Dobell Drawing Prize #21

Dobell Drawing Prize #21

EXHIBITION DATES: Thursday 28 March — Saturday 25 May 2019
OPENING HOURS: Monday–Saturday, 11am–5pm

Congratulations to Justine Varga who has won the Dobell Drawing Prize #21!

Comments from the Judge’s: “Drawing is a fundamental part of many visual art practices. The winner of the Dobell Drawing Prize #21 uses drawing in the most meaningful and sophisticated way. Her work is a distillation of so many components of our collective lives. Drawing plays a pivotal role in this artist’s exploration of us all. The winning work is a powerful, playful and sophisticated 21st century drawing and a deserved winner.”

Congratulations also to Tony Albert who was highly commended, “Highly commended goes to an artist who is relentlessly and skilfully re-writing dialogues about Australian histories. Drawing underpins his practice. Old Sins Cast Long Shadows uses the most simple drawing techniques to tell a formidably sophisticated story.”

 

The Dobell Drawing Prize is a new biennial prize and exhibition presented by the National Art School in association with the Sir William Dobell Art Foundation. The Prize is an open call to all artists and aims to explore the enduring importance of drawing and the breadth and dynamism of contemporary approaches to drawing.

The exhibition showcases the finalists’ artworks across a broad range of media that acknowledges the foundational principals of drawing, while also encouraging challenging and expansive approaches to drawing. Submissions are invited for artworks on paper, but may also include wall drawings and larger-scale works and works utilising electronic media.

National Art School envisions the Prize as a platform for the celebration and examination of current drawing practices. The Prize builds on the energy of both emerging artists who make art through drawing, while also celebrating innovation and technical skill of experienced artists.

A drawing symposium, workshops and a range of artist talks will be held in conjunction with the Prize and exhibition, positioning the National Art School and Sydney at the core of contemporary drawing, research and the exploration of ideas.  Drawing continues to be central to the National Art School’s curriculum, and the opportunity to present and reflect the many facets of contemporary drawing offers artists another forum to explore the dynamic medium of drawing.

The new Dobell Drawing Prize is an acquisitive art award that runs in alternative years to the Dobell Australian Drawing Biennial at the Art Gallery of New South Wales, affirming the Dobell Foundation’s commitment to continuing the development of drawing as a medium in its own right, and a fundamental element of the visual arts.

 

Image: Justine Varga with NAS Director and CEO Steven Alderton

 

2019 FINALISTS:

Badra Aji – VIC

Tony Albert – NSW

Leonie Andrews – ACT

Suzanne Archer – NSW

Martin Bell – VIC

M. Bozzec – NSW

Michelle Caithness – VIC

Kristone Capistrano – NSW

Tom Carment – NSW

Tanya Chaitow – NSW

Ari Chand – NSW

Joshua Charadia – NSW

Matthew Clarke – VIC

Penny Coss – WA

Maryanne Coutts – NSW

Fiona Currey-Billyard – NSW

Dagmar Cyrulla – VIC

Madeleine Joy Dawes – VIC

Amy Dynan – NSW

Helen Eager – NSW

Yvonne East – NSW

Stephanie Eather – VIC

David Fairbairn – NSW

George Gittoes – NSW

Richard Goodwin – NSW

Kendal Heyes – NSW

Mark Hislop – VIC

Daniel Hollier – NSW

Pollyxenia Joannou – NSW

Alan Jones – NSW

Locust Jones – NSW

Alex Karaconji – NSW

Sonia Kurarra – WA

Hyun Hee Lee – NSW

Brooke Leigh – NSW

Ruark Lewis – NSW

Tanya Linney – NSW

Lily Mae Martin – VIC

Jonathan McBurnie – QLD

Noel McKenna – NSW

Peta Minnici – NSW

Damian Moss – NSW

Wendy Murray – NSW

Angus Nivison – NSW

Chris O’Doherty (aka Reg Mombassa)  – NSW

Catherine O’Donnell – NSW

Toshiko Oiyama – NSW

Jenny Orchard – NSW

Becc Ország – VIC

Kerrie Poliness – VIC

Monica Rohan – QLD

Wendy Sharpe – NSW

Peter Solness – NSW

Kim Spooner – NSW

Luke Thurgate – SA

Justine Varga – NSW

Mirra Whale – NSW

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What's happening at the National Art School on 6 September? RSVP to our Open Day today to find out. (Link in bio)
Hear artist James Nguyen (@jamesnguyens) discuss the process of his artwork ‘Homeopathies_where new trees grow’ (2025), a site-specific installation created for The Neighbour at the Gate, now on at NAS Gallery.

In response to the exhibition, Nguyen created a large-scale suspended textile, dyed with introduced weeds and contaminated mud collected along the Duck River and Parramatta River in Sydney. These local sites, like many places in Vietnam, continue to be contaminated by Agent Orange, dioxins and toxic leachates that account for the industrial scale manufacturing of chemical weapons along Homebush Bay.

The Naarm/Melbourne-based, Vietnamese Australian artist positions his personal experiences and perspectives in dialogue with others in his interdisciplinary practice, moving between live and online performance, video, drawing and installations. This work was made in conjunction with Nguyen’s aunt, Nguyễn Thị Kim Nhung, and uncle, Nguyễn Công Chính, who you can hear in conversation with the artist in the Artist Talks archive on our website.

The Neighbour at the Gate is now on until Saturday 18 October 2025. 11am – 5pm, Monday to Sunday. Plan your visit at the link in bio.

The Neighbour at the Gate has been made possible with the generous support of the NSW Government through its Blockbusters Funding initiative.
Congratulations to our recent BFA graduate Samuel Chan (@__szwc), who has been named one of three recipients of the ‘most exceptional’ prize at the Dr Harold Schenberg Arts Awards.

Now in its 16th year, the Dr Harold Schenberg Arts Awards offers the largest prize pool for emerging artists in Australia and is part of PICA’s ‘Hatched: National Graduate Show’. To be part of ‘Hatched’ exhibition is an honour as it showcases the next generation of Australia’s contemporary creative voices, presenting artworks by 23 outstanding art school graduates from across the country.

Sam’s award-winning installation work includes 'At Eventuality’s End' - an evocative sculptural piece previously featured in our ‘Queer Contemporary: Chaosophy ‘exhibition as well as the NAS Grad Show.

Inspired by our alumni success stories? Join our Open Day on 6 September to explore your own creative path and get application-ready with one-on-one consultation sessions. (Link in bio)

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(In order of appearance in the video)

'Embrace', 2024, resin, stainless steel hook, Conte crayon, 47 x 14.5 x 9.5cm

‘Transfiguration’, 2024, Chillagoe White Pearl marble, mild steel, incense, 172 x 26 x 26cm 

'Noose', 2024, resin, graphite, titanium rod, 30 x 14 x 5cm 

'At Eventuality's End', 2024, hand-dyed paper, wire mesh, mild steel rod, 255 x 80 x 60cm

Image courtesy and © the artist, photograph: Jennifer Leahy (@silversalt_photography)

@pica_perth
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