the Australian Government’s Cultural Gifts Program, 2018 © the artist

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Lecturer Ceramics - Application Deadline Sunday 20 October

The Lecturer Ceramics is primarily responsible for teaching and supervision at all levels within the degree programs at NAS, including the development of appropriate teaching resources and related course administration within the Ceramics department. The role also requires a broad contribution to NAS operations including participation in School committees, events, student recruitment and promotional activities. You will have an excellent record of subject development and delivery in the field of Ceramics within a higher education setting.

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We’re Hiring! Lecturer Ceramics - Application Deadline Sunday 20 October The Lecturer Ceramics is primarily responsible for teaching and supervision at all levels within the degree programs at NAS, including the development of appropriate teaching resources and related course administration within the Ceramics department. The role also requires a broad contribution to NAS operations including participation in School committees, events, student recruitment and promotional activities. You will have an excellent record of subject development and delivery in the field of Ceramics within a higher education setting. Visit the link in bio to learn more.

Spend your weekend at ZAHALKAWORLD: an artist’s archive, a major survey exhibition of Anne Zahalka, one of Australia’s most highly regarded photo-media artists.

A Museum of Australian Photography (MAPh) touring exhibition in a new way.

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Anne Zahalka, The Sunbather #1, 1989, from the series Bondi: playground of the Pacific chromogenic print, 49 x 49 cm, Courtesy of the artist, Arc One Gallery, Melbourne and Dominik Mersch Gallery, Sydney.

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Spend your weekend at ZAHALKAWORLD: an artist’s archive, a major survey exhibition of Anne Zahalka, one of Australia’s most highly regarded photo-media artists. A Museum of Australian Photography (MAPh) touring exhibition in a new way. Plan your visit at the link in bio. _ Anne Zahalka, The Sunbather #1, 1989, from the series Bondi: playground of the Pacific chromogenic print, 49 x 49 cm, Courtesy of the artist, Arc One Gallery, Melbourne and Dominik Mersch Gallery, Sydney.

“I love the magic of watching a photo develop, but I also loved the idea of paintings by the great masters. I found myself being drawn to the art canon and then finding my own visual language to place it in a contemporary setting.” - Anne Zahalka

Read more about Anne Zahalka and her major survey exhibition ZAHALKAWORLD – an artist’s archive in The Sydney Morning Herald’s profile at the link in bio.

A Museum of Australian Photography (MAPh) touring exhibition in a new way.
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Anne Zahalka, The Cook (Michael Schmidt/architect, cook) 1987, from the series Resemblance, silver dye bleach print 80 x 80 cm, Museum of Australian Photography, City of Monash, Collection acquired with the assistance of The Robert Salzer Foundation 2019. Images courtesy of the artist, Arc One Gallery, Melbourne and Dominik Mersch Gallery, Sydney.

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“I love the magic of watching a photo develop, but I also loved the idea of paintings by the great masters. I found myself being drawn to the art canon and then finding my own visual language to place it in a contemporary setting.” - Anne Zahalka Read more about Anne Zahalka and her major survey exhibition ZAHALKAWORLD – an artist’s archive in The Sydney Morning Herald’s profile at the link in bio. A Museum of Australian Photography (MAPh) touring exhibition in a new way. _ Anne Zahalka, The Cook (Michael Schmidt/architect, cook) 1987, from the series Resemblance, silver dye bleach print 80 x 80 cm, Museum of Australian Photography, City of Monash, Collection acquired with the assistance of The Robert Salzer Foundation 2019. Images courtesy of the artist, Arc One Gallery, Melbourne and Dominik Mersch Gallery, Sydney.

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The Academic Administrative Assistant plays a crucial support role within the National Art School (NAS), providing administrative assistance for academic affairs and executive support to key leadership positions. This role works closely with the Academic Leadership Team to ensure efficient operations and support for NAS’s academic functions. This role is a six month fixed term contract, four days per week.

Learning Designer - Application Deadline Sunday 29 September

The Learning Designer is a crucial role within the National Art School (NAS), supporting the Head of Learning and Teaching in curriculum development and program reaccreditation. This position is responsible for managing the current learning portal and overseeing the transition to a new SharePoint/LMS system, ensuring the delivery of high-quality, student-centric online learning experiences.

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Sep 27

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We’re Hiring! Academic Administrator - Application Deadline Sunday 29 September The Academic Administrative Assistant plays a crucial support role within the National Art School (NAS), providing administrative assistance for academic affairs and executive support to key leadership positions. This role works closely with the Academic Leadership Team to ensure efficient operations and support for NAS’s academic functions. This role is a six month fixed term contract, four days per week. Learning Designer - Application Deadline Sunday 29 September The Learning Designer is a crucial role within the National Art School (NAS), supporting the Head of Learning and Teaching in curriculum development and program reaccreditation. This position is responsible for managing the current learning portal and overseeing the transition to a new SharePoint/LMS system, ensuring the delivery of high-quality, student-centric online learning experiences. Visit the link in bio to learn more.
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