DALE FRANK: Growers and Showers

Dale Frank Tim could have done anything if he had wanted and all his friends would think that he was lucky, but he was left alone with himself, a stranger that held his life together like a water based glue 2022 colour pigments in easy cast resin, epoxyglass, on perspex 200 x 200 cm

Growers and showers delves into the diverse materiality of Dale Frank’s expanded painting practice. Frank is renowned for his vivid, glossy, abstract paintings, and his highly experimental approach to artmaking, evident in his wide-ranging use of materials and multidisciplinary approach. Presented over two floors of the NAS Gallery, this significant survey exhibition includes over 40 large-scale paintings made over the last decade. The works showcase a multitude of mediums and unexpected surfaces, from poured epoxy-glass on metallic Perspex, to CDs, human hair wigs, shattered glass and air vent ducts. A true maximalist, the gallery environment will also include sculpture, sound and performance to create an immersive viewer experience that tests the boundaries of abstraction and explores the potentiality of painting.

 

Dale Frank is one of Australia’s foremost contemporary artists. Since the 1970s, Frank has enjoyed a successful international career as a conceptual artist. Best known for his vivacious abstract paintings, his multidisciplinary practice spans sculpture, drawing, performance, film, and installation. His work has been widely exhibited since the 1980s, including at PS1, New York (1981), the Biennale of Sydney (1982), and the 42nd Venice Biennale (1983 and 1984). More recently he has shown at the Adelaide Biennial of Australian Art (2014); the 55th Venice Biennale (2013) and the National Gallery of Victoria (2015). In 2000, a major solo retrospective of his work was held at the Museum of Contemporary Art Australia, Sydney. Frank’s work is held in all major Australian state galleries, as well as number of international collections, including the Museum of Fine Arts, Boston, USA; the Auckland Art Gallery Toi o Tamaki, New Zealand; and the Solomon R. Guggenheim Museum, New York. Dale Frank is represented by Roslyn Oxley9 Gallery in Sydney, Neon Parc in Melbourne, Gow Langsford Gallery in New Zealand and Pearl Lam in Hong Kong.


EXHIBITION DATES:

12 April – 1 June 2024

11am – 5pm

NAS Galleries

CLOSED 25th April for Anzac Day

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Art Club is our high school student program for 15-17 year olds, designed to enhance and extend students’ technical, conceptual, and intellectual skills, through intensive practical study in the disciplines offered at NAS as well as engaging in an experience of our studios and campus, under the expert direction of experienced artists.

Set your child on a creative path with Art Club. 

Learn more at the link in bio.
Thank you to everyone who attended the opening night of the 24th Dobell Drawing Prize and congratulations again to the prize winner NAS alumna Rosemary Lee.

The 24th Dobell Drawing Prize is now open until Saturday 21 June 2025
11am – 5pm Monday to Saturday 
NAS Gallery 
Free admission, all welcome

Learn more about the exhibition at the link in bio.
We are delighted to announce NAS alumna Rosemary Lee as the winner of the 24th Dobell Drawing Prize, Australia’s leading prize for drawing, worth $30,000.

Selected from 56 nationwide finalists, and 965 entries, Rosemary’s work will become part of the National Art School’s significant collection, built over the past 120 years. Rosemary, in her winning work 24-1 (2024), observes tonal and compositional profundity in everyday life.

The judging panel comprising acclaimed First Nations artist Vernon Ah Kee, Paula Latos-Valier AM, Trustee and Art Director of the Sir William Dobell Art Foundation, and Dr Yolunda Hickman, Head of Postgraduate Studies, National Art School, commented of Rosemary’s work: “The decision to award the 24th Dobell Drawing Prize to Rosemary Lee for the work ‘24-1’ was unanimous. We were most impressed by the level of visual intensity the artist has achieved in this work both through its vibrant colour and in the extraordinary detail of the composition. The artwork’s exploration of the urban landscape and gentrification of the Sydney suburbs of Ashfield and Summer Hill, has produced an image capturing a broader sense of transience and the omnipresence of construction sites in our cities today. It questions the cultural and historical value of place, through the lens of the artist’s personal connection.” 

See Lee’s work alongside the work of the other finalists in the 24th Dobell Drawing Prize, 11 April – 21 June 2025, NAS Gallery
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Left to right: NAS Director and CEO, Dr Kristen Sharp with artist Rosemary Lee, featuring winning artwork 24–1, 2024, pencil on paper, image courtesy the artist and National Art School Gallery © the artist, photograph: Peter Morgan
Introducing the National Art School Short Courses Program from July–December 2025

Whether you’re a beginner, rediscovering a past passion, refining your skills, or considering our Fine Arts degree, the short courses offer a stimulating and rewarding experience for all levels.

Our 2025 program begins in July with Winter School, followed by Term Three, Spring Weekend Workshops in September, and Term Four in October.

Learn more and enrol at the link in bio.
Making Sound is a performance event featuring four artists who make devices that make sound, including Gary Warner, Pia van Gelder, Ben Denham and Sean O’Connell, presented following Facture: Drawing Symposium 2025, Saturday 12 April 5-6pm. 

Gary Warner creates an improvised soundfield with his ‘aleatoric ensemble’ autonomous sound machines, a collection of modified turntables that spin ad-hoc bric-a-brac assemblages.

Pia van Gelder (pictured) amplifies an electronic circuit as it is built in real-time. Under the moniker of “PvG sans PCB,” in these performances, van Gelder works on a breadboard with electronic components and additional found objects to demonstrate the electronic variabilities produced in the material world.

Ben Denham and Sean O’Connell perform together with handmade synthesizer systems that sense and sonify barometric pressure and the flow of electrons through matter.

Purchase your tickets to the symposium at the link in bio.
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Pia van Gelder, 'sans PCB', 2021, performance, Collings Creative, image courtesy and © the artist
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