NAS Retake: Guy Maestri

NAS Retake: Guy Maestri

Guy Maestri graduated from the National Art School with a BFA, Hons (painting) in 2003. In 2016, he made his first painted bronze works in a series called xerox and the sculptures Maestri donated to NAS, Innocent X and Gould (2017), are from this series. The artist has said that he wanted the works to mirror the material values of the 21st century. It looks like the sculptures are made from an impermanent and malleable plasticine however in fact they are cast in bronze, a material which naturally aligns itself with the traditional medium of the portrait bust.

Inspired by Bernini’s bust of Pope Innocent X and a portrait of ornithologist John Gould, Maestri has removed their facial features, in an expressive gouging of clay, and spray painted them in soft colours of powder blue and cadmium yellow. He has retained the formal shape of the shoulders, hair and hat, and shown concern with ideas surrounding time and permanency. The artist questions whether there is a place for the classical bust in contemporary art and society, or whether its tradition, practice and materiality is waning. He also asks whether it is still suitable for artists to make everlasting effigies.

The painting After Hopper was donated to NAS in 2018. It is the artist’s first oil painting and was produced at the National Art School whilst the artist was in John Bloomfield’s painting class in 2001. The painting draws on a work entitled The Lighthouse at Two Lights by Edward Hopper (1929), held in the collection of the Metropolitan Museum of Art in New York. Like Hopper, Maestri has isolated the lighthouse against the blue sky from a viewpoint that is below the building.

Now a member of the National Art School’s Board of Directors, Guy Maestri recalls his first day on campus as a student. ‘When I walked through the gates of the re-purposed gaol that is the National Art School, on my first day back in early 2000, I knew I had truly found my place. I found people of my ilk condensed within its now protective walls; all of us energised and encouraged to think, explore and make. I found a productive, enlivened place that had long ago redressed its former purpose’ (Maestri, 2018)

Want to find out more?

Keep your eyes peeled on our page as we feature new works and artists straight from the NAS Archive and Collection. Follow the hashtag on Instagram to stay up-to-date with our latest posts.

Images: Guy Maestri, Innocent X, 2017, painted bronze, 66 x 46 x 26 cm, National Art School Collection, donated by the artist through the Australian Government’s Cultural Gifts Program, 2018 © the artist; Guy Maestri, Gould, 2017, painted bronze, 67 x 40 x 22 cm, National Art School Collection, donated by the artist through the Australian Government’s Cultural Gifts Program, 2018 © the artist; Guy Maestri, After Hopper, 2001, oil on cardboard, 35 x 22 cm, National Art School Collection, donated by the artist through the Australian Government’s Cultural Gifts Program, 2018 © the artist

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Due to the overwhelming interest in The Neighbour at the Gate, we are excited to announce that the NAS Gallery is now open on Sunday, for the duration of the exhibition. 

Head to the link in bio to plan your visit.
Ever wondered what it’s like studying at the National Art School?

Find out at our Open Day on Saturday 6 September, 10am to 4pm.

Considering art as a career or simply curious about what happens behind the school’s historic sandstone walls? Save the date on Eventbrite (link in bio) to see what life is like for students at NAS by participating in studio demonstrations, chatting to our academic staff and visiting the NAS Gallery and student exhibition spaces across our campus.
The National Art School was saddened to hear of the recent death of artist and NAS alumnus Bruce Goold (1948-2025).

Born in Newcastle in 1948, from 1961- 65 Bruce attended Sydney Grammar School, where he studied art with ceramicist and potter Gordon McCausland. This was followed by a year at the National Art School, Newcastle. Here he experimented with various mediums and made his first linocut. He then studied at the National Art School, c. 1967-68. 

Bruce was a member of the artist collective Yellow House between 1970-72. The former Clune Gallery in Kings Cross was transformed by Martin Sharp and a group of fellow artists, who painted the exterior bright yellow and covered its internal walls with murals, portraits and decoration. Artists such as Brett Whiteley, Peter Wright, Bruce Goold, Greg Weight and Peter Kingston turned the building into an artwork, while visiting bands and celebrities made it a regular fixture of the Sydney scene.

Known principally as a printmaker, Goold created coloured linocuts and woodblocks including many images of Australian flora and fauna, as well as South Pacific inspired esoteric and symbolic subjects. He held solo exhibitions in Sydney, Melbourne and internationally in London and Ireland. He received major commissions for poster, logo and interior design and worked as a designer for Mambo from 1992. 

A retrospective exhibition, Bruce Goold, Artist, Designer, Printmaker, curated by Therese Kenyon, was held at Manly Art Gallery & Museum in 2008.
The National Art School extends its sympathies to Bruce’s family and many friends.
—
Greg Weight, 'Bruce Goold', 1998, NAS Collection
Got a young artist at home?

Art Club Term 3 is now open for enrolment — and we’ve got an exciting painting program lined up. This term, kids will explore styles like Expressive Acrylics and Contemporary Watercolour, all while building their confidence and creativity.

Monday afternoons, led by artist and educator Grant Bellamy. 

Visit the link in bio to learn more and enrol.
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