John Olsen: Goya’s Dog

29 October 27 November

Image: John Olsen, Golden summer, Clarendon, 1983, oil on hardboard, 182.5 x 244.3 cm, purchased with the assistance of Salomon Brothers 1985, Art Gallery of New South Wales Collection © John Olsen/Copyright Agency

The National Art School is proud to present John Olsen: Goya’s Dog, a powerful exploration of an extraordinary Australian artist – from his creative awakening in Spain, through the darkness that threatened to overwhelm him at times, and his ability to reach for the light, pursuing a long and acclaimed career.

John Olsen is one of the National Art School’s most renowned graduates, a NAS Fellow, AO and OBE. Goya’s Dog features over 50 major works, sketchbooks and drawings, many not seen in public for generations.

The exhibition begins in Spain during the mid-1950s when the young artist became entranced and inspired by Spanish culture – art, poetry and music – which drew him to explore a darker, more vulnerable side of his personality and experience. Another visit to Spain in the mid-1960s transformed his palette, which became more dynamic and bold.

“It was a remarkable experience because Spain was completely isolated from the modishness of the 20th century, it was still the essential heart of Europe. And then as I began to study, I became aware that even though Spain is a bright and sunny country, that its principle painting lay on the basis of tone – Velazquez, Goya, Murrillo – and somehow those earthy tones reverberated the soul of Spain.  

“It was very profound … rather than thinking outwards, it made you think inwards. Still in Australia today, they like the sunny side of the world, whereas the Spanish like the shadow side of the world. I found that very intriguing.” John Olsen, February 2021 

The exhibition also features Olsen’s work from the 1970s, ’80s and ’90s, a period when his vital urban Australian ‘larrikin’ voice emerged. The Olsen landscape became like a theatre or stage, where human drama takes place. It is vivacious, teeming with metaphysical life; in parallel with and embracing real life.

Known for the irrepressible vitality in his work and his buoyant personality, Olsen is a visual poet with a deep love of poetry underpinning his work. Yet he has also confronted darkness in his life, reflected in works such as Donde voy? Self-portrait in moments of doubt (1989). This powerfully introspective painting fits within a venerable history of western art, one which looks mortality in the face.

“I’m 93, and I’m more entranced with the dark side. Not in a mournful sense, but in a sense of enquiry.” John Olsen 

Olsen has followed his lifelong urge to set sail into the unknown, delving into the landscape that takes on the form of a living being, full of emotions, foibles and beauty. Through the storms, struggles and soul-searching, he lands on moments of enlightenment, where he is able to capture the energy and elemental life forces of nature, and what it is to be human within this world.

“What I’m talking about is the artist as hunter gatherer. Being daring, and not frightened of the outcome. You’re a journeyman, in the real sense. It’s not the question of failure, it’s the question of understanding and feeling, where you’re able to inhabit your interior world.” John Olsen 

EXHIBITION DATES: Friday 29 October – Saturday 27 November 2021
EXHIBITION LOCATION: NAS Gallery
OPENING HOURS: Monday–Saturday, 11am–5pm
CURATOR: Steven Alderton based on a concept by William Wright AM

Explore the exhibition

Images: John Olsen: Goya’s Dog installation view, 2021. Photos: Peter Morgan

Hear from the artist

Education Resources

The John Olsen: Goya’s Dog resource been written in line with the Years 7–10 Visual arts Syllabus and the Higher School Certificate Visual arts Syllabus, as a guide to exploring the exhibition or as a pre/post-visit resource. Tertiary students and the general public may also find the resource useful.

Teachers will be able to use this resource in conjunction with the works in the exhibition to engage in a critical and historical study of the art world and to investigate artists, artworks, worlds, and audiences from a range of cultural, political, historical and social perspectives and use these to inform their own artmaking practices.

Use the exhibition walkthrough video (top of page) to explore the artworks.

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Final call! This is your last chance to apply for our BFA degree for 2026.
 
Applications close 29 January.
 
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Join us from 6–9pm on Thursday 22 January for the opening of SEARCHERS: Graffiti and Contemporary Art.

Featuring Ben Aitken, Howard Arkley, BAGL, BREAK, Andrew Browne, Daniel Crooks, Adam Cullen, Mikala Dwyer, Dale Frank, Shaun Gladwell, Brendan Huntley, Rhys John Kaye, Luke Kennedy, LAZY, Mim Libro, Fiona Lowry, Eddie Martin, MACH, Tony McGillick, Paul McNeil, TV Moore, Callum Morton, Tresor Murace, Sidney Nolan, POWER, Ben Quilty, Scott Redford, Reko Rennie, RUM, Leslie Rice, Joan Ross, Khaled Sabsabi, Tim Silver, SNAIL, SPICE, Bridget Stehli, Maya Stocks, Latai Taumoepeau & TAVEN

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Presented as part of @sydney_festival.

—
Sidney Nolan, ‘Untitled’, 1983, spray can enamel on canvas, Nolan Collection, managed by Canberra Museum and Gallery on behalf of the Australian Government
Marking 20 years of the National Art School Gallery, we are thrilled to share this year's program of ambitious group and solo exhibitions that foster critical appreciation and innovative art practice.
 
SEARCHERS: Graffiti and Contemporary Art
17 January – 11 April
Opening: Thurs 22 January, 6pm
Bringing together over thirty of Australia's most dynamic artists united by one charged medium: spray paint, presented as part of @sydney_festival.
 
QUEER CONTEMPORARY 
Liz Bradshaw: I didn't expect to live this long
13 February – 7 March
Opening: Thurs 12 February, 6pm
Experience a large-scale sculpture and installation by NAS alum Liz Bradshaw as part of @sydneymardigras.
 
Mitch Cairns: Artist's Mouth
1 May – 11 July
Opening: Thurs 30 April, 6pm
Presented with the @instituteofmodernart, the largest and most comprehensive exhibition by Sydney-based artist and NAS alum Mitch Cairns.
 
Margaret Olley: Australian Intimiste
31 July – 25 October
Opening: Thurs 30 July, 6pm
Celebrating the legacy of NAS alum and one of Australia's most beloved painters, Margaret Olley AC.
 
The Postgrad Show 
6–15 November
 
The Grad Show
4–13 December

Full program 🔗 in bio.
 
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Howard Arkley, 'Triple fronted', 1987, synthetic polymer paint on canvas, Art Gallery of New South Wales, Mollie and Jim Gowing Bequest Fund 2014 © The Estate of Howard Arkley, courtesy Kalli Rolfe Contemporary Art, image © Art Gallery of New South Wales
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