SMH: Review – Tracey Moffat’s Portals and Kirtika Kain’s Corpus

SMH: Review – Tracey Moffat’s Portals and Kirtika Kain’s Corpus

Article by John McDonald

NAS alumna Kirtika Kain’s new exhibition Corpus at Roslyn Oxley9 Gallery is reviewed by John McDonald in Spectrum. “Her debut exhibition in Oxley’s smaller gallery is really impressive, showing a willingness to experiment with materials and flirt with chaos that most artists don’t achieve until much later in their careers.”

Image: Installation view of Kirtika Kain’s exhibition, Corpus at Roslyn Oxley9 Gallery, courtesy Roslyn Oxley9 Gallery.

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Opening night: The Neighbour at the Gate 

Join us on Thursday 10 July for the opening night of The Neighbour at the Gate, a major exhibition at the National Art School Gallery, curated by a guest curatorium led by Clothilde Bullen (Wardandi Noongar and Badimaya Yamatji), with Micheal Do and Zali Morgan (Whadjuk Balladong and Wilman Noongar).

Bringing together newly commissioned works by leading Australian artists Jacky Cheng, Elham Eshraghian-Haakansson, Dennis Golding (Kamilaroi/Gamilaraay), Jenna Mayilema Lee (Gulumerridjin (Larrakia), Wardaman, KarraJarri), James Nguyen and James Tylor (Kaurna, Thura-Yura language region), the exhibition reckons with the echoes of immigration policies and the legacies of Colonialism in Australia, unravelling how these forces continue to shape First Nations and Asian Australian experiences and relationships.

Across various mediums and perspectives, The Neighbour at the Gate charts the entangled legacies of exclusion and resilience, drawing vital parallels between the past and present, memory and nationhood.

The Neighbour at the Gate has been made possible with the generous support of the NSW Government through its Blockbusters Funding initiative.

RSVP at the link in bio.
Burned trees build no homes. 

Today we acknowledge World Environment Day with this work by alum Una Foster, now in the National Art School Collection.
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Una Foster, ‘Burned Trees Build No Homes’, c.1945, commercial print on paper; image courtesy the artist and National Art School © Una Foster. From the National Art School Collection.
This end of financial year, support the next generation of artists through the National Art School’s Pathways Program.

Your donation will be vital in helping us build a more inclusive and vibrant arts community — creating crucial pathways for talented artists to become leading international artists, regardless of their background.

Support our EOFY campaign via the link in bio and help us to break down barriers to art education.
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