Full immersion: Margaret Olley Drawing Week 2019, the 20th anniversary of a NAS tradition 

Full immersion: Margaret Olley Drawing Week 2019, the 20th anniversary of a NAS tradition 

In the last week of February, three hundred and fifty students will return from the Summer break to commence the next stage of their studies at the National Art School. They will be hungry for the stimulation and rigour of the BFA program, but before they divide off for their timetabled classes they will participate in Margaret Olley Drawing Week. In this special week, just before Week One of the academic year, there are no AM and PM sessions and no shifts between subjects: just full immersion in drawing, a discipline that is at the core of all study at the School.

The tradition of Drawing Week began in 1999, when Noel Thurgate and Michael Downs were newly-appointed heads of the NAS Drawing Department. Their application for the job had included a simple idea, inspired by the New York Studio School’s Drawing Marathons. By enabling students to develop their drawings over a longer, more continuous spell of time than regular classes allowed for, they could be encouraged to make, unmake and remake their work. This would improve the quality of their drawings and perhaps more significantly, students would experience a new depth in their own potential as makers.

With only half of January and a sliver of February to turn this proposal into reality, Thurgate and Downs marshalled their colleagues and were ready on the 15th February to commence the inaugural Drawing Week, across two locations: the teaching studios of NAS’s Darlinghurst campus, and a vast, disused customs shed at Darling Harbour. The event was a huge success, both educationally and for the culture of the School. As the report on the first Drawing Week noted: “an ad hoc lunchtime forum developed where all the staff sat in a semi-circle with the participating students and talked about anything from Aristotle to discount art materials.”

This success aside, nobody could have foreseen that over the next two decades, thousands of National Art School students would participate in Drawing Week. Through a period when the tertiary sector has been subjected to one cutback after another, Drawing Week has thrived, with the generous support of the Margaret Olley Trust in recent years. Still, economy of means is paramount, and Drawing Week has often occupied urban sites in transition, from an abandoned theme park (Sega World at Darling Harbour, 2001) to a decommissioned power station (White Bay, 2005) and a gutted skyscraper in the Sydney CBD (60 Margaret Street, 2016). As an extra-curricular activity it can incorporate areas of study that sit on the fringe of the core Drawing program, with specialist artist-lecturers brought in to offer their experience in a particular area of drawing, or its intersection with other forms such as performance art, animation or photography.

In 2019, fifteen different workshops have been offered to students. They will head to locations including the State Library of New South Wales, the Hill End historical precinct and Cronulla Sewerage Treatment Plant. Befitting the anniversary Noel Thurgate will be back, leading a group who have elected to make drawings of the industrial harbour environment at Cockatoo Island. As he and Downs wrote in 1999, students can expect “a flying start to their work, in whatever area they are enrolled.”

– Joe Frost, Drawing Lecturer, National Art School 

Arthur Boyd: Landscape of the Soul Installation View at NAS Gallery. Photo: Peter Morgan.

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Ever wondered what it’s like studying at the National Art School?

Find out at our Open Day on Saturday 6 September, 10am to 4pm.

Considering art as a career or simply curious about what happens behind the school’s historic sandstone walls? Save the date on Eventbrite (link in bio) to see what life is like for students at NAS by participating in studio demonstrations, chatting to our academic staff and visiting the NAS Gallery and student exhibition spaces across our campus.
The National Art School was saddened to hear of the recent death of artist and NAS alumnus Bruce Goold (1948-2025).

Born in Newcastle in 1948, from 1961- 65 Bruce attended Sydney Grammar School, where he studied art with ceramicist and potter Gordon McCausland. This was followed by a year at the National Art School, Newcastle. Here he experimented with various mediums and made his first linocut. He then studied at the National Art School, c. 1967-68. 

Bruce was a member of the artist collective Yellow House between 1970-72. The former Clune Gallery in Kings Cross was transformed by Martin Sharp and a group of fellow artists, who painted the exterior bright yellow and covered its internal walls with murals, portraits and decoration. Artists such as Brett Whiteley, Peter Wright, Bruce Goold, Greg Weight and Peter Kingston turned the building into an artwork, while visiting bands and celebrities made it a regular fixture of the Sydney scene.

Known principally as a printmaker, Goold created coloured linocuts and woodblocks including many images of Australian flora and fauna, as well as South Pacific inspired esoteric and symbolic subjects. He held solo exhibitions in Sydney, Melbourne and internationally in London and Ireland. He received major commissions for poster, logo and interior design and worked as a designer for Mambo from 1992. 

A retrospective exhibition, Bruce Goold, Artist, Designer, Printmaker, curated by Therese Kenyon, was held at Manly Art Gallery & Museum in 2008.
The National Art School extends its sympathies to Bruce’s family and many friends.
—
Greg Weight, 'Bruce Goold', 1998, NAS Collection
Got a young artist at home?

Art Club Term 3 is now open for enrolment — and we’ve got an exciting painting program lined up. This term, kids will explore styles like Expressive Acrylics and Contemporary Watercolour, all while building their confidence and creativity.

Monday afternoons, led by artist and educator Grant Bellamy. 

Visit the link in bio to learn more and enrol.
Thank you to everyone who attended the opening night and weekend celebrations for The Neighbour at the Gate. 

The Neighbour at the Gate is now open until Saturday 18 October 2025
11am – 5pm Monday to Saturday
NAS Gallery
Free admission, all welcome

Plan your visit at the link in bio.
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