Does the future of art rely on social media?
“A way to understand Deirmendjian’s distinctive and quietly radical work is as a collection of deliberately small and fragmentary insights that fully embrace a pervasive condition of cultural disorientation and attempt to bring moments of perception into a world dulled by routine, noise and consumerist amnesia”
Christopher Allen, Art Critic, writes for The Australian reviewing NAS Alumnus Gary Deirmendjian’s vignettes on social media.