NAS Retake: Guy Maestri

NAS Retake: Guy Maestri

Guy Maestri graduated from the National Art School with a BFA, Hons (painting) in 2003. In 2016, he made his first painted bronze works in a series called xerox and the sculptures Maestri donated to NAS, Innocent X and Gould (2017), are from this series. The artist has said that he wanted the works to mirror the material values of the 21st century. It looks like the sculptures are made from an impermanent and malleable plasticine however in fact they are cast in bronze, a material which naturally aligns itself with the traditional medium of the portrait bust.

Inspired by Bernini’s bust of Pope Innocent X and a portrait of ornithologist John Gould, Maestri has removed their facial features, in an expressive gouging of clay, and spray painted them in soft colours of powder blue and cadmium yellow. He has retained the formal shape of the shoulders, hair and hat, and shown concern with ideas surrounding time and permanency. The artist questions whether there is a place for the classical bust in contemporary art and society, or whether its tradition, practice and materiality is waning. He also asks whether it is still suitable for artists to make everlasting effigies.

The painting After Hopper was donated to NAS in 2018. It is the artist’s first oil painting and was produced at the National Art School whilst the artist was in John Bloomfield’s painting class in 2001. The painting draws on a work entitled The Lighthouse at Two Lights by Edward Hopper (1929), held in the collection of the Metropolitan Museum of Art in New York. Like Hopper, Maestri has isolated the lighthouse against the blue sky from a viewpoint that is below the building.

Now a member of the National Art School’s Board of Directors, Guy Maestri recalls his first day on campus as a student. ‘When I walked through the gates of the re-purposed gaol that is the National Art School, on my first day back in early 2000, I knew I had truly found my place. I found people of my ilk condensed within its now protective walls; all of us energised and encouraged to think, explore and make. I found a productive, enlivened place that had long ago redressed its former purpose’ (Maestri, 2018)

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Keep your eyes peeled on our page as we feature new works and artists straight from the NAS Archive and Collection. Follow the hashtag on Instagram to stay up-to-date with our latest posts.

Images: Guy Maestri, Innocent X, 2017, painted bronze, 66 x 46 x 26 cm, National Art School Collection, donated by the artist through the Australian Government’s Cultural Gifts Program, 2018 © the artist; Guy Maestri, Gould, 2017, painted bronze, 67 x 40 x 22 cm, National Art School Collection, donated by the artist through the Australian Government’s Cultural Gifts Program, 2018 © the artist; Guy Maestri, After Hopper, 2001, oil on cardboard, 35 x 22 cm, National Art School Collection, donated by the artist through the Australian Government’s Cultural Gifts Program, 2018 © the artist

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We're excited to share that NAS Photomedia sessional Dr Jack Ball (@jack__ball_) is the winner of the $100,000 Ramsay Art Prize 2025, the nation’s most generous prize for Australian artists under forty.

Jack's award winning work 'Heavy Grit' is on display in the Ramsay Art Prize 2025 exhibition which opens tomorrow, Saturday 31 May

Jack Ball with 'Heavy Grit' in Ramsay Art Prize 2025, Art Gallery of South Australia, (@agsa.adelaide) Adelaide; photo: Saul Steed
Thank you to outgoing Chair Susan Rothwell AM & welcome to incoming Chair Jeff Weeden. The National Art School would like to express its deepest gratitude to Susan Rothwell AM, whose term as Chair of the NAS Board concludes on 31 May 2025. 

At the same time, we are pleased to announce and warmly welcome Jeff Weeden as the incoming Chair of the NAS Board, effective 1 June 2025.

Jeff has served as a Director on the NAS Board since 2019 and currently chairs the Finance and Audit Committee, a position he has held since 2023.  For the full announcement, click the link in the bio.
National Reconciliation Week (NRW) starts today! As part of our NAS NRW program, we invite you to a special screening of the documentary 'Kindred' (2023) in our Cell Block Theatre. The directors Gillian Moody and Adrian Russell Wills will be joining us for the screening.

'There's the black world, and then there's the white world. I felt walking in each of them was complicated enough. To bring those together would just make it even harder.' (Kindred: Trailer)

'Kindred' is a deeply personal feature-length documentary that delves into the emotional landscape of family, love, and loss through the eyes of two close friends.'

Limited capacity - click the link in bio to reserve your seats.
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