NAS Retake: “Castaway” – David washed ashore in the antipodes

NAS Retake: “Castaway” – David washed ashore in the antipodes

For this month’s NAS Retake we look at the incredible collection of casts in the NAS Archive and Collection.
To view the remnants of the facial features of Michelangelo’s David in the NAS cast collection is somewhat like considering the curious pieces of flotsam and jetsam washed ashore after a tropical storm. They have become, in so many ways, castaways adrift on an island continent.
As for David himself – he may also have washed ashore sometime in the past but alas, we have no records of this happening. If this were the case then he has gone missing – perhaps wandered off into the bush, as did so many of our early settlers, never to be seen again. His eyes, ears, nose and lips, however, found their way to NAS.
In the late 19th century, at a time when the cultural influence of classical learning was still strong, the Department of Art at Sydney Technical College, which in time would become NAS, purchased plaster casts from the London plaster firm of D. Brucciani. The plaster casts have been there for much of its history: silent witnesses to the development of systemized art education in Sydney. From a collection that once numbered in the hundreds however, only 30 or so complete casts have survived into this century and amongst them are the separate features of David’s face.
Are you a NAS student going into 2nd and 3rd year in 2021 and keen to see more casts? Join Deborah Beck and Lorraine Kypiotis in Drawing Week 2021 for the “Castaways” Drawing workshop.

Want to find out more?

Keep your eyes peeled on our page as we feature new works and artists straight from the NAS Archive and Collection. Follow the hashtag on Instagram to stay up-to-date with our latest posts.

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We are pleased to announce that applications are now open for the Prudence MacLeod Prize. 

The Prudence MacLeod Prize, which will continue for a further three years, supports a recent National Art School graduate to undertake a six-month residency at @acme.art, London.

Supported by the Lansdowne Foundation, the Prize provides an emerging artist with an opportunity to step forward into an expanded, international context at a vital time in their career. The artist will live and work in London, one of the world's great art cities, in a supportive artist community. This important opportunity will enable the artist to forge professional international contacts, explore London's art world and rich cultural resources, and produce a new body of work.

The recipient of this Prize will receive:
– Return travel to London. To be arranged for the artist by NAS.
– Studio accommodation and workspace at Acme Studios for 6 months.
– Living stipend of $AUD3,500 per month for 6 months. Total $AUD21,000.

Application deadline: Sunday 1 February 2026, 11.59pm
Residency: Monday 6 July – Friday 18 December 2026

The Prudence MacLeod Prize is open to eligible NAS alumni who have graduated within the past five years and meet the selection criteria.

Learn more 🔗 in bio. 

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Acme Fire Station, 30 Gillender Street, 1999 © Acme Archive
Thank you to everyone who joined us at the opening of The Grad Show!

Find works by this year's cohort exhibited throughout the NAS campus until 14 December. Open daily from 11am — 5pm and until 9pm on Fridays. 

View online via 🔗 in bio.

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Video: Tim Connolly
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